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Tag: World War II

Watchable the week of March 29, 2021

SHOW OF THE WEEK: Staged (April 1, 9 p.m., Hollywood Suite)

David Tennant, left, and Michael Sheen play themselves in “Staged.”
PHOTO CREDIT: Courtesy of Hollywood Suite

We could all use a laugh right about now, couldn’t we? Then let me direct you to fine British actors David Tennant and Michael Sheen, who play exaggerated versions of themselves in this series set and filmed in lockdown.

Scottish thespian Tennant (“Doctor Who,” “Broadchurch”) and his Welsh counterpart Sheen (“Frost/Nixon,” “The Queen,” “Masters of Sex”) are among the best U.K. actors out there, with Shakespearean and other stage credits as well as film and TV under their belts, but they’re not too lofty to take the piss out of themselves.

In “Staged,” they communicate via Zoom calls from their respective homes, alternately squabbling and commiserating as they battle pandemic boredom and unruly hair. 

The premise is that they’re attempting to virtually rehearse the Pirandello play “Six Characters in Search of an Author” with director Simon Evans (the real-life director and creator of “Staged”), which proves to be an uphill battle — until they’re put in their places by Judi Dench.

Along the way, they display actorly egos and neuroses. There’s a running gag about who’ll get top billing on the play, with Tennant at one point reverting to his birth name of McDonald just so he can precede Sheen alphabetically. Sheen, worried about the evidence of all the extra wine he’s been drinking, tries to pawn off his recycling on his 80-year-old neighbour with unexpected results.

The guest stars include Tennant’s and Sheen’s real-life partners, Georgia Tennant and Anna Lundberg, as well as Evans’ sister, Lucy Eaton, and actors Nina Sosanya, Adrian Lester and Samuel L. Jackson.

It’s a more entertaining version of what the rest of us have experienced trying to transfer our lives online. Our Zoom calls would be far more amusing if Tennant or Sheen was on the other side of the screen.

The six-episode series went over so well in Britain that a second season was ordered and has already aired on BBC One, but it hasn’t been as well received by critics, so never mind that and just enjoy this one.

The Serpent (April 2, Netflix)

Jenna Coleman as Marie-Andree Leclerc and Tahar Rahim as Charles Sobhraj in “The Serpent.”
PHOTO CREDIT: Roland Neveu/Mammoth Screen Ltd

Evil doesn’t always look the part. It can wear a smile and a fancy shirt and extend a helping hand.

This eight-part limited series tells some of the story of Charles Sobhraj, a serial killer suspected of murdering at least 10 people in the mid-1970s. Many of them were young “hippie” tourists who were charmed into Sobhraj’s orbit while backpacking around Thailand and other Southeast Asian countries, then drugged, robbed and killed.

Sobhraj, who posed as a jewel merchant named Alain Gautier, was aided by girlfriend Marie-Andree Leclerc, a Quebec woman who met and fell in love with Sobhraj on a vacation in India. French actor Tahar Rahim (“The Mauritanian,” “The Looming Tower”) plays Charles while British actor Jenna Coleman (“Victoria,” “Doctor Who”) portrays Marie-Andree, a.k.a. Monique.

The other real person who’s prominently featured in the series is Herman Knippenberg, a Dutch diplomat who independently investigated Sobhraj after tying him to the murders of a Dutch couple in Bangkok. He’s played by Billy Howle (“Outlaw King,” “MotherFatherSon”). 

The series is described as inspired by true events, so some liberties are taken with the facts; all the dialogue is imagined and some of the victims’ names have been changed.

I found the three episodes I watched quite engrossing, but note that the show requires close attention as it jumps back and forth in time, sometimes revisiting the same event from different points of view.

Rahim is suitably chilling as Sobhraj, like a dead-eyed spider in the midst of a web of hedonism that ensnared young victims keen to experience foreign lands. 

