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Tag: Nicole Kidman

Watchable Aug. 16 to 22, 2021

SHOW OF THE WEEK: Nine Perfect Strangers (Aug. 20, Amazon Prime Video)

Nicole Kidman as Masha in “Nine Perfect Strangers.” PHOTO CREDIT: Vince Valitutti/Hulu

On the face of it, the Tranquillum House wellness retreat exudes comfort, luxury and exclusivity, but from the moment its nine guests arrive for their 10-day stay there are hints they’re in for more than bliss.

They’re under surveillance, for one thing. And the smiling staff members pleasantly but firmly insist they surrender their cellphones and submit to having blood drawn. There’s even a hint of menace in the way the blades of the blender pulp the fruit that goes into their individually tailored smoothies.

Ethereal guru Masha — Nicole Kidman in long golden locks, flowing pastel clothes and steely blue gaze — makes it clear that they’re not there to be pampered. “This is Tranquillum. I mean to fuck with all of you,” she says.

The guests include bereaved mother Heather (Australian actor Asher Keddie), her husband Napoleon (Michael Shannon) and their daughter Zoe (Grace Van Patten); romance novelist Francis (Melissa McCarthy), ex-pro football player Tony (Bobby Cannavale), newly rich couple Ben (Melvin Gregg) and Jessica (Samara Weaving), divorced mother Carmel (Regina Hall) and cynical journalist Lars (Luke Evans).

They’ve all been hand-picked by Masha for their traumas, which include an assortment of relationship issues, professional crises, insecurities, drug addiction and unresolved guilt over others’ deaths.

Despite the sometimes uncomfortable activities they engage in (digging their own graves, a day of eating nothing but what they can forage), defences come down, the guests warm to each other and they start to feel incrementally better. But Masha doesn’t think they’re getting to the heart of their pain fast enough and institutes a new treatment protocol over the objections of counsellor Delilah (Tiffany Boone), one that poses psychic if not physical dangers.

Masha isn’t being truthful about her own trauma, either, even though she shares with the guests that she was once a corporate CEO who died after being shot in the chest and was brought back to life by Yao (Filipino-Canadian actor Manny Jacinto), a former paramedic who is now her right-hand man at Tranquillum.

What viewers will realize — although Masha is blind to it — is that she’s still addicted to power, but rather than wielding it in the business world she’s playing god with the lives of the people who’ve entrusted her to make them better.

Having seen only six of the eight episodes, I don’t know whether she causes any of her charges lasting harm or how the death threats that Masha is simultaneously receiving play out.

Like the treatment being meted out at Tranquillum, “Nine Perfect Strangers” is itself imperfect. Some of the stories — the Instagram influencer who’s insecure about her looks, the discarded wife who resents anyone younger and prettier —are a little too on the nose.

But there are also plot twists and surprises, at least for those who haven’t read the Liane Moriarty novel. There’s also a lot to be said for watching actors of this calibre play together.

In a TV universe that often offers up junk food, “Nine Perfect Strangers” is more of a high-end meal, even if it leaves you still a bit hungry.

In the Same Breath (Aug. 18, 9 p.m., HBO/Crave)

Health-care workers during a celebration of China’s victory over COVID-19.
PHOTO CREDIT: Courtesy of HBO

It’s impossible to know for sure whether lives would have been saved if Chinese authorities had been more open with their own citizens and the rest of the world about the pneumonia-like illness being seen in Wuhan as early as December 2019.

We all know now that mystery illness was COVID-19, which to date has killed more than 4 million people worldwide.

But as Nanfu Wang admits in her documentary, even though she had seen, and archived, Chinese social media posts about overloaded hospitals and people dying in the streets, she believed American officials who said the virus didn’t pose a threat in the U.S. and scoffed when her mother, back in her hometown east of Wuhan, urged her to wear a mask outdoors.

This doc is critical of both Chinese and American authorities for downplaying COVID and, indeed, punishing those who spoke out about it — “I have lived under authoritarianism and I have lived in a society that calls itself free,” says Wang, who now calls New York home. “In both systems, ordinary people become casualties of their leaders’ pursuit of power.”

For me, the film is most striking when it’s sharing human stories, captured with the help of camera people in Wuhan: a father in tears at the bedside of his adult son, who’s unable to do much more than blink; the woman who ran a medical clinic near the infamous wet market and whose husband, having caught the virus from patients, was turned away by four hospitals after they saw CT scans of his lungs; the son and husband who have to decide on the spot whether to take their loved one back home or let her die in the street when paramedics are unable to find a hospital with room for her.

