Because I love television. How about you?

Month: February 2021

One woman’s exit leaves Matt speechless on ‘The Bachelor’

Matt James didn’t get the rose ceremony he expected on Monday’s episode of “The Bachelor.”
PHOTO CREDIT: All photos, Craig Sjodin/ABC

Matt James asked a rhetorical question on Monday’s hometowns episode of “The Bachelor,” on which he met the relatives of the four women still in the hunt: “The fact that their families are here to meet me and spend time with their daughter, how can you not be excited about that?”

I wasn’t excited at all, truth be told. This has felt like a gruelling season, first because of the nasty behaviour among some of the contestants, later because of the racism controversy that led to Chris Harrison stepping down as host. It’s the first time I can remember that I started to appreciate weekly episodes less as entertainment than as milestones to the end of the season and not having to watch anymore.

But then the first “hometown” date, with teacher Michelle Young, chipped away some of the stone where my “Bachelor”-loving heart used to be. There were cute children on Zoom asking awkward and funny questions. There were lovely moments of affection and care between Michelle and her parents.

By episode’s end, I was feeling sorry for Matt, who seemed to have the wind knocked out of him when Serena Pitt told him he wasn’t her “person” and sent herself home. The stunned silence with which he greeted her pronouncement was raw and real. He hasn’t seemed that disturbed about anyone else leaving, which makes me think that Bri lucked into what would have been Serena’s rose. More on that later.

Back to Michelle’s date. Taking questions from the children of Ms. Young’s class was probably good practice for Matt meeting the parents later on.

Matt got to “meet” teacher Michelle’s students on their hometown date.

The kids weren’t messing around. “How many girlfriends do you have?” asked a girl named Marnie. “Are you going to have babies?” queried Kelsey and Luke. “Are you going to marry her?” asked Tyler. Matt wasn’t saying, but promised he’d give Tyler a Zoom call when he knew.

Michelle’s dad Ephraim wasn’t quite that direct, but he did ask Matt if he was in love with Michelle. “I am falling for your daughter,” Matt replied. He also said he’d be willing to move to Minnesota if they ended up together.

Michelle had emotional conversations with both her mom and her dad, not just about her feelings for Matt but about how they supported her after what I presume was a bad breakup two years before. “That’s our job, to be there when things get tough,” Ephraim said, which gives me hope Michelle will be just fine if Matt doesn’t pick her.

Later, Michelle told Matt she was falling in love with him. He did not say it back, but he did seem happy she said it, so we’ll see.

Rachael gets a rose from Matt. Should I read anything into the fact that her hometown date
was the only one that the ABC website didn’t provide any photos for?

The next date was with our problem contestant, Rachael Kirkconnell.

If you’re like me, you’re probably hoping that Matt doesn’t pick Rachael because if her social media blunders were more than just youthful ignorance, and the allegations that she bullied high school colleagues for dating Black guys are true, then her getting engaged to Matt can’t end well.

Matt certainly does seem attached to Rachael, however. There was a mishap when they went skydiving and Rachael came in for a rough, face-first landing. She was fine other than bruises, but Matt said the near-miss had put his feelings in perspective. “It’s a different feeling when you’re falling in love and that person’s, like, potentially really hurt and the thought of losing you set in in that moment . . . I didn’t realize how strongly I felt until something like that happened,” he said.

When it came to her family, Rachael’s father Darrell was skeptical, but he wasn’t rude about it. “To me it would be difficult to care about someone when you’re seeing other people,” he told Matt and who the hell can argue with that sentiment?

Rachael wasn’t dissuaded when Darrell suggested Matt was telling the other three women the same things he was telling her. “I don’t think he is,” she said. “It might be a little naive of me to think I’m different, but I really think that I am.”

What could Dad do but tell her she had his support?

Rachael was a little put off, however, by the fact Matt hadn’t asked her father for permission to propose. “That’s not a conversation I want to have with four families,” Matt explained and I applaud the hell out of that remark. He promised Rachael he’d phone her pop when the time came.

If there’s a wedding for these two, Bri might need to pull out the step stool at the altar.

Bri’s date was the most uneventful of the four. There was only one child in view, her mother Lauren’s new baby, and she was too young to ask questions. There were no injuries despite the fact Bri took Matt off-roading.

Even though Matt said he was falling for Bri, her mom wasn’t sure if he meant in love or lust. But when Bri tearfully told Lauren she was falling in love with Matt, Mom was all for sharing that with him. “Worst case scenario we are mending a broken heart together and we’ll survive,” she said.

I could be wrong, but I suspect there’ll be mending to do, only because when Bri told Matt she felt like she was falling for him, he responded, “Thank you for sharing that with me tonight.” It seemed too polite a reaction.

Serena and Matt indulge in a Canadian pastime.

And now for Serena. Like her, I am a proud Canadian so I was most interested in the Toronto publicist’s date. One room of the Nemacolin was turned into a mini Canadaland. There were stuffed moose and beavers; there was maple syrup; there was a map of Canada and Canadian flags; there was a quiz in which Matt couldn’t distinguish between a toboggan and a toque. I’ll be honest: unless you popped into a souvenir store you wouldn’t see any of that stuff just wandering around Toronto. Although, yes, I occasionally eat poutine and BeaverTails and Nanaimo bars, but hold the peameal bacon.

Serena whupped Matt at hockey and beating Americans at hockey is something all Canadians like to do, or at least to see being done.

But there was to be no cross-border love story here. It wasn’t that Serena’s mom and dad and sister were opposed to Matt; it was that the more questions they asked Serena about him the more confused she became about her feelings. She was the only one of the four women who didn’t tell Matt she was falling for him. In fact, she told him very candidly that she was having doubts.

So the next day, Matt went to Serena’s suite to try to resolve those doubts after telling Harrison it was a relationship worth fighting for. Except it turned out to be a pretty fast knockout.

Matt told Serena he could see a future with her. Serena told him that despite the fact he had everything she could want in a husband, “it just comes down to the fact that I don’t think that you’re my person.”

For at least 20 seconds, Matt just sat there stunned before finally responding, “It sucks to hear that.” Serena walked him out and hugged him and handed him into an SUV. And Matt had tears running down his face in his confessional, so that one definitely left a mark.

My guess is that Bri would have gone home had Serena stuck around and that’s just because he seems more into Michelle and Rachael. But with Serena gone, all three got roses — after a warning from Matt that accepting a rose meant accepting everything that came it, including a potential engagement.

Next week it’s “Women Tell All” so expect rancour and tears, including from Victoria, and maybe even some apologies, fake or otherwise.

Then in two weeks, there’s some sexy time on the overnight dates, buckets of tears, including from Matt, Rachael saying she “can’t do this anymore” and Matt telling Harrison that maybe he doesn’t want to do it anymore either, so make of that what you will.

You can watch Monday at 8 p.m. on Citytv. And you can comment here, visit my Facebook page or follow me on Twitter @realityeo

Watchable the week of February 22, 2021

SHOW OF THE WEEK: Ginny & Georgia (Feb. 24, Netflix)

Diesel La Torraca as Austin, Brianne Howey as Georgia and Antonia Gentry as Ginny
in “Ginny & Georgia.” PHOTO CREDIT: Courtesy of Netflix

A lot of the fun of “Ginny & Georgia” is the way it both fulfills and subverts our expectations of this kind of youth-oriented fare. It’s part high school dramedy, part rom-com, part coming-of-age story, part family drama, part redemption tale.

There are tropes like the alluring bad boy, the queer best friend, the stuck-up girls’ clique, but the characters aren’t caricatures and when you think you know where the show is going it often veers a different way.

At the centre of it all are Ginny and her mother Georgia.

