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Tag: Jeffrey Epstein

Watchable the week of June 21, 2021

SHOW OF THE WEEK: Epstein’s Shadow: Ghislaine Maxwell (June 25, Crave)

Ghislaine Maxwell and Jeffrey Epstein in a poster image used at a news conference by the acting U.S. attorney for the Southern District of New York. PHOTO CREDIT: John Minchillo/AP file photo

A Toronto filmmaker, Barbara Shearer, made this three-part docuseries about the woman accused of procuring young victims for notorious sex offender Jeffrey Epstein, and it’s a fascinating and horrifying tale.

Epstein died in 2019, his death ruled a suicide, although there are still some who theorize he was murdered to hide the identities of famous and powerful men who shared his taste for sex with teenagers.

Maxwell is currently in a Brooklyn jail awaiting trial on sex trafficking charges — a far cry from the life of luxury she lived as daughter of notorious U.K. newspaper magnate Robert Maxwell. Her father figures largely in Shearer’s portrait of Ghislaine, a 59-year-old, Oxford-educated, one-time British socialite.

More than one of the former friends and acquaintances interviewed in the series suggests the key to Maxwell’s identity lies in her relationship as a “daddy’s girl” to a demanding, terrifying father and that, when Robert died under mysterious circumstances in 1991, Epstein took his place as a father figure.

The doc also gives credence to that famous quote about the rich being “different from you and me.” In the milieu of enormous wealth and privilege that Maxwell grew up in, rules were for other people, as one interviewee notes. One gets the sense of billionaire Epstein ordering up schoolgirls to defile as casually as a meal or a bottle of Champagne.

But why would Maxwell, who’s accused of acting as a madam for Epstein —procuring girls from places like the New York Academy of Art and Central Park, or Mar-a-Lago when she and Epstein were in Palm Springs — take part in such vile debauchery? Speculation about daddy issues and codependency aside, no one can really say.

Maxwell refused to be interviewed for the series and her case won’t come to trial until November.

When it does, some observers believe Maxwell’s defence will be that she was just another victim of Epstein’s, but that strikes me as an inherently sexist view and also an offensive one. If Maxwell is guilty, surely she exercised some free will in what she did. It’s as hard to picture her as a victim as it was to view Karla Homolka as a victim of her serial killer and rapist husband, Paul Bernardo.

There is another entity painted in a damning light in “Epstein’s Shadow”: a justice system that treats the rich differently than other people. Epstein was given a slap on the wrist in 2008 despite copious evidence of his sexual activity with underage girls uncovered by police in Palm Beach. It wasn’t until 2019 that he was arrested on multiple sex trafficking charges after a Miami Herald investigation embarrassed the FBI into taking action.

Some believe the case against Maxwell will never make it to open court, either because she’ll be killed in jail or because she’ll be given a deal to prevent her giving evidence against public figures who were part of Epstein’s sordid world.

From Earth to Sky (June 21, 9 p.m., TVO/TVO.org)

Douglas Cardinal is one of the Indigenous architects featured in “From Earth to Sky.”
PHOTO CREDIT: Chapman Productions/TVO

On Monday, National Indigenous Peoples Day in Canada, attention will still naturally be focused on atrocities of the past, particularly the 215 children found buried at a former residential school site in Kamloops, B.C, but this documentary film offers a narrative of inspiration and hope without minimizing the pain of what came before.

In 2017, Toronto musician and concert promoter turned filmmaker Ron Chapman met Indigenous North American architects who were preparing an installation for the 2018 Venice Biennale. That lit the spark of “From Earth to Sky,” in which seven of those architects are profiled.

The film begins with Douglas Cardinal, who’s Siksika from the Blackfoot Nation in Calgary and credited as the the first Indigenous architect in Canada, if not North America. Among his buildings are the Canadian Museum of History and the National Museum of the American Indian, part of the Smithsonian in Washington, D.C. Not bad for someone who was told as a student it would be impossible for him to become an architect.

Also included in the doc are the first female Indigenous architect in America, Tammy Eagle Bull of Oglala Lakota Nation in South Dakota; Wanda Dalla Costa of Saddle Lake First Nation in Alberta; Alfred Waugh, who’s Chipweyan from the Fond du Lac Band in Saskatchewan; Brian Porter of the Six Nations of the Grand River in Ontario; Daniel Glenn of the Crow Nation in Montana; and Patrick Stewart of the Nisga’a Nation in British Columbia.

All of them have faced obstacles that white architects wouldn’t have to surmount. Cardinal is a residential school survivor; others have endured the generational trauma of residential schools and other fallout of colonialism. But there is an optimism in their work: a pride in traditions and hopefulness for the future that is expressed in the beauty and purpose of what they create.

Common themes emerge as the subjects discuss their practices: involving the communities the buildings will serve in the planning; incorporating traditional Indigenous designs and values in the construction; respecting the natural environment.

For Cardinal, these are practices that can benefit architecture as a whole, especially in the face of global warming.

“The Indigenous teachings can be the foundation for replanning and redesigning our cities,” he says. “We have the responsibility of set(ting) an example not only to our own nations, ultimately to the world as a whole.”

