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Tag: Pretty Hard Cases

Watchable Jan. 3 to 9, 2022

First off, wishing everyone a safe and comfortable 2022. This week, there are multiple new and returning shows I enjoyed, so I’m listing them in order of premiere date and forgoing the Show of the Week.

Son of a Critch (Jan. 4, 8:30 p.m., CBC and CBC Gem)

Claire Rankin, Mark Critch, Benjamin Evan Ainsworth, Colton Gobbo and Malcolm McDowell
in “Son of a Critch.” PHOTO CREDIT: Courtesy of CBC

Give Mark Critch and Tim McAuliffe credit: they’ve taken an awfully well worn TV trope, the coming-of-age comedy, and given it a charming, quirky spin all its own in the autobiographical “Son of a Critch.”

Based on comedian Critch’s memoir, it follows 12-year-old Mark (British actor Benjamin Evan Ainsworth, “The Haunting of Bly Manor”) as he grows up in 1980s St. John’s, Newfoundland.

Mark is simultaneously a naif and an old soul, living with his radio reporter dad Mike (Critch), his stay-at-home, full-time gossip mom Mary (Claire Rankin), older brother Mike Jr. (Colton Gobbo) and grandpa Pop (Malcolm McDowell, yes, that Malcolm McDowell).

Cherub-faced Mark listens to Dean Martin, is “asthmatic with fallen arches and no hand-eye co-ordination” and shares a bedroom with his granddad. (“Nothing gets you out of bed faster than being mooned by an octogenarian,” narrator Critch says in one of the show’s laugh-out-loud lines.) So he’s ripe for picking on when he gets bused across town to the Catholic junior high school — although it’s hard to say who’s tougher, the bullies or the nuns. (Petrina Bromley of “Come From Away” plays one of them.)

Newbie actors Sophia Powers and Mark Rivera play Mark’s frenemy Fox, who comes from a family of bullies, and friend Ritche, the only Filipino kid in school and a fellow outcast.

The comedy is sharp but not cruel, and Ainsworth makes a sweetly appealing protagonist. I came into this one a little skeptical but came out a fan.

Run the Burbs (Jan. 5, 8:30 p.m., CBC and CBC Gem)

Roman Pesino, Zoriah Wong, Rakhee Morzaria and Andrew Phung in “Run the Burbs.”
PHOTO CREDIT: Courtesy of CBC

If TV comedies were judged just on the likability of their lead actors, Andrew Phung would have a runaway hit on his hands in “Run the Burbs.”

A fan favourite in the dearly departed “Kim’s Convenience,” the Calgary-born Phung has spun his own life experience into this sitcom, co-created with his best friend, Scott Townend. Here, the Vietnamese-Canadian actor is Vietnamese-Canadian suburban dad Andrew Pham.

Whereas the actor is raising young sons in Toronto in real life, the TV dad is stay-at-home nurturer to adolescent, queer daughter Khia (Zoriah Wong) and son Leo (Roman Pesino), while his extremely smart South Asian wife Camille (Rakhee Morzaria) works in HR and is an Instagram chef on the side.

You could call it an aspirational comedy, not in the sense that the Phams are rich or famous, but that we should all be so lucky to have a bond like this family’s. It’s not that the Phams aren’t saccharine sweet, thank goodness, or joined at the hip, but their interactions are shot through with love and respect.

The plots, at least in the two episodes made available for review, stick close to the family’s suburban home: the neighbourhood block party is jeopardized by the local bylaw enforcer (Aurora Browne of “Baroness von Sketch Show”); Andrew and Camille finagle their way into the new neighbours’ pool during a heat wave; Khia has complicated feelings when her former best friend Mannix (Simone Miller) moves back to the ‘hood; Andrew frets when Leo goes to sleep-away camp.

Phung and his team have assembled a capable cast with some comedy ringers, including Ali Hassan, Chris Locke, Samantha Wan and the late Candy Palmater.

I’m rooting for this one.

You can read my Toronto Star interview with Andrew and Scott here.