Ginny (Antonia Gentry) is a biracial 15-year-old who’s smart, self-aware and somewhat cynical but also full of doubt and angst and insecurity. Her mother Georgia (“Batwoman”), who had Ginny at 15, has wit and intelligence that belie her blond hair and body-hugging, cleavage-baring clothes. She’s also a thief, a con artist and possibly dangerous, and you sense she’d do anything to protect her kids, including son Austin (Diesel La Torraca), who has a different father than Ginny.

After a lifetime spent moving from place to place, usually to run to or escape from a man, Georgia settles in Wellsbury, Massachusetts, in what she hopes will be a permanent home, but Georgia has a messy past that is obviously going to catch up with her.

There also a couple of love triangles in play, one for mother, one for daughter.

The series was shot in Toronto and the supporting cast is loaded with Canadian actors, including Jennifer Robertson (Jocelyn on “Schitt’s Creek”) as Georgia’s friend and neighbour Ellen; Sara Waisglass (“Degrassi”) as Ginny’s lesbian bestie Maxine; Raymond Ablack (“Degrassi,” “Shadowhunters”) as Joe, the eligible owner of the town cafe; Mason Temple as Ginny’s boyfriend Hunter; Sabrina Grdevich (“Traders,” “Intelligence”) as Georgia’s rival Cynthia and Katie Douglas (“Mary Kills People,” “Pretty Hard Cases”) as Abby, part of Max’s and Ginny’s gang of friends.

The series, created by screenwriting newbie Sarah Lampert, is like its heroines: smart, clever, feminist, sometimes frivolous and exuberant, sometimes quiet and thoughtful, and my interest didn’t flag once throughout the four episodes I watched.

Beartown (Feb. 22, 9 p.m., HBO, Crave)

Ulf Stenberg as Peter Andersson in “Beartown.” PHOTO CREDIT: Niklas Maupoix/HBO

“Beartown” begins with a drone view of two figures running through snowy woods, one with a gun. The pursuit ends with the sound of a shot. 

By the end of the first episode, you’ll know who the hunter and hunted are, but you’ll need to watch the other four for the why and to learn whether that shot hit home. The explanation is a potent mix of toxic masculinity, family dysfunction, rape mythology and hero worship.

On its surface, “Beartown” — based on the acclaimed novel by Fredrik Backman — is a hockey drama.

Former NHL player Peter Andersson (Ulf Stenberg) moves his family from Canada back to his Swedish hometown to coach. 

Beartown is a bit of a backwater. The town’s pride and a good deal of its financial stability are tied to the fortunes of its junior hockey team.

With Peter as coach the team starts winning games, making him a hometown hero. He also becomes a father figure to star player Kevin Erdahl (Oliver Dufaker), whose emotionally repressed father Mats seems to care only about hockey and money.

But when Peter’s teenage daughter Maya (Miriam Ingrid) is raped, the ugly chauvinism behind the town’s hockey worship is exposed. Players, parents and fans close ranks against the victim — “she was asking for it,” “she’s a whore” — and anyone who supports her.

Given the entirely believable onslaught of hate, it makes you marvel that any young woman would be brave enough to report a sexual assault.

There is a resolution of sorts to the case but no real justice and no real redemption for the town.

The victim and perpetrator and their families move on, but it seems the warped masculinity that underpins the hockey will continue.

Short Takes

Alex Garfin and Jordan Elsass as Jordan and Jonathan Kent with Elizabeth Tulloch as Lois Lane
in “Superman & Lois.” PHOTO CREDIT: The CW/Bell Media

Superman & Lois (Feb. 23, 9 p.m., CTV Sci-Fi Channel)

You think being a superhero is tough work? Try saving the world and being a good father at the same time. That’s the crux of this series created by genre veteran Greg Berlanti (“The Flash,” “Arrow,” “Supergirl” and much more) and Todd Helping. Superman/Clark Kent (Tyler Hoechlin) and Lois Lane (Elizabeth Tulloch) are married with two teenage boys, one of whom appears to have inherited Dad’s superpowers which, as you can imagine, is a lot to deal with on top of the usual adolescent angst. Complicating Clark’s desire to be more present for his sons is a new extraterrestrial foe out to destroy Superman. And did I mention the family is moving from Metropolis to Smallville?

Arctic Vets (Feb. 26, 8:30 p.m.); Kingdom of the Polar Bears (Feb. 26, 9 p.m., both CBC and CBC Gem)

Dr. Chris Enright with a female polar bear who was anesthetized and taken by helicopter into the wilderness to keep her from getting shot. PHOTO CREDIT: Courtesy of CBC

Feb. 27 is International Polar Bear Day, so it’s fitting that “The Nature of Things” has made the majestic animals the subject of its episode the night before, the same evening that CBC premieres the docuseries “Arctic Vets.” The first episode of “Vets” just follows Dr. Chris Enright of the Assiniboine Park Conservancy in Winnipeg as he travels north to Churchill to help the Polar Bear Alert Team with an animal who’s wandered too close to town. She has to be trapped, anesthetized, examined, tagged and then taken by helicopter 70 kilometres away where she’ll hopefully live out the rest of her life far from humans. For an idea of what that bear’s future might look like, “The Nature of Things” has the two-part “Kingdom of the Polar Bears,” in which tracker Dennis Compayre aims to spend a year following a mother bear and her cubs, beginning as soon as they emerge from their birthing den. The doc is full of awe-inspiring moments that will make your heart ache when you consider that climate change has put these animals in grave danger.

Bachelor Matt James’ final four include controversial contestant

One of Matt James’ one-on-one dates on Feb. 15 involved a driving manoeuvre called “drifting,” which seems like a good word for the season as a whole. PHOTO CREDIT: All photos, Craig Sjodin/ABC

After six weeks of spinning its wheels, Matt James’ “Bachelor” season got back on track Monday, at least insofar as the ostensible purpose of the show, which is him getting engaged. Let’s call it “The Fast and the Serious.” And I’m not talking about Jessenia’s “Hail Mary” one-on-one date, which involved a race car and “drifting.”

After weeks of telling pretty much every woman he spoke to that he was into them, Matt finally buckled down and separated the “maybe I can fall in love with you’s” from the “I kind of like you’s,” ending the episode with the four women who’ll get so-called “hometowns” next week.

But first there was a little detour into Red Herring Land. Yes, I’m talking about Heather Martin, who strutted in last week seemingly convinced that she could turn Matt’s head despite how far along the season was, all because her bestie Hannah Brown said Matt was perfect for her.

My eyes are rolling so hard over the idea that Heather jumped on a red-eye flight to Pennsylvania all on her own initiative that they’re doing backflips.

It was one of the more ridiculous production tricks we’ve seen and a mean one too. Like, duh, Matt wasn’t going to let Heather stay, even though he claimed he needed time to think about it. He even told Chris Harrison (who is host at least until the pretaped episodes run out, more on that later) with a straight face that he didn’t know what to do: “When someone I respect like Hannah, who knows me and has dated my best friend, puts her stamp of approval on somebody, that carries a lot of weight with me,” Matt said. Spare me.

In the meantime, Heather was getting the Mean Girl treatment from the other women. It started with a reasonable question from Serena P: Why hadn’t Heather tried to date Matt before he became the Bachelor? Then Pieper accused Heather, who was on Colton Underwood’s season, of Bachelor-hopping. And when Heather apologized for interrupting Pieper’s time with Matt, Pieper replied, “I still do not understand why you’re here Week 6.” Kit added, “Like, bitch, what are you doing?”

At that point, Heather started to cry and say that she felt sad, and Serena C. snarked, “OK, talk about it (in your) interview because I don’t want to hear your tears right now.” Heather walked away.

Was Heather coming there a dumb, dead-end move? Yes, but it was humiliating enough to get sent home by Matt without getting verbally torn apart for it.

Clearly Matt wasn’t listening in when the women unloaded on Heather — or when they cried and grumbled and blustered about her being there — because he commended them just before the rose ceremony for how they handled the “surprise.” Then he gave roses to Bri, Rachael, Serena P, Kit, Jessenia and Abigail, cutting Chelsea and Serena C loose.