Short Takes

From left, Donald MacLean Jr., Sandy Sidhu, Jordan Johnson-Hinds, Natasha Calis and Tiera Skovbye
in Season 2 of “Nurses.” PHOTO CREDIT: Courtesy of Corus Entertainment

Nurses (June 21, 9 p.m., Global TV/StackTV)

The conceit of this Canadian drama is that it’s about, yes, nurses, rather than the doctors who are the usual heroes of medical dramas. Let’s not pretend it’s reinventing the wheel; the beats will be familiar to anyone who regularly consumes medical shows as the five lead cast members juggle patient care with personal issues and romantic entanglements. But they’re a generally likeable crew and you get to see familiar Canadian actors guest-starring as patients, including Jean Yoon of “Kim’s Convenience” in the first episode of the new season. A couple of new regulars join the cast, including Rachael Ancheril (“Rookie Blue,” “Killjoys”) as new boss Kate Faulkner and Jordan Connor (“Riverdale”) as nurse Matteo Rey, a potential love interest for Grace (Skovbye).

A teenaged Michelle McNamara as seen in a new special episode of “I’ll Be Gone in the Dark.”
PHOTO CREDIT: Courtesy of HBO

I’ll Be Gone in the Dark (June 21, 10 p.m., HBO/Crave)

This special episode of the popular true crime series is a postscript of sorts. It deals with the 2020 sentencing of Joseph DeAngelo, the Golden State Killer — whose identity writer Michelle McNamara relentlessly chased before her death in 2016 — and the victims finally venting their fury directly to the man whose rapes and murders irreparably altered their lives. That story is woven together with the one that set McNamara on her lifelong true crime obsession: the unsolved murder of Kathleen Lombardo in Oak Park, Ill., in August 1984. But the fact that killing is still unsolved, along with the possibly related stabbing of a neighbour of Kathleen’s who survived, Grace Puccetti, leaves the viewer without a sense of catharsis and makes the whole episode an awkward addition to the original series.

Odds and Ends

Adam Demos and Sarah Shahi in “Sex/Life.” PHOTO CREDIT: Amanda Matlovich/Netflix

I have seen a couple of episodes of the new Netflix drama “Sex/Life” (June 25), but reviews are embargoed so I’m not allowed to tell you what I think of them. It stars Sarah Shahi (“The L Word,” “Person of Interest”) as a wife and mother of two with a seemingly picture perfect life who suddenly starts lusting after her bad boy ex (Adam Demos, “UnREAL”).

Honestly, I think Helen Mirren could make reciting the phone book sound interesting, but I’ll have to reserve judgment on “When Nature Calls With Helen Mirren” (June 24, 8 p.m., Global TV) since I haven’t seen it yet and it looks kind of dumb in the trailer. Mirren narrates the “unscripted comedy,” in which humans give voice to animals.

Also arriving on June 25 is Season 7 of “Bosch” (Amazon Prime Video). Alas, the screeners I requested never materialized, but I recommend it on the strength of the other six seasons and the excellence of Titus Welliver in the title role. Amazon also has “September Mornings” (June 25), a Brazilian drama about a transgender woman whose new life is complicated when she learns she fathered a son in her previous life.

Disney Plus has “The Mysterious Benedict Society” (June 25), based on the kids’ books by Trenton Lee Stewart, about a group of orphaned children recruited for a secret mission inside a boarding school. Tony Hale (“Veep,” “Arrested Development”) stars as Mr. Benedict.

NOTE: The dates and times listed here reflect information provided to me and cross-checked where possible against broadcast and streaming schedules, but it’s always best to check listings for your own area. The selection of programs reviewed reflects what I’m given access to by networks and streamers, whether reviews are embargoed, how many shows I have time to watch and my own personal taste.

Watchable the week of Aug. 3, 2020

SHOW OF THE WEEK: Star Trek: Lower Decks
(Aug. 6, 9 p.m., CTV Comedy Channel)

Ensign Mariner (Tawny Newsome), Ensign Tendi (Noel Wells), Ensign Rutherford (Eugene Cordero) and Ensign Boimler (Jack Quaid) in CBS All Access series “Star Trek: Lower Decks.” PHOTO CREDIT: CBS

What if you created an animated comedy devoted to the equivalent of the “Star Trek” “red shirts,” those nameless subordinate crew members who were the first to be killed when shit went down for the USS Enterprise?

Forget the heroic Captain Kirks, the cerebral Mr. Spocks, the honourable Captain Picards: this series is focused on the non-entities who toil below decks, hence the name of the show.

Top of the bottom rung is Ensign Mariner, voiced by Tawny Newsome (“Space Force,” “Brockmire”), who’s brilliant but would rather be drinking margaritas in the ship’s bar than doing her job. Her foil is Ensign Boimler (Jack Quaid, “The Boys”), who loves rules and regulations and dreams of being a captain someday.

The main quartet is rounded out by Noel Wells (“Saturday Night Live”) as green-skinned Ensign Tendi, an overly enthusiastic sick bay trainee, and Eugene Cordero (“Tacoma FD”) as Ensign Rutherford, a part-cyborg engineering geek whose love of the warp core would make Montgomery Scott proud. 