Women of the Movement (Jan. 6, 8 p.m., Global TV)

Adrienne Warren as Mamie Till Mobley, mother of Emmett Till, in “Women of the Movement.”
PHOTO CREDIT: James Van Evers/ABC

In 1955, Mamie Till Mobley did something that seems unthinkable in Jim Crow-era America: defied authorities in Mississippi to publicly display the mutilated body of her 14-year-old son, Emmett Till, murdered by white men in that state because he had dared to smile and whistle at a white woman.

That act of defiance and her subsequent national speaking tour in support of justice for Emmett and other Black Americans are credited with sparking the U.S. Civil Rights movement.

This limited series, part of a planned anthology by Marissa Jo Cerar (“The Fosters,” “The Handmaid’s Tale”), is squarely focused on Mamie, played affectingly by Tony Award-winning theatre actor Adrienne Warren.

Mamie’s grief and determination are the conduit through which the story of Emmett’s murder is told, as well as the subsequent trial, which saw the killers go free after the woman whose encounter with Emmett (Cedric Joe) spurred the lynching lied about it on the stand. The jury never heard the testimony, but the series portrays the lie about a lascivious Emmett putting his hands on Carolyn Bryant (Julia McDermott) as tainting the jury nonetheless, after it circulated through Sumner, Mississippi.

(The doc says in a postscript that Carolyn recanted her story, a claim also made by author Timothy Tyson in 2017, although Carolyn, still alive at 88, has refused to confirm that.)

A charge of kidnapping against Roy Bryant and J.W. Milam in a different county never got prosecuted after two senators leaked a story about Emmett’s father being executed during World War II for allegedly raping two women (author John Edgar Wideman has suggested Louis Till was framed and I have little trouble believing that to be true).

While Mamie is the main focus, the series also portrays the people who helped her through the darkest days of her life, including NAACP members Medgar Evers (Tongayi Chirisa) and Ruby Hurley (Leslie Silva), the Black press, civil rights leader Dr. Theodore Howard (Alex Desert), her mother Alma (Tonya Pinkins), and her boyfriend and later husband Gene Mobley (Ray Fisher). Canadian actor Gil Bellows plays a small but important role as prosecutor Gerald Chatham.

There was never any justice for Emmett, despite the killers admitting the crime in a self-serving Look interview less than a year after the trial. And one could argue, thinking about modern-day lynchings and trials in which the killers of Black people have been set free, that justice is still an elusive target for Black Americans.

“Women of the Movement” tells a powerful story and, I would wager, not a universally known one; the least we can do, like the thousands of people who lined up to see Emmett Till’s body, is not look away.

Global also has a new American medical drama, “Good Sam” (Jan. 5, 10 p.m.), about a young surgeon who’s in competition with her surgeon father.

Short Takes

Laurence Leboeuf, Hamza Haq, Ayisha Issa and Jim Watson in “Transplant.”
PHOTO CREDIT: Courtesy of Bell Media

Transplant (Jan. 3, 10 p.m., CTV and CTV.ca)

Good news for fans of this Canadian medical drama: if you warmed to Dr. Bashir Hamed (Hamza Haq) and his colleagues at Toronto’s fictional York Memorial Hospital last season, you’re going to enjoy catching up with them in Season 2. The show continues to judiciously mix its medical stories with glimpses of the private lives of the doctors. This season, with Dr. Bishop (John Hannah) sidelined by a stroke, they all have to adjust to divisive acting chief of emergency medicine Dr. Novak (Gord Rand). Mags (Laurence Leboeuf) is still struggling with work-life balance; Theo (Jim Watson) is still torn between his job in Toronto and his family in Sudbury; June (Ayisha Issa) is still weighing whether to apply for the chief resident job; Bash is still trying to prove himself in the ER while struggling with PTSD from his experiences in Syria and the return of a woman from his past. The good news is that the friendship between the doctors is growing, which makes the characters that much more endearing. You can read my Toronto Star interview with the main cast here. CTV also has “The Cleaning Lady” (Jan. 3, 9 p.m.), a new American show about a Cambodian doctor who comes to the U.S. for medical treatment for her son but ends up becoming a cleaning lady for the mob, and I haven’t seen it, but I hope it’s better than that description sounds.

