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Tag: Season 2

Watchable the week of Aug. 31, 2020

SHOW OF THE WEEK: The Sounds (Sept. 3, Acorn TV)

Rachelle Lefevre and Matt Whelan as Maggie and Tom Cabbott in “The Sounds.” PHOTO CREDIT: CBC

I sat down last weekend to watch a few episodes of “The Sounds,” just to get a feel for the show, and couldn’t stop until I had binged all eight. The twists just keep coming in this Canadian-New Zealand co-production, set in the latter country’s breathtakingly beautiful Marlborough Sounds area.

The star of the show is Canadian actor Rachelle Lefevre, whom you likely recognize from one of her many TV credits (“Under the Dome,” “Mary Kills People”) or even the “Twilight” films. The series begins and ends with her and she is our main point of reference throughout. She’s Canadian Maggie Cabbott, come to the small New Zealand town of Pelorus to join her Canadian husband Tom (played by New Zealand actor Matt Whelan), to escape his rich, predatory father and open a sustainable fishery. And then Tom disappears while out kayaking and we’re off to the races.

Maggie proves herself to be much more than just a grieving spouse as the series progresses and her secrets (and Tom’s) are laid bare. But the mostly friendly townsfolk of Pelorus also have things to hide, including local police officer Jack McGregor (Australian actor Matt Nable), who becomes Maggie’s main ally as she finds her footing.

Canadian actor Emily Piggford (“The Girlfriend Experience”) co-stars as a tenacious investigator sent to Pelorus by Tom’s family, who suspect Maggie had something to do with his disappearance.

The series is a crime drama and psychological thriller, but also an exploration of relationships. It touches on betrayal, loyalty, the idea of doing bad things for love, the damage wrought by keeping secrets and whether we ever really know the people we’re closest to. But beyond all that, it’s just a compelling watch. And if you don’t catch it on Acorn, you’ll have another chance to see it when it debuts on CBC on Oct. 5.

Away (Sept. 4, Netflix)

Hilary Swank as astronaut Emma Green in “Away.” PHOTO CREDIT: Courtesy of Netflix

Hilary Swank is back — although she never really went away. It’s just that nothing she’s done recently has thrust her into public consciousness the way her Oscar-winning roles in “Million Dollar Baby” and “Boys Don’t Cry” did.

That could change with this big-budget Netflix drama, in which Swank plays astronaut Emma Green, leader of an international mission to Mars. Swank does excellent work portraying a woman who’s reached the pinnacle of her career with all the responsibility that entails, but who is also a wife and mother who’s leaving her family behind for three years. The sacrifice becomes even starker when Emma’s husband, sidelined astronaut Matt Green (the wonderful Josh Charles), has a crisis back home and Emma can only offer encouragement via video chat (a predicament sure to resonate with many people who’ve faced similar conundrums during the COVID-19 pandemic).

Of course, Emma isn’t alone on the mission. The capable supporting cast includes Ato Essandoh (“Chicago Med”) as Ghanaian-British crew member Kwesi; Ray Panthaki (“Marcella”) as Indian astronaut Ram; Vivian Wu as Chinese colleague Lu; and Mark Ivanir (“Homeland”) as the thorn in Emma’s side, Russian astronaut Misha.

The show balances the drama of keeping the spacecraft functioning (there’s a spacewalk in an early episode that I found tense as hell, even though I knew there was no way the series would let its lead drift off into space) with the emotional pull of the crew members’ lives back home.

Emma’s family, including daughter Alexis (Talitha Bateman), gets the lion’s share of the attention, but that doesn’t make the other astronauts’ stories any less poignant. There’s a plot line involving Lu and a forbidden relationship that brought me to tears.

It’s the humanity that very much tethers “Away” to Earth.

The Boys (Sept. 4, Amazon Prime Video)

Don’t worry, there will be blood as this tale of vigilantes battling evil superheroes returns for its second season. In fact, cast member Laz Alonso (Mother’s Milk) told Global News there would be a “lot more blood” this season. I’m still catching up on all the episodes, but I can confirm the sight of at least one exploding head.

At the end of Season 1, the Boys had uncovered evil corporation Vought’s dirty secret, that the world’s superheroes were not born that way but were nurtured into their superpowers with Compound V. Also, Butcher (Karl Urban) found out that his wife Becca (Shantel VanSanten) was still alive and raising the child she had against her will with corrupt supe Homelander (Antony Starr).

As Season 2 begins, what’s left of the Boys — Hughie (Jack Quaid), MM and Frenchie (Tomer Capon) — are in hiding, along with their superhero friend Kimiko (Karen Fukuhara). Butcher is missing and the Boys’ mission to expose the secret of Compound V and destroy the superheroes is stalled — or is it?