The question then became who would get the two one-on-one dates this week. Since Jessenia and Abigail were the only women left who’d never escaped group date purgatory, it seemed logical it would be them. But then Serena P got her second one-on-one and blew that theory out of the water.

Matt and Serena P. hanging out a few episodes ago.

Mind you, Serena might have had second thoughts if she’d known Matt was taking her on a tantric yoga date. I mean, seriously, who thinks practically having to grind your partner on TV with some yoga instructor breathing down your neck is a good time? Oh wait, Matt thought it was great. Serena did not enjoy it and told Matt so, which made me like her even more.

As it happened, Serena’s intense dislike of tantric yoga seemed to be a main topic of their dinner conversation, with Matt blathering on about how much he liked her being real and honest and open and . . . sorry, dozed off there for a second.

Serena got the rose and with it a guaranteed hometown date, although hello, quarantine, so we won’t see Matt visiting Toronto.

The group date was next and sadly Abigail was on it, along with Pieper, Michelle, Rachael, Bri and Kit.

Here are Abigail, Kit, Rachael, Michelle, Pieper and Bri on the part of the group date we never saw on TV.

I really have no idea why Matt would give Abigail the first impression rose and not take her on a one-on-one. But that group date card was the kiss of death for the franchise’s first deaf contestant.

We never saw the daytime portion of the group date, just the cocktail party. Matt actually had the nerve to tell Abigail that all he’d wanted was more time with her. THEN WHY DIDN’T YOU TAKE HER ON A ONE-ON-ONE?

First impressions didn’t count for much for Abigail, unfortunately.

When Abigail told Matt she could picture a future with him you knew it wasn’t going to end well. He told Abigail that giving her the first impression rose had been a no-brainer and he’d been so comfortable in their relationship he’d decided to explore other relationships and, oops, those other relationships got stronger than theirs. None of that clears up the mystery of the missing one-on-one and, in fact, sounds like bullshit, but Abigail took her dismissal with grace and class.

And now, obviously, she’s in the running to be the next Bachelorette, assuming the whole franchise hasn’t blown up by then.

As for the rest of the group date: Bri confessed to Matt that she’d quit her dream job for the chance to be with him. Matt called that huge, but not huge enough to give her the date rose. He gave it to Rachael after telling her that he thought about her whenever he wasn’t around her, yet another indication of her front-runner status.

Rachael and Matt on their one-on-one in a previous episode.

(As an aside, Rachael being a front-runner is obviously going to be a problem for a lot of people after she was called out — and issued an apology for — social media activities that were seen as racist. Chris Harrison has stepped aside as host for an unspecified period of time after defending Rachael, who as you can see is white, in an interview with former Bachelorette Rachel Lindsay, who is Black. I don’t think this controversy is going to just go away nor should it, but I don’t want to address it in detail as an aside in a recap.)

Kit with Matt back when she still thought she had a chance of ending up with him.

Seeing Rachael get the rose shook Kit, who had used her time with Matt to tell him she wanted to delay getting married and having kids until she finished her education and did some travelling. When Matt said he was cool with that, Kit figured it was full steam ahead for the two of them. But seeing Rachael get the rose and get whisked away for a private concert with Aloe Blacc spurred Kit to jump before getting dumped.

Kit went to Matt’s suite and told him she didn’t have the “clarity” she needed and was heading home. Matt tried to dissuade her, but Kit went anyway, saying it was “the right thing for both of us.” Except, in the SUV of Shame, she expressed doubt about her decision, which makes me wonder if she’s going to pop back up in a future episode.

Next on the list of lost causes was Jessenia’s one-on-one date.

Matt and Jessenia went drifting on their date, in more ways than one.

Bless her optimistic little heart: after spending some time learning “drifting” with Matt, which looked like basically a lot of crazy-ass, reckless driving, Jessenia said, “Today really feels like the first day of what could be a long future together.”

That future was measured in hours, however. Matt, who talks a good game about honesty, led Jessenia on by asking her what meeting her family would be like and picking up the rose after she told him she was falling in love with him. He could easily have given her the “you’re great, but” speech without picking the damn thing up. What nasty producer taught him that trick?

Matt told Jessenia they were missing “that intangible love and connection” needed for an engagement and it was so long Jessenia, who was feeling blindsided.

Just like that, it was time for another rose ceremony. Predictably, Matt gave Bri and Michelle the remaining two roses, leaving Pieper feeling like her soul had been stomped on. Considering she just had a one-on-one last episode during which Matt told her to trust him with her heart I can understand why.

Next week, it’s “hometowns,” which means Matt meets the final four’s families at the Nemacolin resort. Expect the usual mix of protective parents and skeptical siblings — plus we’ll be another week closer to the end of this disappointing season.

You can watch Monday at 8 p.m. on Citytv. And you can comment here, visit my Facebook page or follow me on Twitter @realityeo

Watchable the week of February 15, 2021

SHOW OF THE WEEK: It’s a Sin (Feb. 19, Amazon Prime Video)

Olly Alexander as Ritchie and Callum Scott Howells as Colin in “It’s a Sin.”
PHOTO CREDIT: Red Production Company/all3media international

As a character lies dying of AIDS in the final episode of “It’s a Sin,” he tries to explain to his mother that there was beauty in the behaviour that led to him becoming ill, that all the boys he had sex with were great. “That’s what people forget, that it was so much fun,” he says.

Russell T. Davies, who created this limited series about a group of friends in 1980s London buffeted by the AIDS crisis, has not forgotten about the fun.

There are moments in these five episodes that will tear your heart out, but there are also moments of infectious joy.

It begins when a couple of young, gay men, Ritchie (British musician and actor Olly Alexander) and Colin (impressive newcomer Callum Scott Howells), leave their homes on the Isle of Wight and in South Wales, respectively, to come to the big city. They fall in with drama students Jill (Lydia West) and Ash (Nathaniel Curtis), and their friend Roscoe (Omari Douglas), who flees his home after his parents threaten to send him to Nigeria to be turned straight.

Together, the five of them rent a flat they call the Pink Palace and form a happy chosen family.

But among all the partying and the hookups there are hints of danger: talk of a “gay flu” in San Francisco and of deaths in New York. A gay colleague at the Savile Row tailor shop where Colin works, played by Neil Patrick Harris, gets a mysterious cancer.

The series begins in 1981; by the time it ends in 1992, AIDS has cut a swath through the Pink Palace. We see the knowledge and treatment of AIDS evolve with the years: from patients being isolated and locked in rooms to being attended with sympathy and respect; and from a diagnosis being an automatic death sentence to the hope that life can be prolonged.

We also see the stigma associated with AIDS, even from other gay people; one character is fired when his closeted boss discovers that he’s merely reading about AIDS.

But there’s also abundant love, particularly among the five key characters, which makes it heartbreaking when the bitter, bigoted mother of one of the men (played by Keeley Hawes) takes him home to die and refuses to let the others see or speak to him.

The families aren’t all bad — one mother stands steadfastly by her sick son — but it’s clear the bonds between Ritchie and Jill and Ash and Colin and Roscoe are the ones that nourish them the most. This is what makes the drama resonate: it’s history on a human, relatable scale.  

And if you wonder why revisit this particular history, consider that from the start of the epidemic till the end of 2019, an estimated 32.7 million people died from AIDS-related illnesses, according to the Joint United Nations Programme on HIV/AIDS.

Deaths and new infections have been greatly reduced, but people are still getting sick and still being shamed for it.

Note that I ran out of time before I could review Amazon’s other big new release, the movie “I Care a Lot” (Feb. 19), but with Rosamund Pike, Dianne Wiest and Peter Dinklage in the cast, how can you go wrong?