Meredith MacNeill and Adrienne C. Moore in “Pretty Hard Cases.” PHOTO CREDIT: Courtesy of CBC

Pretty Hard Cases (Jan. 5, 9 p.m., CBC)

My favourite team of female detectives is back for a second season. And unlike Season 1, when Samantha (Meredith MacNeill) and Kelly (Adrienne C. Moore) were still skeptical of each other, they’re functioning like a team. Sam even has a nickname for them, Skelly, which doesn’t mean she escapes Kelly’s teasing. This year, besides tackling crime together they’re both grappling with their love lives. Sam’s judgmental mother Judy (Sonja Smits) comes for an unplanned visit, complicating Sam’s budding romance with Naz (Al Mukadam), and Kelly continues to have feelings for Nathan (Daren A. Herbert), but he’s still dating Gabrielle (Sera-Lys McArthur). The season’s main criminal focus involves a primarily Black neighbourhood that Kelly feels is being overpoliced by Guns and Gangs, but a shooting there brings even more pressure and the arrest of a suspect whom Kelly believes is innocent. That’s the serious side; on the fun side, Karen Robinson (“Schitt’s Creek”) continues to be a delight as Unit Commander Shanks, and the world’s least helpful but most entertaining homicide detectives are back in Tricia Black and Miguel Rivas. You can read my Toronto Star interview with Daren A. Herbert here. Also returning to CBC and CBC Gem are “Workin’ Moms” Season 6 (Jan. 4, 9 p.m.); “Still Standing” Season 7 (Jan. 5, 8 p.m.); “Coroner” Season 4 (Jan. 6, 8 p.m.); and “Arctic Vets” Season 2 (Jan. 7, 8:30 p.m.).

Helen Alderson (Rachel Shenton), Tristan Farnon (Callum Woodhouse) and James Herriot (Nicholas Ralph) in “All Creatures Great and Small.” PHOTO CREDIT: Helen Williams/Playground Television

All Creatures Great and Small (Jan. 9, 9 p.m., PBS)

Season 1 of this period drama was my favourite comfort food TV of 2021. That’s not to say this adaptation of the James Herriot books about being a Yorkshire veterinarian is always comfortable. As in real life, some of the animals treated by James (Nicholas Ralph), Siegfried (Samuel West) and Tristan Farnon (Callum Woodhouse) die and the humans who own them face hardships. And as the second season opens in 1938, we know the Second World War is on the horizon. Still, the natural beauty of the Yorkshire setting, the quality of the acting and the attention to detail in the production make this world a pleasure to escape to. This season, James has to decide between staying in Yorkshire or going home to Glasgow to practise there. And, of course, he still has unfinished business with Helen (Rachel Shenton). He’s not the only one dealing with affairs of the heart, as Siegfried, Tristan and even Mrs. Hall (Anna Madeley) have admirers.

Odds and Ends

“Sopranos” completists might want to check out the prequel movie “The Many Saints of Newark” (Jan. 7, Crave), starring the late, great James Gandolfini’s son Michael. Also on Crave via HBO are Season 2 of teen drama “Euphoria” (Jan. 9, 9 p.m.) and televangelist comedy “The Righteous Gemstones” (Jan. 9, 10 p.m.).

Netflix has a reality series called “Hype House” (Jan. 7) about “the world’s biggest social media stars.”

Amazon Prime Video has the George Clooney-directed movie “The Tender Bar” (Jan. 7), which sounds like a coming-of-age tearjerker starring Ben Affleck.

If you’re a fan of “A Discovery of Witches,” Season 3 debuts Jan. 8 on Sundance, Shudder and AMC Plus.

CORRECTION, Jan. 5, 2022: Edited to correct the credit on the “Women of the Movement” photo.

NOTE: The listings here are in Eastern Standard Time and I’ve verified the times where possible, but it’s always best to check listings for your own area. The selection of programs reviewed reflects what I’m given access to by networks and streamers, whether reviews are embargoed, how many shows I have time to watch and my own personal taste. The Odds and Ends section includes shows that I have not watched.