There’s a new threat not just to the Boys but to the world, in the form of superterrorists or supervillains. Homelander is riding high on the fact the superheroes have been admitted into the military, but Vought boss Stan Edgar (the fabulous Giancarlo Esposito) slows his roll. And there’s Edgar’s new hand-picked member of the Seven, Stormfront (Aya Cash), to contend with.

I don’t think it’s a spoiler to say that Butcher won’t stay missing for long. The show wouldn’t be the same without him.

As always, the darkness of the series is lifted by its moments of comedy. There’s one segment I particularly enjoyed involving the Deep (Chace Crawford), a hallucinogenic drug and his gills.

Odd and Ends

Abubakar Salim and Amanda Collin in “Raised By Wolves.” PHOTO CREDIT: HBO Max/Bell Media

There is lots more to watch this week, most of which I didn’t have time to prescreen. I did get to watch a couple of episodes of “Raised by Wolves” (Sept. 3, Crave), the new sci-fi series executive-produced and partially directed by famed movie-maker Ridley Scott (“Alien,” “Gladiator,” “Blade Runner”). It’s set on an alien planet where two androids, Mother (Amanda Collin) and Father (Abubakar Salim), have escaped a catastrophic war on Earth with implanted human embryos. The androids, who are raising the children to be atheists, have their mission interrupted by a space ark full of highly religious colonists also escaped from Earth, led by Marcus (Travis Fimmel of “Vikings”). The pace is indeed slow, as some critics have complained, but I also found it interesting viewing.

Disney Plus has “Earth to Ned” (Sept. 4), a talk show hosted by two extraterrestrial creatures, Ned and Cornelius, from the Jim Henson Company, which also brought us the Muppets.

If you’re following “The Bachelor: The Greatest Seasons — Ever!” the episode airing Aug. 31 at 8 p.m. on ABC and Citytv is all about the man who’s both a “Bachelor” villain and hero, Nick Viall.

W Network has a couple of offerings, Season 4 of “The Good Fight” (Sept. 3) and the new Marc Cherry dramedy “Why Women Kill” (Sept. 6). Despite the promising title, this is just the same old “Desperate Housewives”-style melodrama dressed up by situating the stories in three different time periods: 1963, 1984 and 2019. It stars Ginnifer Goodwin (“Big Love,” “Once Upon a Time”), Lucy Liu (“Elementary”) and Kirby Howell-Baptiste (“The Good Place”).

History also has new shows: “Eating History” (Sept. 2), in which hosts Josh Macuga and Gary Mitchell try out actual samples of historic foods; and “The Secret of Skinwalker Ranch” (Sept. 6), in which experts search a 512-acre paranormal and UFO hot spot in Utah.

Watchable the week of July 27, 2020

SHOW OF THE WEEK: The Umbrella Academy (July 31, Netflix)

From left, Aidan Gallagher, Emmy Raver-Lampman, Robert Sheehan, Tom Hopper, David Castaneda
and Ellen Page in Season 2 of “The Umbrella Academy.” PHOTO CREDIT: Courtesy of Netflix

As fun as the first season of “The Umbrella Academy” was, it could be a little bleak too, given the hostility between the adopted Hargreeves siblings.

In Season 2, the superpowered sibs still have some trust and daddy issues (who wouldn’t, being raised by an icy-hearted taskmaster like Reginald Hargreeves?), but there’s a little more light at the end of the dysfunctional tunnel.

We catch up with the six of them, plus deceased brother Ben (Justin H. Min), in Dallas, Texas, in the early 1960s. That’s where they all ended up after Number Five (Aidan Gallagher) used time travel to save them from the apocalypse caused by Vanya (Ellen Page) shooting a hole in the moon. But each landed on a different day, beginning with Klaus (Robert Sheehan) and Ben in February 1960, culminating with Number Five on Nov. 25, 1963.

Yes, that’s three days after the assassination in Dallas of U.S. President John F. Kennedy, a historical event that intersects with the academy’s attempts to prevent another apocalypse, which Five sees unfolding the day he lands.

Each sibling has a life of sorts in the new time period. Klaus has become the leader of a cult; Allison (Emmy Raver-Lampman) is married and part of the civil rights movement; Luther (Tom Hopper) is a nightclub bouncer and bare-knuckle fighter; Diego (David Castaneda) ends up in a mental hospital, although not for long; Vanya is a nanny for a farm family and she has amnesia, which means she’s no longer trying to kill everyone.