Honour and How to Catch a Serial Killer (Feb. 16, BritBox)

From left, Umit Ulgen as Mahmod Mahmod, Fisun Burgess as Behya
and Keeley Hawes as Caroline Goode in “Honour.” PHOTO CREDIT: Hera Pictures for ITV

“Honour” is a TV movie and “How to Catch a Serial Killer” is a documentary, but they both concern themselves with police officers doing everything in their power to get justice for female murder victims.

In “Honour,” Keeley Hawes (“Bodyguard,” “Line of Duty”) plays real-life London Metropolitan Police detective Caroline Goode, who received a medal from the Queen for her dogged pursuit of the killers of 20-year-old Banaz Mahmod, a Kurdish woman who immigrated to England when she was 10.

When Banaz was reported missing by her boyfriend, her own family insisted there was nothing wrong and that her disappearance wasn’t unusual. But Goode believed otherwise, given that Banaz had been to police on five previous occasions to report threats from her family and even turned over a list of relatives who wanted her dead.

But there were no witnesses willing to talk, most of the suspects had alibis and two of them fled the U.K. It took cross-referencing hundreds upon hundreds of cellphone records, and tapping and translating the calls of a jailed suspect for Goode and her team to piece together what happened to Banaz.

She died, by the way, for falling in love and wanting to marry a man her family didn’t approve of.

“How to Catch a Serial Killer” is a companion piece to “A Confession,” which debuted on BritBox last year and which I recommend. The latter is a dramatized version of the true story of how Detective Superintendent Steve Fulcher (played by Martin Freeman) caught the killer of two young women but trashed his career in the process by not following the rules for interviewing suspects.

In “Serial Killer,” the real Fulcher maintains that he did the right thing, particularly since he believed at the time that one of the victims was still alive. As he explains it, had he not done what he did, the women might never have been found and Chris Halliwell might have gone free to potentially kill again.

The irony is that just a few years after Fulcher was found guilty of gross misconduct and resigned from the Wiltshire force, the confessions that Halliwell gave him were ruled admissible in court. 

Short Takes

Graham McTavish and Sam Heughan of “Outlander” on the St. Andrews Links in “Men in Kilts.”
PHOTO CREDIT: Courtesy of Corus Entertainment

Men in Kilts (Feb. 16, STACKTV, Global TV app)

We could all use a little fun these days, couldn’t we? Then strap in for this travelogue, subtitled “A Roadtrip With Sam and Graham.” That would be Sam Heughan, who stars as Highlander Jamie Fraser in “Outlander,” and Graham McTavish, who played his uncle, Dougal MacKenzie, in the popular time travel, romance, period drama. Scotsmen born and bred, the pair drive around their native land showing off its charms which, as someone with Scottish ancestry, I happen to believe are considerable. The episodes I saw focused on food and drink (no haggis was consumed, just FYI) and sports.  Sam and Graham, though two decades apart in age, seem to have a comfortable friendship and take the pish out of themselves and each other. Since it will be a good while before we see Season 6 of “Outlander” (production reportedly just started this month and, yes, the show is referenced in “Men in Kilts”) fans should enjoy this trip. But even non-fans will find something here to make them smile. 

Simona Brown and Eve Hewson in “Behind Her Eyes.” PHOTO CREDIT: Courtesy of Netflix

Behind Her Eyes (Feb. 17, Netflix)

What keeps this miniseries from being a run-of-the-mill melodrama is the sense of foreboding beneath the surface. Divorced single mom Louise (Simona Brown, “The Little Drummer Girl,” “The Night Manager”) becomes intimately involved with both her psychiatrist boss David (Tom Bateman, “Jekyll & Hyde,” “Vanity Fair”) and his wife Adele (Eve Hewson, “The Knick”), having an affair with him and befriending her. But what seems at first like a simple case of a bored husband straying is clearly much darker. Hewson, in particular, does an excellent job as Adele, who seems vulnerable and menacing at the same time. Netflix also debuts “Animals on the Loose,” an interactive movie in which viewers help Bear Grylls track down escaped wild animals, and “The Crew,” a comedy series starring Kevin James as a NASCAR crew chief. Both drop on Feb. 15.

I don’t usually highlight single episodes of series that are already in progress, but I’m making an exception for “Frankie Drake Mysteries” because the talented Sharron Matthews, who co-stars as Flo, conceived and co-wrote the Feb. 15 instalment (9 p.m., CBC and CBC Gem). It takes the detectives to an underground Toronto gay club where, as a special treat, you’ll get to see Matthews and the fabulous Thom Allison (“Killjoys”) sing. Stratford Festival alum Sara Farb also co-stars and performs as a drag king. CBC also has a couple of its comedy series starting new seasons this week: “Workin’ Moms” for its fifth and “TallBoyz” for its second on Feb. 16 at 9 and 9:30 p.m., respectively.

The show that everyone is likely to be talking about this week is Allen v. Farrow (Feb. 21, 9 p.m., Crave), the docuseries by Kirby Dick and Amy Ziering (“The Invisible War,” “The Hunting Ground”) about Dylan Farrow’s sex abuse allegations against her adoptive father, filmmaker Woody Allen. Reviews, however, are embargoed until Feb. 16.

One last note, about “Crime Scene: The Vanishing at the Cecil Hotel,” the Netflix true crime series that I recommended on last week’s list. I was not familiar with the Elisa Lam case before I watched the show and had seen just enough before writing my post to know where Elisa ended up after she disappeared but not how she got there. Now that I’ve watched the whole thing, I find it distasteful that this series fools viewers into thinking they’re seeing a murder mystery unfold when it’s actually a very sad story about a mentally ill young women. I also find the weight given in the series to ridiculous and groundless conspiracy theories irresponsible, particularly the ones that ruined the life of a death metal musician named Morbid, who was accused of murdering Elisa even though he was in Mexico when she went missing. That is eventually made clear but not until after much lurid conjecture about the man, who was driven to a suicide attempt by the abuse he suffered online. I love true crime as much as the next person, but not when it’s sensationalistic nonsense about something that wasn’t even a crime.

The Bachelor sends home a favourite and lets in an interloper

Pieper and Matt spent part of their date at a carnival in the woods at Nemacolin. Wheee!
PHOTO CREDIT: All photos, Craig Sjodin/ABC

Matt James took one of his dates to a private carnival on Monday night’s “Bachelor,” but it felt like viewers were the ones being taken for a ride.

I mean, is there any good reason why Heather Martin, a contestant from Colton Underwood’s season, would show up halfway through Matt’s season other than to stir up as much shit as possible?

Are ex-Bachelorette Hannah Brown and her pals in charge of casting now? Have the producers decided that Matt’s journey for love is a lost cause and they might as well pump up the drama any way they can?

I get that Matt’s chances of settling on someone to marry seem to dwindle every time he takes another woman on a one-on-one and claims he can picture a life with her. It’s like frontrunner roulette: Oh, he’s really into Bri . . . no wait, it’s Sarah . . . never mind, it’s Serena P . . . spoke too soon, it’s Michelle . . . oops, now it’s Rachael . . . er, it’s Kit? . . . sigh, now he’s into Pieper.

All this while his first impression rose winner, Abigail, is consigned to group date purgatory week after week.

And now Heather comes strolling in like she’s freakin’ Cinderella at the ball? Ridiculous. The only purpose it serves is to drive the other women crazy, just when things were settling down after weeks of sniping and bullying in the house.

Matt with MJ back before he got tipped off to her new girl-baiting ways.

So about that, one of the last of the mean girls got dispatched early in the episode.

You might recall from last week that MJ and Jessenia were on an instant two-on-one after Jessenia outed MJ as an “antagonist” for making the newer contestants feel unwelcome.

MJ figured she could fluff her hair, put her “weak bitch moment” behind her and that Matt would believe her crap about spreading harmony and peace. He did not. She got escorted to an SUV of Shame and driven away, complaining about how “petty” Jessenia was.