They are part of the support crew aboard the USS Cerritos, a second-tier starship in the year 2380 that specializes in second-contact missions and other low-glory tasks.

The series pokes fun at Starfleet self-importance through characters like Captain Freeman (Dawnn Lewis, “A Different World”), who happens to be Mariner’s mother, and Commander Ramson, voiced by honorary Canadian Jerry O’Connell (“Carter”). But while it gently mocks the Starfleet ethos, it is also very much of the “Star Trek” universe. 

It was created by “Star Trek” fan Mike McMahan and counts “Trek” heavy hitters as executive producers, including Gene Roddenberry’s son Rod, and “Picard” and “Discovery” execs Heather Kadin and Alex Kurtzman. 

The series is populated by alien species familiar to fans of various franchise iterations, like Klingons, Andorians and Ferengi, and includes subtle shoutouts to characters like Miles O’Brien of “Next Generation” and “Deep Space Nine.”

And like all “Star Trek” properties, “Lower Decks” is at heart about human (and non-human) relationships – even at the bottom of the Starfleet food chain.

An American Pickle (Aug. 6, Crave)

Seth Rogen plays both Ben Greenbaum and his great-grandfather Herschel
in “An American Pickle.” PHOTO CREDIT: Bell Media

A Jewish immigrant in early 1900s New York is accidentally knocked into a vat of brine at the pickle factory where he works and is found alive, perfectly preserved, 100 years later. It’s a preposterous premise, but it worked in “Sell Out,” the short, satirical story by humourist Simon Rich, thanks in large part to the un-ironic narration of the revived Herschel Greenbaum.

This movie adaptation, directed by cinematographer Brandon Trost, is at its best when Herschel (played by Seth Rogen) gets to speak for himself. By the time he has united with his great-grandson Ben (also played by Rogen) in 2019 Brooklyn, we’re in a more conventional fish-out-of-water comedy.

Rich also wrote the screenplay for the movie, but its jabs at hipsters and consumer culture don’t land as sharply here. The great-grandson, a self-absorbed dick in the story, seems petty and vindictive here as he does everything he can to sabotage Herschel’s homemade pickle business. Herschel’s unsavoury traits, particularly his sexism and propensity to solve problems with violence, are also magnified.

The reconciliation that inevitably comes doesn’t feel earned.

“Surviving Jeffrey Epstein” (Aug. 9, 8 p.m., Lifetime)

Sexual abuse victim Rachel Benavidez in “Surviving Jeffrey Epstein.”
PHOTO CREDIT: Lifetime

Unfortunately, an advance copy of this documentary, which is sure to be widely watched and discussed, wasn’t available to review because it was still being legally vetted. The two-parter (the second airs Aug. 10 at 9 p.m.) from Robert Friedman, Annie Sundberg and Ricki Stern focuses on the victims of the billionaire financier, in the same vein as the Peabody Award-winning “Surviving R. Kelly.” Epstein died a year ago in jail before he could be tried on sex trafficking charges, but the criminal trial of Ghislaine Maxwell, the ex-girlfriend accused of procuring girls for Epstein and his rich friends, ensures the case will remain in the public eye, as will this doc. The more light that can be shed on predators like Epstein the better. 

Odds and Ends

Aisha Brown stars in a standup special shot at Just for Laughs in Montreal last year.
PHOTO CREDIT: Bell Media

CTV Comedy Channel and Just for Laughs pay tribute to Canadian comedians – whose livelihoods, like many others, have been wiped out by the COVID-19 pandemic. These four standup specials were shot at Just for Laughs festivals in Montreal and Toronto. They kick off with “Aisha Brown: The First Black Woman Ever” (Aug. 3, 11 p.m.) and continue with Tom Henry (Aug. 4), Mark Forward (Aug. 5) and Robby Hoffman (Aug. 6). Viewers are encouraged to donate to the Emergency Relief Fund for Canadian Comedians.

Fans of wall-to-wall surveillance and scheming will be happy that “Big Brother All-Stars” kicks off on Global Aug. 5, at 9 p.m., with thrice-weekly episodes to follow Sundays, Wednesdays and Thursdays. The production will be taking pandemic precautions and the cast will be revealed on the Aug. 5 premiere.

Disney Plus doesn’t have any new releases this week that can top “Black Is King” or the “Hamilton” movie, but if you’re a fan of Disney musicals like “Beauty and the Beast” and “The Little Mermaid,” you might like “Howard” (Aug. 7), which is about how the late Howard Ashman went from showbiz-loving Baltimore kid to beloved playwright and lyricist.

If you have yet to see the movie inspired by former Toronto mayor Rob Ford and his crack cocaine scandal (I haven’t and still can’t wrap my mind around Damian Lewis, one of the best actors from the U.K., in a fat suit), then “Run This Town” is on Crave Aug. 7.

If you’d like to reflect on a devastating event in 20th-century history, “Hiroshima: 75 Years Later” (Aug. 8, 9 p.m., History) uses long-suppressed footage and victim testimony to illuminate the toll of the first detonation of a nuclear weapon in wartime.

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