Some of the most eye-opening images, at least for those of us without exposure to Chinese media, are of news anchors parroting the same government-approved script about the lack of COVID dangers, or of health-care workers at rallies celebrating China’s victory over the virus, waving flags and singing patriotic songs about the motherland. The doc contrasts those images with footage from inside the hospitals of those workers breaking down in tears, exposing the reality glossed over by the upbeat, state-sanctioned propaganda about China’s “Angels in White.”

That, and Wang’s interviews with sad and angry nurses in New York, reaffirm there’s a secondary pandemic of trauma among front-line workers, one that will only worsen as those same workers deal with the fourth wave of COVID surging around the world.

I don’t know that any lessons will be learned from this documentary — Wang includes footage of anti-mask, -lockdown and -vaccine protests across the U.S. and we know they’re still happening even as the Delta variant rages and politicians refuse to do what’s necessary to protect their citizens — but it’s worth watching nonethless.

The Chair (Aug. 20, Netflix)

Sandra Oh, Nana Mensah and Holland Taylor in “The Chair.” PHOTO CREDIT: Eliza Morse/Netflix

I have a lot of time for Sandra Oh in whatever role she’s in and she delivers a reliably smart and sympathetic performance as Ji-Yoon Kim, a Korean-American professor who’s just become the first female and the first person of colour to chair the English department at fictional Pembroke University.

Created by actor Amanda Peet and screenwriter Annie Wyman, who’s also a lecturer at Stanford University, “The Chair” portrays Ji-Yoon as struggling with the things you’d expect a career woman to struggle with while balancing a demanding job with family. In Ji-Yoon’s case, ethnicity adds another layer as she’s a 40-something single mother to an adopted Mexican-American daughter she’s raising with the help of her father Habi, played by Ji-yong Lee, who speaks only Korean.

And of course, Ji-Yoon’s is not just any job. As chair, she has to worry about faculty egos, budgets, and keeping the dean (David Morse) and the donors happy, not to mention the students, a sometimes fickle, fractious lot. (There’s a cameo I won’t spoil for you by a well-known TV actor who’s parachuted in give the university’s marquee lecture because he’ll put “butts in seats.”)

“The Chair” touches on issues like academic freedom, conflict between traditional and modern teaching, sexism and racism in hiring and promotion, campus protest and social media censure, although not in a deep way.

The senior male professors (Bob Balaban and Ron Crawford), who are at the top of the dean’s hit list because they cost the most and attract the fewest students, are portrayed as fuddy duddies. Balaban’s character, in particular, is threatened by Yaz (Nana Mensah), a young Black female professor who teaches a popular course called “Sex and the Novel” and lets her students use rap and spoken-word poetry to interpret “Moby-Dick.”

Holland Taylor plays an equally senior professor named Joan and steals scenes as she fights against indignities like being relegated to a tiny office next to the basement gym and crudely targeted by a male student on Rate My Professors.

I didn’t love the fact that Ji-Yoon expends considerable energy trying to rescue the job of fellow professor and love interest Bill (Jay Duplass) after he does something boneheaded in the classroom that gets immortalized on YouTube. Sure, Bill is a widower and a nice guy who cooks her dinner and helps with her daughter, but he also behaves like an irresponsible man-child and I feel like we’ve had enough of those on television.

Just as Ji-Yoon doesn’t quite manage to revolutionize the Pembroke English department, “The Chair” isn’t going to revolutionize your TV-viewing experience, but at six half-hour episodes you can watch it in less time than it would take to write an essay.

Chapelwaite (Aug. 22, 10 p.m., CTV Sci-Fi Channel/CTV.ca)

Adrien Brody with Ian Ho, Jennifer Ens and Sirena Gulamgaus in “Chapelwaite.”
PHOTO CREDIT: Chris Reardon/Epix

If you like classic horror stories and you are a patient viewer, you will find things to entertain you in “Chapelwaite,” the latest Stephen King adaptation to hit screens, inspired by the short story “Jerusalem’s Lot.”

Certain elements of the original are intact here, including the creepy ancestral home that gives the show its name; a possible family curse; a mysterious, ancient book; hostile townspeople; undead folks and an obsession with worms.

But adaptors Jason and Peter Filardi have changed and expanded the story. Charles Boone, played by Oscar winner Adrien Brody, is now a widowed father of three and former captain of a whaling ship. Instead of a manservant, his confidante is a woman named Rebecca, played by Emily Hampshire of “Schitt’s Creek,” an aspiring writer and governess to his children. And there are plenty of side plots and new characters.

The town of Preacher’s Corners, Maine, to which Charles brings the two daughters and son he had with his late Polynesian wife, is a hotbed of superstition and racism. The townspeople blame the Boone family for the disease that is killing some of their children, shun Charles’s offspring for not being white, and reject his plans to expand the sawmill he inherited and bring shipbuilding to the town.