Matt was supposedly so exhausted from refereeing MJ vs. Jessenia that he couldn’t endure a cocktail party with the rest of the women ahead of the rose ceremony. That made Ryan and Pieper cry. Serena C, a.k.a. Mean Girl Jr., blamed it on Katie. Like huh?

Matt gave roses to Serena P, Michelle, Pieper, Bri, Chelsea, Katie and Serena C (Jessenia, Kit, Abigail and Rachael already had them), thereby ensuring the Katie-Serena C drama would continue. Magi, who seemed like a sweetheart from what little we saw of her, went home, along with two of the new girls, Ryan and Brittany, which makes you wonder what was the point of bringing them in in the first place. Oh right, drama.

Speaking of drama, the next day Serena C confronted Katie to complain that Katie’s “antics” were costing her time with Matt. “You’re lighting all these little fires everywhere. You’re the freakin’ arsonist,” complained Serena. It escalated into a shouting match. The silliest part? Neither Serena C nor Katie stood a chance in hell of ending up with Matt, so WHY ALL THE YELLING?

Little did they know an even more disruptive force was pulling up at the gates of the resort. It was Heather Martin asking to see host Chris Harrison.

“Heather, what are you doing here?” asked Harrison, echoing all of Bachelor Nation.

Heather explained that her pal Hannah Brown, who met Matt early in the pandemic when she quarantined with him and Tyler Cameron, had told Heather that Matt was her “perfect match.” “I couldn’t let him get engaged and not meet him and not try my best,” said Heather.

Well, we’re six weeks into the season now, so yeah, you could.

Harrison said he had to talk to some other people before deciding if Heather could stay, which meant he and some other people were going to pretend to debate letting Heather in while having a good laugh about how upset the other contestants would be when they saw Heather on rose ceremony night.

Matt and Pieper with country trio Temecula Road. Don’t worry, they all had their COVID tests.

In the meantime, Matt had a one-on-one with Pieper. He waited till after dark, drove her to a wooded area of the resort, made her walk into the trees and voila: a whole mini carnival with rides and games and junk food.

Yes, it was pretty sweet. Later, Pieper told Matt about how her family doesn’t use the word “love” and so it was hard for her to express her emotions, but she somehow summoned up the courage to tell Matt she was falling in love with him. Matt told Pieper he wanted her to continue trusting him with her feelings and her heart, which seems like a really bad idea if you ask me.

There was a rose, there was kissing, there was a band. Yes, a country band. What else?

Serena C. works off her Katie aggression with some bowling.

Next up, the group date ladies — Bri, Kit, Rachael, Michelle, Jessenia, Serena P, Abigail, Chelsea and Serena C — went bowling with Matt. They were split into two teams, even though there were nine of them, and the losing team was banished from the cocktail party even though they came back from an almost 200-point deficit and lost by a measly six points. What’s worse is that Matt let them walk back to their suite, frustrated and angry, and waited to send over a date card inviting them to the party.

Double the drama: the losing team was riled up and then they got to disappoint the winning team, who’d been thrilled they only had to divide Matt’s time four ways.

Chelsea took it particularly hard, until Matt assured her that he could see himself with her — well, who can’t he see himself with at this point? — but Michelle got the date rose.

And then it was Katie’s turn for a one-on-one, but first Matt reconnected with his bestie Tyler Cameron over a game of pool and talk of Katie’s “cactus-size vibrator” (um, ouch?). Matt said getting advice from Tyler gave him confidence because he’d seen the process “work” for Tyler except . . . did he actually watch Hannah’s season, because I’m pretty sure she picked Jed. And now she’s apparently dating some model.

Anyway Katie arrived for her date and it looked like she and Matt were going to spend the afternoon at the hotel spa. All right, not a carnival in the woods, but OK. But then Matt told Katie that Tyler was coming in for a massage, and Matt and Katie were going to hide in a little room watching on a monitor and secretly telling the actor pretending to be a masseuse what tricks to play on Tyler and . . . this is a date? I mean, yes, Tyler without a shirt on, I get it. But really?

Matt and Katie have a laugh on a previous episode.

The choice of date was the first clue that Katie was stuck in the friend zone. The unsmiling look Matt gave her at dinner when she said she wanted her love story to be Matt’s love story was another. But then he picked up the rose, so maybe she was going to stick around after all.

Instead Matt blathered a bit about how much their relationship had grown and how she set the tone in the house and how much she meant to him, but sorry, it wasn’t enough to give her a rose.

Katie kept her head high and her eyes dry as she left. Hopefully she remembered to pack the vibrator.

There’s already a groundswell of support building for her to be the next Bachelorette.

It was time for another cocktail party and rose ceremony. The women seemed friendly and contented. They figured the drama was behind them. And then Heather showed up, got stuck in the revolving door, smiled and waved at the women as she walked past them, and interrupted Matt with Pieper.

Matt laughed so hard when Heather walked in I figured maybe he’d heard a clip of her saying she was ready to fall in love with Matt and get engaged. As if.

The other women were not laughing. As my Toronto girl Serena P put it, “If she gets a rose tonight I’ll be rageful.”

Next week, yes, there’s definitely some ragefulness and some tears and Heather complains that people are being mean. Like, what the hell did she expect?

You can watch Monday at 8 p.m. on Citytv. And you can comment here, visit my Facebook page or follow me on Twitter @realityeo

Watchable the week of February 8, 2020

Clarice (Feb. 11, 10 p.m., Global)

Rebecca Breeds as Clarice Starling in “Clarice.” PHOTO CREDIT: Brooke Palmer/CBS Broadcasting Inc.

The opening scenes of “Clarice” — an artful collection of flashbacks from the Buffalo Bill case as Clarice Starling, in soft focus, recaps the events for a therapist (and the audience) in her distinctive Appalachian accent — suggest an aspiration to prestige TV. 

But it reminds me a bit of what killer Hannibal Lecter said to Clarice in “The Silence of the Lambs” about her “good bag” and “cheap shoes.” Behind the gloss of a psychological drama is a fairly standard police show.

By the way, don’t look for any mention of Lecter here. Due to rights agreements involving the source Thomas Harris novels, “Clarice” doesn’t mention the iconic serial killer character by name (just as NBC’s “Hannibal” never mentioned Clarice).

The action is set in 1993, one year after the events of the Oscar-winning film that starred Jodie Foster as the FBI trainee and Anthony Hopkins as Lecter.

Serial killer Buffalo Bill is seen and referenced, and the victim whose life Clarice saved, Catherine Martin (Marnee Carpenter), is a recurring character as is her politician mother, played by Jayne Atkinson of “24” and “House of Cards.”

In fact, it’s Ruth Martin, who’s U.S. attorney general now, who sets the series’ plot in motion when she summons Clarice (Rebecca Breeds, “Pretty Little Liars”) from her hideaway in the behavioural science unit at Quantico to Washington to help with another serial killer case.

That case, which is more complicated than it initially seems, will presumably stay in play throughout the season, although the second episode veers off into a completely unrelated investigation that superficially echoes the siege at Waco.

My issue with “Clarice” is that it doesn’t dig in a particularly deep or nuanced fashion into either its cases or its namesake’s psyche, at least not in the three episodes I saw. The inner turmoil she keeps hidden is represented by flashbacks and hallucinations of the death’s-head moths that helped her catch Buffalo Bill.

Things move at a brisk clip here, probably a factor of network TV’s preoccupation with grabbing and keeping eyeballs. Clarice is something of a criminal whisperer, able to quickly and effortlessly coax confessions out of her targets.

Clarice’s male co-workers are predictably hostile, led by Deputy Assistant AG Paul Krendler (Michael Cudlitz of “The Walking Dead”). Just as predictably, she finds an ally among the threatened men (Lucca De Oliveira of “SEAL Team”). Devyn A. Tyler (“The Purge”) plays her roomie Ardelia.

