SHOW OF THE WEEK: Under the Banner of Heaven (June 8, Disney+)

Wyatt Russell as Dan Lafferty and Daisy Edgar-Jones as Brenda Lafferty
in “Under the Banner of Heaven.” PHOTO CREDIT: Michelle Faye/FX.

The bloody murder of a young woman and her 15-month-old daughter would be horrific in any context, but this miniseries is particularly chilling in its depiction of religious men turned fundamentalist zealots and killers.

“Under the Banner of Heaven” is based on the book of the same name by Jon Krakauer about the real-life 1984 murders of Brenda Lafferty, wife of the youngest brother in a prominent Salt Lake City Mormon family, and her daughter Erica. But it’s more than just a crime procedural — and a particularly gripping one at that — it’s also about the sexism inherent in the Mormon faith (and pretty much every other organized religion); a suppressed history of violence in the early days of Mormonism; a loss of faith, as personified by the show’s fictional lead detective; and the fracturing of a family.

It was created by Dustin Lance Black (“Milk,” “Big Love,” “When We Rise”), who is himself a lapsed Mormon.

When Brenda and Erica are found dead inside their home, suspicion immediately falls on husband Allen (Billy Howle), but Mormon detective Jeb Pyre (Andrew Garfield) and his Native American partner Bill Taba (Gil Birmingham) follow the evidence to a more insidious conclusion: that Brenda was targeted for running afoul of two of Allen’s brothers and their newly fundamentalist beliefs.

At the same time, Jeb is urged by Allen to probe the untold history of their faith — in particular, the Mountain Meadows Massacre, when more than 100 members of a wagon train were slaughtered by Mormon settlers in southern Utah, who tried to blame the attack on Paiute tribesmen — which has Jeb questioning whether the founders of the religion on which his entire life has been built were following God or their own selfish desires.

The show has an embarrassment of riches in its cast, including Wyatt Russell and Sam Worthington as brothers Dan and Ron Lafferty. Russell is especially effective as Dan, who becomes increasingly unhinged as he progresses from tax scofflaw to a believer in a literal interpretation of original Mormon texts, to the point that he wants to “marry” his two teenage stepdaughters. Ron, meanwhile, goes from successful entrepreneur and local politician to someone who believes he’s a conduit for revelations that come directly from God.

Fortunately, Brenda, played by the always excellent Daisy Edgar-Jones, gets to be more than just a murder victim in the series. She’s portrayed as a loving, intelligent woman who believes in her church but is unwilling to blindly follow its more repressive patriarchal strictures.

You’ll also notice some Canadian actors in the cast, not surprising since the show was shot in Calgary, including Christopher Heyerdahl as the Lafferty family patriarch. Stratford Festival veterans Tom Rooney, Graham Abbey and Evan Buliung also appear, the first two as Mormon bishops, the latter as historical figure Major John D. Lee.

People often use the word “evil” when describing particularly heinous crimes, which plays into the idea of people’s lives being dictated by forces outside themselves. In “Under the Banner of Heaven,” the worst acts, even those committed in the name of a warped idea of God, are all too human.

Disney+ also has the new series “Ms. Marvel” (June 8), starring Canadian actor Iman Vellani as TV’s first Muslim superhero. I didn’t get to screen this one, but everybody and their brother is going to be writing about it, so you probably won’t miss my take.

Short Takes

Wrenn Schmidt and Joel Kinnaman in Season 3 of “For All Mankind.” PHOTO CREDIT: Apple TV+

For All Mankind (June 10, Apple TV+)

The question going into Season 3 of space drama “For All Mankind” was whether the series could keep up the momentum established by its superior second season and excellent season finale (if you watched it, spoiler alert, I bet you can still conjure up an image of Gordo and Tracy running across the surface of the moon wrapped in duct tape). Based on the three episodes I’ve screened so far, it’s off to a good start, beginning with a season premiere whose ending will have you on the edge of your seat. The series began in 1969 with the Soviets beating the Americans to the moon. Season 3 opens in the early ’90s, with both the U.S. and Russia planning missions to Mars in 1996. When a third player, a private company led by Kenyan-American visionary Dev Ayesa (Edi Gathegi), announces it’s heading to Mars in ’94, NASA and the Russian space agency scramble to move up their timelines. The three-way race also brings plenty of interpersonal complications. Astronauts Ed Baldwin (Joel Kinnaman) and Danielle Poole (Krys Marshall) are competing to head NASA’s mission; Ed’s ex-wife Karen (Shantel VanSanten) has joined Dev’s Helios after an aborted foray into space tourism; Johnson Space Centre director Margo (Wrenn Schmidt) is still butting heads with former astronaut Molly Cobb (Sonya Walger), who’s in charge of choosing the Mars mission commander; Gordo’s and Tracy’s son Danny (Casey W. Johnson) and Ed’s and Karen’s adopted daughter Kelly (Cynthy Wu) are also in the mix as Mars crew members. And Margo’s long-distance flirtation with Soviet engineer Sergei (Piotr Adamczyk) brings complications of its own. As always with this series, there are many threads to follow but, with all three missions to Mars lifting off by the end of Episode 3, there’s a promise of lots of juicy, action-packed drama to come.

