SHOW OF THE WEEK: Reservation Dogs (Now on Disney Plus Star)
“Reservation Dogs” is its own unique thing and also utterly universal.
The proudly Indigenous comedy is about four friends — Bear (Canadian Oji-Cree actor D’Pharaoh Woon-A-Tai), Elora (Canadian Mohawk actor Devery Jacobs), Willie Jack (Paulina Alexis of Alberta’s Alexis Nakota Sioux Nation) and Cheese (Lane Factor, a Creek-Seminole and Caddo actor from Oklahoma) — living on the rez in rural Oklahoma, plotting to escape to California.
That specificity, the fact that every writer, director and cast regular on the show is Indigenous, and the humorous matter-of-factness with which the series presents its Indigeneity make it groundbreaking. But Bear, Elora, Willie and Cheese could also be any bored teenagers anywhere — Indigenous or otherwise — yearning for something more without knowing what they actually want.
When we first meet them, the foursome are stealing a delivery truck full of spicy potato chips. Despite the ease with which they accomplish this, these are no hardened criminals. The theft — along with the other petty crimes they’ve been committing around the village — are a means to an end: fattening up their running-away fund.
They are mourning their friend Daniel, who’s been dead a year and whose dream it was to get to California. But Bear, Willie and Cheese all seem less keen on the plan than Elora.
Also complicating things is that another gang of teens is out to get them, the self-named Indian Mafia, which is problematic since the Reservation Dogs aren’t even really a gang and aren’t particularly tough.
In one of the funnier episodes, they visit Elora’s reclusive uncle, a notorious bar brawler in his younger days, to try to get tips on how to fight but end up driving him all over town trying to sell his skunky homegrown marijuana.
During a Television Critics Association panel, the cast members and creators Sterlin Harjo and Taika Waititi emphasized that Indigenous communities everywhere are full of humour. That humour, as expressed in “Dogs,” is subtle and situational, and the four leads deliver it with aplomb, especially neophyte actor Alexis, but even the minor characters have impact here.
That includes Lil Mike and Funny Bone, whom people will recognize from “America’s Got Talent,” as bike-riding, rapping twins Mose and Mekko; Kirk Fox (“Parks and Recreation”) as Kenny Boy, movie-loving meth dealer and receiver of stolen goods; Zahn McClarnon (“Fargo,” “Westworld”) as laid-back tribal cop Big; and Dallas Goldtooth as the ghost of a warrior from the Battle of Little Bighorn — except that he didn’t actually fight because, as he was charging Custer, his horse tripped on a gopher hole, rolled over and squashed him.
Goldtooth’s Spirit character is a particularly funny poke at the stereotypes that “Reservation Dogs” is trying to lay to rest and also a reminder that the supernatural often co-exists with the so-called normal in Indigenous entertainment.
It’s not defined whether Spirit is real or a figment of Bear’s imagination, and the same goes for the deer woman (played by Canadian Mohawk actor Kaniehtiio Horn) that Big remembers from his childhood and the Sasquatch-like Tall Man that Willie Jack’s father sees in the woods. And it doesn’t really matter; they are part of the characters’ reality.
Painful things are also part of that reality. It’s implied but not stated outright, at least not in the six episodes I screened, that Daniel killed himself. Elora lost her mother when she was three. Bear is being raised by his mother (Canadian Indigenous actor Sarah Podemski) since the rapper dad he idolizes can’t be bothered to even visit. Yet the teens are nurtured by family, friends and the larger community.
Anyway, the pain isn’t the point here, which is very much the point of “Reservation Dogs.” The “Dogs” and everyone else they know are not one thing, but many things, just like any other human being.
Impeachment: American Crime Story (Sept. 7, FX)
in “Impeachment: American Crime Story.” PHOTO CREDIT: Tina Thorpe/FX
It seems from what the producers have said to the media that a large part of the purpose of this drama is to try to change the way the women who were part of the Bill Clinton impeachment scandal are perceived.
They might stand a chance with Monica Lewinsky and Paula Jones, but Linda Tripp? Good luck with that.
Sarah Paulson, nearly unrecognizable in the role in prosthetics and a “fat suit,” seemed defensive of Tripp during a Television Critics Association panel, bristling at a reporter’s comment that Tripp was unlikeable. But Tripp does seem unlikeable from the get-go in this 10-episode series: petty, judgmental, vindictive, self-important — and that’s before she gets anywhere near Lewinsky.
I suppose you could argue that Tripp’s decision to tape Lewinsky’s phone calls about her affair with Clinton and to turn those tapes over to independent counsel Ken Starr — whose report led to a vote to impeach Clinton in 1998 — was motivated by her respect for the institution of government and her anger over Clinton’s treatment of Lewinsky. But it also reeks of a desire to insert herself into the drama and make herself seem important. After all, she started taping the calls — as “Impeachment” tells it — at the instigation of literary agent Lucianne Goldberg (the ever reliable Margo Martindale) as material for a tell-all book she was hoping to write.
However you feel about her, Tripp is a key part of the action in “Impeachment,” at least the four episodes I had time to watch.
And what of Lewinsky, who was a producer and consultant on the show, even vetting some of the scripts?