The new connections they form allow for some character growth and introduce new cast members, including Ritu Arya (“Humans”) as Diego’s new sidekick from the mental hospital, Lila. There’s also a new trio of Commission assassins, the Swedes, led by Canadian actor Kris Holden-Ried (“Lost Girl”).

The siblings also revisit characters who were lost to them in Season 1, including Reginald Hargreeves (Canadian-American actor Colm Feore), who is alive in this timeline and figures into the plot to save the world (again). And a certain scene-stealing Commission bigwig returns (no spoiling the surprise here) to mess with Five’s plans.

Feore isn’t the only one who gets more screen time this season. Canadian Ken Hall, one of two actors who brought talking chimp Pogo to life, is back as Commission analyst Herb. And Ben, despite being dead, gets far more to do, playing a key role in one of the most dramatic developments as well as the season’s most heartbreaking scene.

Don’t puzzle too hard over timelines and paradoxes and the like. The series maintains its entertaining blend of kick-ass action, comedy, pathos, relationship drama and great music (there’s a scene in a hair salon with Allison, Klaus and Vanya that may put you in mind of Season 1’s “I Think We’re Alone Now”) — and it gets a boost from the change of time and place.

The Go-Go’s (July 31, 9 p.m., Crave)

From left, Belinda Carlisle, Kathy Valentine, Charlotte Caffey, Jane Wiedlin and Gina Schock
on the cover of Rolling Stone in a scene from “The Go-Go’s.” CREDIT: Showtime

If you think of the Go-Go’s as mere MTV-spawned 1980s pop stars, then consider this documentary by Alison Ellwood essential viewing. It makes a persuasive case for why it’s way past time for this group of five women to be inducted into the Rock and Roll Hall of Fame (like seriously, WTF?). 

Did you know the Go-Go’s got their start in the late 1970s Los Angeles punk scene? And  their first tour was opening for Madness and the Specials in England, getting spit on and verbally abused by angry skinheads night after night? Neither did I.

With a couple of changes of membership, they eventually became the pop darlings we all remember, with hits like “We Got the Beat,” “Our Lips Are Sealed,” “Vacation” and “Head Over Heels.” They battled rock ‘n’ roll demons like drug addiction, mental illness, competing egos, burnout and breakups – along with music industry sexism. They made history in 1982 as the first all-female band who wrote their own songs and played their own instruments to have a No. 1 album, a record that still stands.

Belinda Carlisle, Charlotte Caffey, Jane Wiedlin, Gina Schock and Kathy Valentine have reunited. Their new single, “Club Zero,” will be released the same day as the film. 

Black Is King (July 31, Disney Plus)

Beyonce in the trailer for the visual album “Black Is King.”
PHOTO CREDIT: Disney Plus/YouTube

The biggest release of the week is also the one I haven’t seen, other than the trailer. I doubt anyone has. It’s the Beyonce film/visual album based on her 2019 record “The Lion King: The Gift.”

It’s described as “a celebratory memoir for the world on the Black experience,” and features a wide range of Black talent beyond Queen Bey herself, on the creative team, behind the camera and on the screen as actors and dancers. It was shot in South and West Africa as well as New York, Los Angeles, London and Belgium, and will be available to audiences on much of the African continent, the news release says. 

Certainly, it looks sumptuous and epic and very expensive. It has apparently already stirred up controversy for romanticizing Africa, cultural appropriation and “Wakandafication” among some in the Black community. But there’s no question a film by one of the world’s most powerful Black artists celebrating Blackness is a powerful statement to make as the U.S. still roils with anti-racism protests after the police killing of George Floyd.

Odds and Ends

Sascha Zacharias stars in Season 2 of “Rebecka Martinsson.”
PHOTO CREDIT: Acorn TV

If you like your crime drama a little broody, a little rainy and grounded in natural beauty, check out “Rebecka Martinsson” (July 27), which returns to Acorn with a new actor in the lead role. Rebecka (Sascha Zacharias) has decided to stay in her hometown of Ziruna in northern Sweden, where she’s getting up to speed as a public prosecutor and tackling local crime, starting off with a violent feud among Sami neighbours.

“Red Dwarf: The Promised Land,” a special episode of the sci-fi cult hit that reunites the original cast, debuted on BritBox on July 26. BritBox also has Season 1 of the excellent Irish crime drama “The Fall” (July 28), starring the sublime Gillian Anderson and a pre-“50 Shades of Grey” Jamie Dornan.

If you’re a Muppets fan, you’ll want to check out “Muppets Now” (July 31) on Disney Plus, which is basically the Muppets being the Muppets, but with the conceit of the characters vlogging and social media branding and so on.

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