Zahn McClarnon stars in “Dark Winds.” PHOTO CREDIT: AMC Networks

Dark Winds (June 12, 9 p.m., AMC/AMC+)

You’re sure to have seen Zahn McClarnon’s face before, whether in “Fargo,” “Westworld,” even “Dr. Quinn, Medicine Woman,” but here he’s the star of the show as Navajo police lieutenant Joe Leaphorn. And he gets this adaptation of the Tony Hillerman “Leaphorn & Chee” books — which I sincerely hope is just the first of several seasons to come — off to a great start. The Lakota and Irish American actor is paired with Hualapai actor Kiowa Gordon as Jim Chee, while Edmonton-born Jessica Matten, who’s of Metis-Cree descent, makes a welcome third lead as fellow officer Bernadette Manuelito. The six-episode series is mostly set on Navajo land in New Mexico, which is almost a character in its own right. It’s 1971 and Chee has been parachuted in as Leaphorn’s new deputy. Leaphorn is out to solve the murder of two Dine people, an old man and a 19-year-old girl, but it’s not a priority for the white FBI agent (Noah Emmerich) who’s taken over the file and is more interested in a bank heist that took place in the nearby city of Gallup. The twists and turns of the criminal investigation — and trust me, it’s plenty twisty — are interwoven with glimpses of Indigenous traditions and superstitions; of Joe’s family life; of Chee’s and Manuelito’s painful pasts; of the racism that colonialism has made a fact of life for Indigenous populations the world over. The series, which was created by Chickasaw producer Graham Roland and had a mostly Indigenous cast, crew and creative team, has Robert Redford and George R.R. Martin as executive producers. But it’s the relatability and chemistry of the characters that leaves you wanting more.

Odds and Ends

Cillian Murphy as Thomas Shelby in Season 6 of “Peaky Blinders.” PHOTO CREDIT: Netflix

We are big “Peaky Blinders” fans in my household so I’m particularly keen to see the sixth and final season of the period gangster drama, which comes to Netflix June 10, and would have made time for it had screeners been available. I have avoided all spoilers coming out of the U.K., where it already aired, but it’s a safe bet the Shelby family will go out with a violent bang. Sadly, Helen McCrory, who masterfully played Aunt Polly Gray and died last year of cancer, was unable to shoot the final episodes.

So much TV, too little time to take it all in and that means I didn’t get to screen the series “Irma Vep” (June 6, 9 p.m., HBO/Crave), which stars Alicia Vikander as an American actor who comes to Paris to star in a remake of the French silent film classic “Les Vampires.” HBO also has a documentary that sounds interesting, “The Janes” (June 8, 9 p.m.), about an underground network of women who helped to provide access to abortions in Chicago before the now threatened Roe vs. Wade ruling that legalized abortion in the U.S. And on June 12 at 10 p.m., the latest attempt to make history young and sexy debuts on Starz/Crave with “Becoming Elizabeth,” about the teenage years of Queen Elizabeth I (Alicia von Rittberg).

Netflix has lots of comedy specials this week, including “Bill Burr Presents: Friends Who Kill” (June 6); the series “That’s My Time With David Letterman” (June 7); “Stand Out: An LGBTQ+ Celebration” (June 9); “Dirty Daddy: The Bob Saget Tribute” (June 10); and “Amy Schumer’s Parental Advisory” (June 11). And seeing as I was talking about Mormon fundamentalism earlier, there’s also a documentary about Warren Jeffs, president of the polygamous Fundamentalist Church of Jesus Christ of Latter-day Saints: “Keep Sweet: Pray and Obey” (June 8).

Speaking of comedy, Prime Video has “Backstage With Katherine Ryan” (June 9), in which the Canadian-Irish comedian offers a behind-the-scenes look at the making of a comedy special.

CBC Gem has the Icelandic serial killer drama “Black Sands” (June 10); “Check It” (June 10), an American documentary about bullied gay and transgender youth who formed their own criminal gang; and “Small Town Pride” (June 10), another doc, this one about the challenges of being queer in a small town, which follows subjects in Alberta, Nova Scotia and the Northwest Territories as they prepare for Pride celebrations.

Finally, Hollywood Suite has the German miniseries “Faking Hitler” (June 9, 9 p.m.), about the 1980s scandal involving the publication by Stern magazine of diaries purported to have been written by Adolf Hitler.

NOTE: The listings here are in Eastern Standard Time and I’ve verified the times where possible, but it’s always best to check listings for your own area. The selection of programs reviewed reflects what I’m given access to by networks and streamers, whether reviews are embargoed, how many shows I have time to watch and my own personal taste. The Odds and Ends section includes shows that I have not watched.