The series was shot in Toronto, so Canadian actors pop up in small roles, including Shawn Doyle as Clarice’s therapist, Kris Holden-Ried as a murder suspect and Dalmar Abuzeid as the husband of a victim.

The show’s not bad, but it’s no “Silence of the Lambs.”

21 Black Futures (Feb. 12, CBC Gem)

Lovell Adams-Gray in “The Death News,” part of “21 Black Futures.” PHOTO CREDIT: Courtesy of CBC

The futures imagined in the 21 “monodramas” in “21 Black Futures” range from the next day, as a preteen girl contemplates how she’ll present herself at school, to a time when a series of viruses has wiped out much of life on Earth.

What all of the short theatre pieces have in common is that the protagonists, the people deciding what those futures will be, are Black. Each is written by a Black playwright, staged by a Black director and performed by a solo Black actor.

Some have post-apocalyptic settings as in “Cavities” by K.P. Dennis, in which a woman (Alison Sealy-Smith) seeds the soil with her teeth and her rage before deciding to pass on joy to the next generation instead; and “Emmett” by Syrus Marcus Ware, in which a survivor of “the fall” (Prince Amponsah) decides he’d rather stay and try to heal the Earth than colonize Venus, where life has just been discovered.

Anti-Black racism is an undercurrent in all of the stories but not the point of them; they’re about Black people taking control of their realities.

So in “The Death News” by Amanda Parris, a Black man (Lovell Adams-Gray) prerecords his own obituary rather than let media dictate how he is remembered. In “Umoja Corp” by Jacob Sampson, a Black man (Pablo Ogunlesi ) is freed from jail on the condition he help other Black people navigate the system. In “Sensitivity” by Lawrence Hill, a Black woman (Sabryn Rock) treats her firing after a racial sensitivity seminar gone wrong as an opportunity rather than a failure.

This first batch of seven dramas, which includes “The Death News,” “Sensitivity” and “Jah in the Ever-Expanding Song” by Kaie Kellough, debuts Feb. 12, with another seven on Feb. 19 and the final seven on Feb. 26.

I found the ones I sampled by turns touching and thought-provoking and worth watching.

If you’d like to know more about Black visual artists, at least in the United States, HBO has “Black Art: In the Absence of Light” (Feb. 9, 9 p.m.).

If you’d like another series that falls outside the white gaze, check out “Gespe’gewa’gi: The Last Land” (Feb. 13, 7 p.m., APTN), a docuseries about the Mi’gmaq fishing community in Listuguj, Que. It’s certainly a timely topic given the ongoing conflict between Indigenous and non-Indigenous fishers in Nova Scotia.

Belgravia (Feb. 14, CBC Gem)

Tamsin Greig as Anne Blanchard and Alice Eve as Susan Trenchard in “Belgravia.”
PHOTO CREDIT: Courtesy of CBC

“Downton Abbey” was such a sensation that anything Julian Fellowes did as a followup was bound to pale in comparison (although I still have high hopes for “The Gilded Age”).

His “Belgravia” is a respectable addition to the period drama catalogue but not one that will inspire “Downton”-level devotion.

For one thing, it’s not what it might at first appear. It opens in Brussels in 1815, just days before the Battle of Waterloo. The focus is on an ill-advised romance between Sophia Trenchard (Emily Reid), daughter of the man who supplies provisions to the British army, and the aristocratic Lord Edmund Bellasis (Jeremy Neumark Jones). They rendezvous at a ball held by his aunt, the Duchess of Richmond (the ball really happened) but, before a scandal can erupt, the British march off to confront Napoleon. Soon it’s 26 years later, Sophia and Edmund are both dead, and we’re in London, in the upper-class neighbourhood of Belgravia.

The story shifts to the older members of the cast, which is not a bad thing given that the main protagonists are played by two formidable actors, Tamsin Greig and Harriet Walter. They are Anne Trenchard, mother of Sophia, and Lady Brockenhurst, mother of Lord Bellasis. 

They share their grief as well as a secret emanating from the long-ago relationship between their children but have opposing views of how to handle it. 

Anne’s husband, James (Philip Glenister), has an appetite for social climbing that she finds distasteful — an ambition inherited by their lazy but entitled son, Oliver, and his acquisitive wife, Susan.

Lady Brockenhurst and her husband the Earl (Tom Wilkinson) have greedy relatives of their own to deal with, including a brother with a gambling problem and his boor of a son.

There’s also a new pair of socially mismatched lovers, Charles Pope (Jack Bardoe) and Maria Grey (Ella Purnell).

“Belgravia” takes a sharper look at class differences than “Downton” did, with the Trenchards and Brockenhursts on either side of the new/old money divide.

Another way that “Belgravia” differs is that it’s harder to invest in these characters. Many of them are unlikeable, including the servants, a bitter and venal bunch with little if any loyalty to their employers.

Still, “Belgravia” is lovely to look at and there are enough plot twists to keep the six episodes interesting.

Short Takes

The Cecil Hotel in L.A. has a reputation as a scene of death and violent crime.
PHOTO CREDIT: Courtesy of Netflix

Crime Scene: The Vanishing at the Cecil Hotel (Feb. 10, Netflix)

Netflix’s latest true crime entry takes you down a disturbing and sometimes weird rabbit hole. It concerns the disappearance of a 21-year-old Canadian, Elisa Lam, at the infamous downtown Los Angeles hotel in 2013. Note though, that although Joe Berlinger, the Oscar- and Emmy-nominated producer/director behind crime docuseries like “Conversations With a Killer: The Ted Bundy Tapes,” lays out the Lam case in painstaking detail, it’s a misnomer to call it a crime. I won’t spoil the series if you want to watch for yourself by telling you what happened to Elisa and why, but be warned that there’s a bait-and-switch going on here and that the very title of the series, “Crime Scene,” is grossly inaccurate. And while the violent history of the hotel itself is interesting (if you watched “Night Stalker: The Hunt for a Serial Killer” you’ll be interested to know that Richard Ramirez stayed there) it has nothing to do with the sad story of Elisa Lam. The series also gives undue weight to the community of web sleuths and conspiracy theorists that has sprung up around the Lam case. Some of the theories are truly bizarre, completely ungrounded in reality and have harmed people’s lives, notably the death metal musician who was falsely accused of murdering Elisa. Netflix also has the new funeral home comedy “Buried by the Bernards” and the rom-com sequel “To All the Boys: Always and Forever,” both on Feb. 12. 

If you devoured the most recent season of “The Crown” and especially its Charles and Diana storyline you might be interested in “Diana: The Interview That Shocked the World,” debuting on BritBox Feb. 9. The interview itself, between Diana and BBC journalist Martin Bashir in November 1995, is sprinkled sparingly through the documentary, which mainly features commentary on how the interview came about, the effect its revelations about Diana’s failing marriage had on the royal family and the public, and whether it set in motion the events that led to Diana’s death in 1997.

I ran out of time before I got to preview “Little Birds” (Feb. 14, Crave), but it sounds like it’s worth a look. It’s set in 1950s Tangier and stars Juno Temple (“Dirty John,” “Ted Lasso”) as an American heiress trying to find freedom in a colourful setting stocked with eccentric characters, including Yumna Marwan as a Moroccan dominatrix.

A couple of Canadian shows debut new seasons on Valentine’s Day. “The Great Canadian Baking Show” is back for its fourth edition (Feb. 14, 8 p.m., CBC) with new hosts Alan Shane Lewis and Ann Pornel. And the comedy “Second Jen” starts its third season (Feb. 14, 8:30 p.m., OMNI 2) with Jen (Samantha Wan) trying to deal with a social media troll and Mo (Amanda Joy) having to endure a conflict resolution seminar at work.

CLARIFICATION: I edited the item on “The Vanishing at the Cecil Hotel” on Feb. 15, 2021 to reflect my revised opinion on the series after I watched the entire thing.