Since the series was filmed in Halifax, the cast is loaded with Canadians, including Eric Peterson (“Corner Gas”) as Charles’s chief antagonist; Gord Rand (“Orphan Black”) as the sympathetic town minister; Julian Richings (“Todd and the Book of Pure Evil”) as Charles’s Uncle Phillip; Steven McCarthy (“The Expanse”) as his cousin Stephen and newcomer Devante Senior as Able, a Black sawmill employee who’s the only worker to stand by Charles.

But all the extra faces and scenes mean the show can plod when it’s not sticking to the gothic horror plot, which it brings to life in moody, foreboding fashion.

The most successful new characters are the children, Honour (Jennifer Ens), Tane (Ian Ho) and especially sensitive middle child Loa. Toronto’s Sirena Gulamgaus, who also stars in “Transplant,” plays the part with depth beyond her years.

Hampshire, who’s second to Brody in the credits, brings energy and charm to Rebecca, but the character seems to have been parachuted in from a more modern show, with a way of speaking and behaving that doesn’t fit the 1850s time period.

Still, if you have a taste for atmospheric, supernatural horror stories you might be able to overlook “Chapelwaite’s” shortcomings.

Odds and Ends

The show that is a summer highlight for most “Bachelor” and “Bachelorette” fans, “Bachelor in Paradise,” returns for its seventh season after sitting it out last summer due to the pandemic. It debuts Aug. 16 at 8 p.m. on Citytv.

A show that I think has been trudging on for far too long, “The Walking Dead,” debuts its 11th and final season on AMC Aug. 22 at 9 p.m. Oh sure, I’ll probably hate-watch it just to see how things end.

Disney Plus has “Growing Up Animal” on Aug. 18, which features lots and lots of baby animals, so how can you go wrong?

NOTE: The listings here are in Eastern Standard Time, and reflect information provided to me and cross-checked where possible, but it’s always best to check listings for your own area. The selection of programs reviewed reflects what I’m given access to by networks and streamers, whether reviews are embargoed, how many shows I have time to watch and my own personal taste.

This post has been edited to tweak my review of “Nine Perfect Strangers.”

Watchable the week of Oct. 19, 2020

SHOW OF THE WEEK: The Undoing (Oct. 25, 9 p.m., HBO)

Hugh Grant and Nicole Kidman as Jonathan and Grace Fraser in “The Undoing.”
PHOTO CREDIT: Niko Tavernise/HBO

If you can’t get enough of Nicole Kidman on television this drama will be right up your alley. “The Undoing,” which reunites Kidman with creator David E. Kelley, is mainly a showcase for Kidman’s talents. And unlike their other show together, “Big Little Lies,” the Oscar winner doesn’t have to share top billing with other powerhouse women.

She plays another well-to-do wife, psychologist Grace Fraser. Grace seems to live a charmed life with husband Jonathan (Hugh Grant), a pediatric oncologist, and son Henry (Noah Jupe), but you just know it’s about to get turned upside down, especially when Grace meets an unsettling young woman named Elena (Italian actor Matilda De Angelis) in the first episode.

Elena ends up brutally murdered in her art studio, Jonathan goes missing and life as Grace knows it unravels.

Based on the 2014 novel “You Should Have Known” by Jean Hanff Korelitz, “The Undoing” is one of those shows that keeps you guessing from episode to episode. I’ve seen five of the six instalments and I really have no idea how it’s going to end.

Other talent includes Canadian actor Donald Sutherland as Grace’s father (he has a scene involving the dressing down of his grandson’s private school principal that you really don’t want to miss), Noma Dumezweni as a tough-as-nails lawyer, Ismael Cruz Cordova as Elena’s bereaved husband and Edgar Ramirez as a persistent police detective. Emmy winner Susanne Bier (“The Night Manager”) directs.

The settings and the cinematography are beautiful. Kidman looks like a Pre-Raphaelite vision as she traverses Manhattan with her flowing red curls and long, velvet coats.

“The Undoing” is not perfect by any means — we get very little sense, for instance, of who Elena was other than a murder victim who might have been disturbed — but it’s definitely watchable.

Darkness: Those Who Kill (Oct. 19, Acorn)

Natalie Madueño, Kenneth M. Christensen in “Darkness: Those Who Kill.” PHOTO CREDIT: Acorn TV

Whatever the state of pandemic TV production, there seems to be no danger of running out of psychological crime thrillers, what with other countries’ output to draw on. 

This Danish series has familiar elements: young female victims (a depressing commonality of many crime dramas), a male killer, a driven male detective who, in this case, teams up with a female criminal profiler. 

After detective Jan Michelsen (Kenneth M. Christensen) and profiler Louise Bergstein (Natalie Madueno) link a decade-old disappearance and murder with the kidnappings of two other young women in a town near Copenhagen they try to get inside the suspect’s head (Mads Riisom) in the hope of finding at least one of the victims alive.