It’s easy to shake our heads at Lewinsky’s choices. She comes off here as a bright but naive 20-something, head over heels in love with the president, blind initially to the fact that she was being used — as if the leader of the most powerful country in the world would trade his political might for sporadic, tawdry encounters in a private office. But it’s arguable she would have got a fairer hearing if Clinton’s dalliance with an intern, and its enormous imbalance of power, had come out during the #MeToo era instead of when it did.
And then there’s Paula Jones, portrayed by Annaleigh Ashford, who seems the most sympathetic of the three: a rube who got manipulated by right-wing ghouls like Susan Carpenter-McMillan (Judith Light) into a battle she couldn’t win, collateral damage in the Republicans’ vendetta against the Clintons.
If nothing else, the series is a feast for those who appreciate good acting, including Edie Falco as Hillary Clinton, Cobie Smulders as Ann Coulter and Clive Owen as Bill Clinton, although I’d say his is the least convincing portrayal.
The series doesn’t have the same crackle as “The People v. O.J. Simpson,” but I found it watchable nonetheless.
Short Takes
Canada’s Drag Race Anniversary Extravaganza (Sept. 6, 9 p.m., Crave)
This 90-minute special is meant to whet our appetites for Season 2 of “Canada’s Drag Race.” Presided over by Season 1 champion Priyanka, it’s mostly a strut down memory lane and a catch-up with the first season cast, most of them in studio aside from Rita Baga, Kiara and Kyne on video link. There’s also a meet-and-greet with new judges Brad Goreski, Traci Melchor and Amanda Brugel, and music videos from Tynomi Banks, BOA and Priyanka. It’s not all glitter and grins, with BOA calling out Priyanka for not returning her texts, and Scarlett BoBo and Ilona Verley talking about their broken friendship. Mind you, this must have been shot before Ilona went public slamming “Drag Race” producers for not letting them talk about their trans identity on the show.
Scenes From a Marriage (Sept. 12, 9 p.m., HBO/Crave)
Look, I won’t bore you by bemoaning what a crazy week I had last week; just know that I didn’t get to watch as many screeners as I needed to, which means I got through only one episode of this drama, an adaptation of Ingmar Bergmann’s 1973 miniseries about a couple’s marriage falling apart. First impressions: Jessica Chastain and Oscar Isaac are excellent as the central couple, as you’d expect, and it seems like a thoughtfully made, thought-provoking drama, but it wouldn’t be fair to say more without having seen more.
Crave also has Showtime’s “American Rust” (Sept. 12, 10 p.m.), which looks intriguing in the trailer and has a cast led by Jeff Daniels and Maura Tierney.
Odds and Ends
The filmed version of the theatre musical “Come From Away” debuts on Apple TV Plus on Sept. 10, just ahead of the 20th anniversary of the Sept. 11, 2001 terrorist attacks. The musical is about how residents in Gander and other Newfoundland towns took care of the more than 6,500 “plane people” who were stranded there when the attacks led to U.S. airspace being closed. Unfortunately, reviews are embargoed until Tuesday.
Showcase has “Dr. Death” (Sept. 12, 9 p.m.), starring Canadian Joshua Jackson as the real-life Texas doctor who left his spinal surgery patients maimed or dead.
Fans of the drama “Lucifer” will be pleased to know Season 6 is coming to Netflix on Sept. 10. That same day, Netflix has “Metal Shop Masters,” a competition series for metal artists. Personally, I couldn’t be bothered with “Countdown Inspiration4 Mission to Space” (Sept. 6), which is meant to culminate with the Sept. 15 launch of SpaceX’s Inspiration4 rocket, with an all-civilian crew orbiting Earth, but if you’re a fan of billionaires like Elon Musk fiddling in space while the Earth burns, have at ‘er. There’s also the documentary “Untold: Breaking Point” (Sept. 7), about American tennis player Mardy Fish’s mental health challenges.
Disney Plus has “Doogie Kamealoha, M.D.” (Sept. 8), in which the plot line about a teenage doctor (Neil Patrick Harris in the 1989 original) has been updated with a female, mixed race lead, Peyton Elizabeth Lee, and the action moved to Hawaii.
Amazon’s main debut this week is the movie “Voyeurs” (Sept. 10), which has Sydney Sweeney of “The White Lotus” and “The Handmaid’s Tale,” and Justice Smith (“The Get Down”) as a young couple who get more than they bargained for when they spy on their sexy neighbours across the way (Ben Hardy and Natasha Liu Bordizzo). This was shot and set in Montreal.
There’s a “Days of Our Lives” spinoff series, “Beyond Salem,” on StackTV on Sept. 6.
Stop-motion comedy “Robot Chicken” is back for its 11th season Sept. 6 at midnight on Adult Swim.
If you have an appetite for new food shows, Mary Berg is back on TV with “Mary Makes It Easy” Sept. 6 at 8 p.m. on CTV Life Channel, followed by 8:30 p.m. by “Up the Dish” with Carolyn Sandler.
NOTE: The listings here are in Eastern Standard Time, and reflect information provided to me and cross-checked where possible, but it’s always best to check listings for your own area. The selection of programs reviewed reflects what I’m given access to by networks and streamers, whether reviews are embargoed, how many shows I have time to watch and my own personal taste.
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