The chickens come home to roost for two Bachelor ‘antagonists’

Matt James and friend on a farm-themed group date. PHOTO CREDIT: All photos, Craig Sjodin/ABC

Matt James brought out the Swiffer on Monday night, but what he needed was a heavy duty mop.

The Bachelor, tipped off to all the toxic nonsense swirling around the women, decided to clean house — and it almost worked.

Once Queen Victoria and her mean girl protege Anna had been sent packing, it seemed like something approaching civility might be restored among the contestants. When nice girl Rachael got a one-on-one date nobody called her “slutty” or a “ho.” Sure, the other women were disappointed it wasn’t them, but a few of them even clapped for Rachael.

Even the goat she was trying to milk didn’t want anything to do with MJ.

The goodwill didn’t last, though. MJ, who managed to avoid the purge that eliminated Victoria and Anna, got outed on the group date as an “antagonist” by Jessenia. The episode ended with the pair of them on an instant two-on-one and MJ gaslighting so hard it was like she was Charles Boyer and Jessenia was Ingrid Bergman.

I’m going to go out on a fairly sturdy limb and say that Matt won’t swallow MJ’s balderdash about spreading harmony and peace next week. But, in the meantime, let’s relive the fall of Queen Victoria.

After Katie tipped off Matt to the bad blood between the new women and the so-called OGs, it was fairly certain that a couple of troublemakers were headed for the SUVS of Shame.

Anna with Matt in the proverbial “happier times,” at last week’s rose ceremony.

First up was Anna, who you’ll recall gleefully spread a false rumour that newcomer Brittany was an escort back home in Chicago.

Matt heard the tale firsthand from a tearful Brittany. “This is on national TV,” she said. “My mom watches this show and this could ruin my entire life.”

Anna apologized to Matt, but her tears and her explanation of how horrible she felt weren’t good enough for a reprieve. And it was amazing how contrite everyone else got after they watched Matt walk Anna out of the hotel. “Kiss-assery” was what Serena C accurately called it, although she should have been kissing ass right along with the rest.

Queen Victoria’s reign finally came to an end and not with a rose, like last week.

Victoria even apologized to Catalina for taking her Miss Puerto Rico crown the night she arrived and then she sucked up to Brittany, but it was newbie Ryan who laid the groundwork for Victoria’s dethroning by telling Matt, “She told me to my face that because I’m a dancer, she flat out stated that I was a ho.”

The best part was that Victoria seemed to think she could bullshit her way out of it. She told Matt that her comment about Ryan being a ho was taken out of context, to which Matt replied, “I’m just curious, like what context would calling somebody a ho be acceptable to be taken in?” Yes! Thank you Matt.

Victoria just looked at him and played with her hair, but she had plenty to say to whichever producer had been babysitting her.

“Ryan, she’s the shadiest bitch and I hope I don’t get sent home because of that,” Victoria whined, loudly enough for Ryan and some of the other women to hear.

“Literally, there’s no one here he can marry besides me . . . I’m the only one with a working brain in this room. I’m not even being rude, I’m being serious. If he’s gonna believe some idiot over me he’s not my person.”

Holy delusional, Batman. I can’t wait to see that clip replayed on “Women Tell All” and hear Victoria’s spin on it.

When Victoria finally did get sent home, along with Catalina, Lauren and Mari, she had the nerve to tell Matt, “I honestly feel so sorry for you that you would listen to hearsay and not all the facts behind this situation.”

In reply, Matt just looked at her, which was the perfect response.

So Victoria declared that Matt was no longer her king but a jester, which to my mind is not a bad thing. It means he gets the last laugh.

Rachael plays dress-up inside one of the hotel shops.

The next day, Rachael got the “Cinderella” date. Since there presumably weren’t any swanky stores open nearby (or none they’d break quarantine in the resort for), Rachael was taken to one of the shops inside the Chateau at Nemacolin and gifted with a bunch of designer dresses and a pair of Louboutins.

The dinner conversation was mostly standard talk about Rachael having self-doubt and being afraid to open up. The most significant thing was that she said she was falling in love with Matt and he said it back to her, and I do believe that’s the first time he’s said that to someone.

Imagine how pissed you’d be if you’d just watched Rachael come back to the suite with her arms full of bags of expensive clothes and you had to go on the group date and shovel poop. That’s what Serena P, Bri, Katie, Pieper, Serena C, Ryan, Michelle, Brittany, Magi, Abigail, Chelsea, Jessenia and MJ got to do, as well as milk a goat named Frenchie (who did not like MJ much at all) and gather eggs.

MJ thought she’d be cute and flirty and chase Matt after he threw an egg that broke in her hand, but he ran straight into Pieper doing an interview and began sucking on her face. Awkward.

Hey Matt, remember your first impression rose recipient, Abigail?

Put MJ aside for a moment while we talk about Abigail. I’ve been puzzled that the first impression rose winner has not yet had a one-on-one, which was also weighing on Abigail’s mind.

She told Matt she was afraid she would disappoint him, chiefly because he wants a family and there’s a good chance her children will be deaf like her and her sister. She also confessed her fear of opening up in a relationship after her birth father walked out on the family when Abigail and her sister got their cochlear implants. Matt, himself the son of a single mom as we all know, treated her confessions as fuel for a future together and gave her the date rose. So don’t count Abigail out just yet.

When MJ’s turn for a chat came, things weren’t quite so cordial. Matt told her that some of the other women had identified her as an “antagonist” in the house. MJ claimed to be shocked and hurt, and then promptly proved her bona fides as an antagonist by getting up in Jessenia’s face. Jessenia had told Matt how MJ referred to the original women in the house as the “varsity” squad and the newer women as “JV” or junior varsity.

I mean, I’d rather be called JV than a ho, but I see Jessenia’s point, which was that it made the newer contestants feel unwelcome. MJ claimed she’d “never been involved in anything,” which anyone who’s watched the season from the beginning knows is a bunch of hogwash.

Anyway, enough about MJ. It was time for Kit’s one-on-one. I confess on Night 1 I had Kit pegged as perennial group date fodder and perhaps a sparring partner for Victoria. But Matt had Kit come to his place to bake chocolate chip cookies and smooch a lot.

Kit talked about how growing up in the public eye as the daughter of designer Cynthia Rowley made her keep her emotions hidden and her walls up, but she was being really vulnerable (yes, that word again) for the very first time. She said she was starting to fall in love with Matt.

Matt didn’t say it back, but he said he was happy to have Kit on the journey and gave her a rose.

And just like that it was rose ceremony day again and a card arrived for MJ and Jessenia, telling them to meet Matt at the cocktail party ahead of the other women.

I won’t bore you with the full extent of the she said, she said.

Jessenia said MJ was a liar for not owing up to her part in the toxicity in the house. MJ said all she was doing was preaching peace and harmony (if by harmony you mean saying things like, “The new girls aren’t gonna try to, like, get to the front of the line. Let the varsity squad go in first,” then yes, very harmonious).

Jessenia, who I am totally re-evaluating due to the cool way she parried MJ’s BS, said, “You’ll find out the truth when all this airs and so will he.”

And then Matt walked in, looking grim, and the promo rolled for next week.

We know that Pieper will be pissed, Abigail will be angry, Serena C and Katie will clash, Tyler Cameron will put in an appearance and, lord help us, Heather Martin will make her long awaited (or is that dreaded?) return to “Bachelor” land.

You can watch Monday at 8 p.m. on Citytv. And you can comment here, visit my Facebook page or follow me on Twitter @realityeo

Watchable the week of February 1, 2021

The Investigation (Feb. 1, 10 p.m., HBO and Crave)

Detective Maibritt Porse (Laura Christensen) watches as a homemade submarine that is part of a murder investigation is raised in “The Investigation.” PHOTO CREDIT: HBO/Bell Media

It might seem counterintuitive given how much time and attention are devoted to crime shows on TV, but real detective work doesn’t seem glamorous; it seems like a slog: hours spent poring over CCTV footage or reading and re-reading case files.