Elsewhere, the series has been compared to Welsh crime drama “Hidden.” It also put me slightly in mind of “The Fall,” in that we know who the killer is early on.

Be warned that the show lives up to its title; in the two episodes I screened there was a brutal rape scene.

The Queen’s Gambit (Oct. 23, Netflix)

Anya Taylor-Joy as Beth Harmon in “The Queen’s Gambit.” PHOTO CREDIT: Phil Bray/Netflix

 Given the resemblance of this seven-episode series to a biopic I at first thought perhaps it was based on a real person but, silly me, there were no elite female chess players in the 1950s and ’60s. In fact, I have read that a woman didn’t break into the top 10 until 2005, more than two decades after the publication of the Walter Tevis novel on which this show is based.

The fictional heroine here is Beth Harmon, played by Anya Taylor-Joy (“Peaky Blinders,” “The Dark Crystal”), a child chess prodigy who discovers her talent while living in an orphanage, which is where she also develops an addiction to the tranquilizers given to the girls to control their moods.

To be fair, I got access to the screeners just this morning and only had time to watch one episode, so I can’t pass judgment on the series as a whole. Based on what I’ve seen so far, it seems like a fairly straightforward biographical tale with the twist that the troubled genius is female.

The series was created by Oscar nominee Scott Frank (“Logan”) with Allan Scott. Russian grandmaster Garry Kasparov was involved as a consultant to keep the chess scenes as authentic as possible.

Netflix also has Season 2 of “Unsolved Mysteries” debuting Oct. 19 and Season 3 of David Letterman’s “My Next Guest Needs No Introduction” on Oct. 21.

Year of the Goat (Oct. 24, 8 p.m., CBC and CBC Gem)

One of the animal stars of “Year of the Goat.” PHOTO CREDIT: Markham Street Films

Couldn’t you use something warm and fuzzy to take the edge off a stressful year? This documentary, airing on “CBC Docs POV,” gives you an up close and personal look at goats and the people who love them.

Filmmakers Michael McNamara and Aaron Hancox (“Catwalk: Tales From the Catshow Circuit”) spent a year embedded with several Ontario farm families and their critters in the run-up to the Royal Agricultural Winter Fair, the “Super Bowl of agricultural fairs,” where their animals were part of the dairy show competition.

Yes, there’s lot of footage of cute, cuddly animals but also a look at the hard work involved in caring for them, with a special emphasis on the farm children’s devotion to their charges.

One thing comes through loud and clear: these animals are well loved, poop and all.

Odds and Ends

Devery Jacobs in “Rhymes for Young Ghouls.” PHOTO CREDIT: Jan Thijs

As a partner in the imagineNATIVE Film and Media Arts Festival, which runs online Oct. 20 to 25, Crave has introduced an Indigenous Stories collection of films. The titles on offer include two from filmmaker Jeff Barnaby: zombie horror flick “Blood Quantum” and “Rhymes for Young Ghouls,” which stars Devery Jacobs (“American Gods,” “The Order”). There are also inspirational story “The Grizzlies,” the debut of “Trickster” co-star Anna Lambe; “Falls Around Her,” starring Tantoo Cardinal; “Maliglutit” (“Searchers”) by Inuk filmmakers Zacharias Kunuk and Natar Ungalaaq; Oscar winner “Jojo Rabbit” by Taika Waititi and more.

If you’re in the mood for some reality TV, “Battle of the Blades” debuts its sixth season on CBC Oct. 22 at 8 p.m. — one week late after the earlier premiere was scrapped when a member of the production team tested positive for COVID-19. CTV2 has Season 19 of “The Voice” (Oct. 19, 8 p.m.).

If you like country music and/or pandemic entertainment, you can check out how country star Brett Kissel brought live music back to Canada in a physically distanced way in the documentary “Brett Kissel: Live at the Drive-In” (Oct. 21, 8 p.m., CTV2). On the same night, CTV has new episodes of “The Conners” at 7:30 p.m.

Showcase has the new comedy series from Will Ferrell, Adam McKay and Funny or Die, “No Activity” (Oct. 25, 10 p.m.), which according to the show blurb “celebrates the mundane.”

Disney Plus has something for “Frozen” completists with “Once Upon a Snowman” (Oct. 23), which reveals the “untold origins” of Olaf, the snowman from the blockbuster animated movies.

Finally, science and/or space geeks might enjoy “Touching the Asteroid” on “Nova” (Oct. 21, 9 p.m., PBS), about the seven-year mission of spaceship Osiris Rex to collect pieces of the Bennu asteroid 200 million miles from Earth and potentially unlock secrets of the origins of our solar system.

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