Watchable the week of February 1, 2021

The Investigation (Feb. 1, 10 p.m., HBO and Crave)

Detective Maibritt Porse (Laura Christensen) watches as a homemade submarine that is part of a murder investigation is raised in “The Investigation.” PHOTO CREDIT: HBO/Bell Media

It might seem counterintuitive given how much time and attention are devoted to crime shows on TV, but real detective work doesn’t seem glamorous; it seems like a slog: hours spent poring over CCTV footage or reading and re-reading case files.

That point is ably made in this Danish series, which is devoted to the painstaking work that went into convicting the killer in the so-called “Submarine Case.”

On Aug. 10, 2017, Swedish journalist Kim Wall boarded a homemade submarine just off Copenhagen for an interview with its owner, Peter Madsen, and was never seen alive again. Her torso was found on a beach 11 days later; her severed head and limbs deep underwater two months later.

One might think finding a torso covered in stab wounds and body parts that had been weighted and sunk in the sea might be a slam dunk for a homicide conviction, but that wasn’t the case, despite the fact that Madsen — who is not shown in the series and never even named — had a predilection for violent porn and snuff films.

But prosecutor Jakob Buch-Jepsen (Pilou Asbaek, “Game of Thrones”) makes it clear he needs more than that and it’s up to lead detective Jens Moller (Soren Malling) and his team to find it.

Their search is frustrating and dispiriting, not least because their best evidence is at the bottom of the strait between Denmark and Sweden. A team of divers spends many, many hours essentially hunting for needles in a watery haystack until the search area is narrowed down with the help of radar data, cadaver dogs and analysis of water currents (writer and director Tobias Lindholm used the real divers in the series, as well as the real dogs).

And still, with every victory comes a setback. The case is finally made when detective Maibritt Porse (Laura Christensen), the only woman on the team, finds an overlooked contradiction in the ever-changing story of the accused by spending hours just re-reading case notes.

What I appreciated about the series besides its attention to detail was its subtlety and its devotion to “show, don’t tell.” For instance, when Jens leaves the home of Kim’s parents, Ingrid and Joachim (Pernilla August and Rolf Lassgard), having just shown them a drawing of the stab wounds in their daughter’s torso, the only indication of the extreme emotion he’s feeling is the sight of his red-rimmed, brimming eyes in his car’s rearview mirror.

Some might be frustrated by the lack of attention paid to the perpetrator of the crime, but I found “The Investigation” rewarding and fascinating. We already have plenty of the other type of crime shows.

And if you’re up for another series that focuses on the detailed work involved in catching killers, watch “The Pembrokeshire Murders” (Feb. 2, BritBox), a dramatized account of how detective Steve Wilkins (Luke Evans) and his team used a re-examination of forensic evidence in a string of burglaries to connect suspect John Cooper (Keith Allen) to two decades-old double murders in Wales. The companion documentary “The Pembrokeshire Murders: Catching the Gameshow Killer” comes to BritBox the same day.

Pretty Hard Cases (Feb. 3, 9 p.m., CBC and CBC Gem)

Meredith MacNeill as Detective Samantha Wazowski and Adrienne C. Moore as Detective Kelly Duff
in “Pretty Hard Cases.” PHOTO CREDIT: Courtesy of CBC

Some things are better in pairs: socks, gloves . . . women TV detectives.

In fact, “Pretty Hard Cases” is never better than when Meredith MacNeill and Adrienne C. Moore are onscreen together as Detective Sam Wazowski, a member of the guns and gangs squad, and Detective Kelly Duff, a drug squad member.

Sam is what Kelly describes as a “law and order” cop (also “a Karen”), devoted to rules and regulations, confident in the ability of her “five-point plan” to get crooks off the streets. Kelly describes herself as a “serve and protect” cop. Her approach is more intuitive, her methods residing in the grey zone, but she also gets results.

I wouldn’t go so far as to say they bond, at least not in the two episodes I reviewed, but they find common ground and mutual respect, partly because they both want the same outcome, partly because they’re both women who’ve carved a place for themselves in a man’s world.