That point is ably made in this Danish series, which is devoted to the painstaking work that went into convicting the killer in the so-called “Submarine Case.”

On Aug. 10, 2017, Swedish journalist Kim Wall boarded a homemade submarine just off Copenhagen for an interview with its owner, Peter Madsen, and was never seen alive again. Her torso was found on a beach 11 days later; her severed head and limbs deep underwater two months later.

One might think finding a torso covered in stab wounds and body parts that had been weighted and sunk in the sea might be a slam dunk for a homicide conviction, but that wasn’t the case, despite the fact that Madsen — who is not shown in the series and never even named — had a predilection for violent porn and snuff films.

But prosecutor Jakob Buch-Jepsen (Pilou Asbaek, “Game of Thrones”) makes it clear he needs more than that and it’s up to lead detective Jens Moller (Soren Malling) and his team to find it.

Their search is frustrating and dispiriting, not least because their best evidence is at the bottom of the strait between Denmark and Sweden. A team of divers spends many, many hours essentially hunting for needles in a watery haystack until the search area is narrowed down with the help of radar data, cadaver dogs and analysis of water currents (writer and director Tobias Lindholm used the real divers in the series, as well as the real dogs).

And still, with every victory comes a setback. The case is finally made when detective Maibritt Porse (Laura Christensen), the only woman on the team, finds an overlooked contradiction in the ever-changing story of the accused by spending hours just re-reading case notes.

What I appreciated about the series besides its attention to detail was its subtlety and its devotion to “show, don’t tell.” For instance, when Jens leaves the home of Kim’s parents, Ingrid and Joachim (Pernilla August and Rolf Lassgard), having just shown them a drawing of the stab wounds in their daughter’s torso, the only indication of the extreme emotion he’s feeling is the sight of his red-rimmed, brimming eyes in his car’s rearview mirror.

Some might be frustrated by the lack of attention paid to the perpetrator of the crime, but I found “The Investigation” rewarding and fascinating. We already have plenty of the other type of crime shows.

And if you’re up for another series that focuses on the detailed work involved in catching killers, watch “The Pembrokeshire Murders” (Feb. 2, BritBox), a dramatized account of how detective Steve Wilkins (Luke Evans) and his team used a re-examination of forensic evidence in a string of burglaries to connect suspect John Cooper (Keith Allen) to two decades-old double murders in Wales. The companion documentary “The Pembrokeshire Murders: Catching the Gameshow Killer” comes to BritBox the same day.

Pretty Hard Cases (Feb. 3, 9 p.m., CBC and CBC Gem)

Meredith MacNeill as Detective Samantha Wazowski and Adrienne C. Moore as Detective Kelly Duff
in “Pretty Hard Cases.” PHOTO CREDIT: Courtesy of CBC

Some things are better in pairs: socks, gloves . . . women TV detectives.

In fact, “Pretty Hard Cases” is never better than when Meredith MacNeill and Adrienne C. Moore are onscreen together as Detective Sam Wazowski, a member of the guns and gangs squad, and Detective Kelly Duff, a drug squad member.

Sam is what Kelly describes as a “law and order” cop (also “a Karen”), devoted to rules and regulations, confident in the ability of her “five-point plan” to get crooks off the streets. Kelly describes herself as a “serve and protect” cop. Her approach is more intuitive, her methods residing in the grey zone, but she also gets results.

I wouldn’t go so far as to say they bond, at least not in the two episodes I reviewed, but they find common ground and mutual respect, partly because they both want the same outcome, partly because they’re both women who’ve carved a place for themselves in a man’s world.

Take their “meet cute” in the opening scenes of the premiere. Sam is staking out a player in a drug gang as Kelly approaches him undercover as a bag lady. There’s an arduous foot chase involving a bag of drugs, and Sam and Kelly are threatened with guns, but it’s their male colleague, Barry Hamm (Dean McDermott), who takes the suspect in, after casually strolling over once the hard work’s been done and exclaiming cheerfully, “Hey, we got one.”

What grounds the comedy is that Sam and Kelly are characters rather than caricatures.

Sam can be annoying — as her boss Edwina Shanks, nicely played by Karen Robinson of “Schitt’s Creek,” points out — but she’s recalibrating her place in the world as a divorced single mother, with a teenage son who mostly ignores her.

There are hints that Kelly, who’s much more reticent than oversharer Sam, has acquired her tough demeanour through a difficult past; and she feels beholden to a mentor, suspended cop Jeff Keegan (Tony Nappo), who might be deeper into the grey zone than she feels comfortable going.

Whatever their foibles and flaws, taken together Sam and Kelly, and MacNeill and Moore, are a delight to watch.

Also new to CBC Gem, on Feb. 1, are three shows in honour of Black History Month. “Hip Hop: The Songs That Shook America” examines six groundbreaking hip-hop songs, beginning with Kanye West’s “Jesus Walks.” Documentary “Giants of Africa” explores the basketball youth programs set up in Nigeria, Kenya, Ghana and Rwanda by Toronto Raptors president Masai Ujiri. And “Sherman’s Showcase” is a mockumentary about a spoof Black-focused variety show starring Bashir Salahuddin.

Short Takes

Katherine Heigl as Tully and Sarah Chalke as Kate in “Firefly Lane.” PHOTO CREDIT: Courtesy of Netflix

Firefly Lane (Feb. 3, Netflix)

I really wanted to love this drama, an adaptation of the bestselling Kristin Hannah novel, not least because it was co-produced by Vancouver’s Brightlight Productions, shot in Vancouver and stars several Canadian actors, chiefly Sarah Chalke (“Scrubs,” “How I Met Your Mother”). The story of two women — straight arrow Kate (Chalke) and free but troubled spirit Tully (Katherine Heigl) — who meet as teenagers and remain friends for decades hits the expected sentimental notes but doesn’t penetrate all the way through to the heart, at least not for me. Netflix also has Season 2 of “Tiffany Haddish Presents: They Ready” debuting on Feb. 2.

Gerard Butler, Morena Baccarin and Roger Dale Floyd star in “Greenland.”
PHOTO CREDIT: Courtesy of Amazon Prime Video

Greenland (Feb. 5, Amazon Prime Video)

If you can get past the silliness of some of the plotting in this disaster flick you might enjoy it in a “things could be worse” kind of way, as in we’re stuck  in a seemingly never-ending pandemic, but it could be worse: at least fragments of a comet aren’t hurtling toward Earth, threatening to wipe out 75 per cent of life on the planet. Gerard Butler, the so-called ordinary man action hero, stars as a husband and father who must get his wife and kid (Morena Baccarin and Roger Dale Floyd) to sanctuary before a massive chunk of comet causes an “extinction-level” event. 

Teacher Frank Meleca with Mike, Sherry and Michael Holmes, and student Riley,
on “Holmes Family Effect.” PHOTO CREDIT: Bell Media

Holmes Family Effect (Feb. 7, about 10 p.m., CTV)

CTV has a lot of faith in this reality series, giving it the prime post-Super Bowl slot (before it moves to its regular time Sundays at 8 p.m.), but celebrity contractor Mike Holmes is a proven TV commodity. Here, he and his children Michael and Sherry combine renovations with stories that will put a lump in your throat and a tear in your eye. Each of the renos involves projects and people that are making a difference in their communities. In the first episode, for instance, the Holmes rebuild classrooms in the home renovation and woodworking program at Judith Nyman Secondary School in Brampton, an institution that gives students who don’t fit in at more traditional schools a path to meaningful futures in hands-on careers. (It has even given the world one famous comedian in Russell Peters.) You could do worse, in the bleakness of a pandemic winter, than to watch someone doing nice things for other people who do nice things.

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