Take their “meet cute” in the opening scenes of the premiere. Sam is staking out a player in a drug gang as Kelly approaches him undercover as a bag lady. There’s an arduous foot chase involving a bag of drugs, and Sam and Kelly are threatened with guns, but it’s their male colleague, Barry Hamm (Dean McDermott), who takes the suspect in, after casually strolling over once the hard work’s been done and exclaiming cheerfully, “Hey, we got one.”

What grounds the comedy is that Sam and Kelly are characters rather than caricatures.

Sam can be annoying — as her boss Edwina Shanks, nicely played by Karen Robinson of “Schitt’s Creek,” points out — but she’s recalibrating her place in the world as a divorced single mother, with a teenage son who mostly ignores her.

There are hints that Kelly, who’s much more reticent than oversharer Sam, has acquired her tough demeanour through a difficult past; and she feels beholden to a mentor, suspended cop Jeff Keegan (Tony Nappo), who might be deeper into the grey zone than she feels comfortable going.

Whatever their foibles and flaws, taken together Sam and Kelly, and MacNeill and Moore, are a delight to watch.

Also new to CBC Gem, on Feb. 1, are three shows in honour of Black History Month. “Hip Hop: The Songs That Shook America” examines six groundbreaking hip-hop songs, beginning with Kanye West’s “Jesus Walks.” Documentary “Giants of Africa” explores the basketball youth programs set up in Nigeria, Kenya, Ghana and Rwanda by Toronto Raptors president Masai Ujiri. And “Sherman’s Showcase” is a mockumentary about a spoof Black-focused variety show starring Bashir Salahuddin.

Short Takes

Katherine Heigl as Tully and Sarah Chalke as Kate in “Firefly Lane.” PHOTO CREDIT: Courtesy of Netflix

Firefly Lane (Feb. 3, Netflix)

I really wanted to love this drama, an adaptation of the bestselling Kristin Hannah novel, not least because it was co-produced by Vancouver’s Brightlight Productions, shot in Vancouver and stars several Canadian actors, chiefly Sarah Chalke (“Scrubs,” “How I Met Your Mother”). The story of two women — straight arrow Kate (Chalke) and free but troubled spirit Tully (Katherine Heigl) — who meet as teenagers and remain friends for decades hits the expected sentimental notes but doesn’t penetrate all the way through to the heart, at least not for me. Netflix also has Season 2 of “Tiffany Haddish Presents: They Ready” debuting on Feb. 2.

Gerard Butler, Morena Baccarin and Roger Dale Floyd star in “Greenland.”
PHOTO CREDIT: Courtesy of Amazon Prime Video

Greenland (Feb. 5, Amazon Prime Video)

If you can get past the silliness of some of the plotting in this disaster flick you might enjoy it in a “things could be worse” kind of way, as in we’re stuck  in a seemingly never-ending pandemic, but it could be worse: at least fragments of a comet aren’t hurtling toward Earth, threatening to wipe out 75 per cent of life on the planet. Gerard Butler, the so-called ordinary man action hero, stars as a husband and father who must get his wife and kid (Morena Baccarin and Roger Dale Floyd) to sanctuary before a massive chunk of comet causes an “extinction-level” event. 

Teacher Frank Meleca with Mike, Sherry and Michael Holmes, and student Riley,
on “Holmes Family Effect.” PHOTO CREDIT: Bell Media

Holmes Family Effect (Feb. 7, about 10 p.m., CTV)

CTV has a lot of faith in this reality series, giving it the prime post-Super Bowl slot (before it moves to its regular time Sundays at 8 p.m.), but celebrity contractor Mike Holmes is a proven TV commodity. Here, he and his children Michael and Sherry combine renovations with stories that will put a lump in your throat and a tear in your eye. Each of the renos involves projects and people that are making a difference in their communities. In the first episode, for instance, the Holmes rebuild classrooms in the home renovation and woodworking program at Judith Nyman Secondary School in Brampton, an institution that gives students who don’t fit in at more traditional schools a path to meaningful futures in hands-on careers. (It has even given the world one famous comedian in Russell Peters.) You could do worse, in the bleakness of a pandemic winter, than to watch someone doing nice things for other people who do nice things.

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