Also new to Netflix this week is “Worn Stories” (March 25), a docuseries from Jenji Kohan (“Orange Is the New Black”) and Morgan Neville (“Ugly Delicious”) about the meaning that people attach to clothing — or lack of clothing, seeing as the first episode features several nudists.

My Grandparents’ War and Atlantic Crossing (April 4, 8 and 9 p.m., PBS)

Eduardo Propper de Callejon, grandfather of Helena Bonham Carter.
PHOTO CREDIT: Courtesy of Family Archive

Both these series concern themselves with the Second World War, the bloodiest and largest conflict in global history but one that seems largely abstract today, given that it started more than 81 years ago.

Even for someone like me, whose grandfather fought in World War II (my other grandpa fought in World War I), it’s uncharted territory. My grandfather never talked about it and, as a child and then a self-absorbed teenager and young adult, I never thought to ask. So “My Grandparents’ War,” in which four British actors explore what their grandparents did during WWII, hit home for me as someone who would love to know more about her own family’s war history.

Helena Bonham Carter is first up. Her paternal grandmother, Lady Violet Bonham Carter, was a Liberal politician and renowned public speaker, so outspoken against anti-Semitism that she was on the Gestapo’s black list, and an air raid warden during the Blitz. Her maternal grandfather, Eduardo Propper de Callejon, was a Spanish diplomat who personally helped perhaps thousands of French Jews escape the Holocaust by giving them visas for passage through Spain, against the direct orders of the Spanish government. 

So it’s a particularly heroic history that Bonham Carter is revisiting. She even gets to meet descendants of people who were spared death by the efforts of her grandparents.

Future episodes feature Mark Rylance, Kristin Scott Thomas and Carey Mulligan.

I felt less of a direct emotional connection with “Atlantic Crossing.” It’s a period drama whose main character is Norwegian Crown Princess Martha (Swedish actor Sofia Helin). The early episodes portray her happy marriage to Prince Olav (Tobias Santelmann) and the flight of the couple and their three children from Norway when the Nazis invaded in 1940. 

The family was divided, with Olav and his father, King Haakon (Soren Pilmark), fleeing to London, and Martha and the children to Sweden, under the protection of her uncle, King Gustav V, who had uncomfortably close ties with the Germans. After Gustav tried to broker a deal with the Nazis that would see Martha return to Norway and her very young son Harald made king, she went instead to the United States, where she stayed for the rest of the war. 

“Atlantic Crossing” then pivots to the relationship between Martha and U.S. president Franklin D. Roosevelt, played by Kyle MacLachlan of “Twin Peaks,” a friendship that was rumoured to be romantic, at least on FDR’s part. 

American actor Harriet Sansom Harris co-stars as Eleanor Roosevelt. 

Whether viewers take to a story about people and events that are little known on this side of the Atlantic remains to be seen. It’s certainly a beautifully made series, but based on the two episodes I had time to watch I found it strangely unaffecting.

Short Takes

Evie Macdonald, second from left, as Hannah Bradford in “First Day.”
PHOTO CREDIT: Ian Routledge/Courtesy of CBC Gem

First Day (March 31, CBC Gem)

There’s a good chance you will find your heart going out to Hannah, the transgender lead character of this Australian miniseries, played by trans actor Evie Macdonald. She’s about to start high school and the jitters that transition would normally arouse are compounded by her fear that her classmates will find out she was born a boy. It’s a valid fear given that a bully from her old school, who insists on calling Hannah Thomas, has followed her to the new one. And the principal refuses to let her use the girls’ washroom despite boasting about his school’s openness to trans students, an infuriating example of the type of obstacles thrown in the path of people like Hannah. Only one episode was provided for review, but it was touching and very relatable.

CBC Gem also has Season 2 of “Farm Crime” (April 1), which concerns, yes, criminal activity of an agricultural nature. Mind you, there’s nothing in Episode 1, about an invasion of murder hornets in Nanaimo, B.C., that would stand up in a court of law, which doesn’t make it any less interesting.

New to CBC and CBC Gem is “Miss Scarlet & the Duke” (March 29, 8 p.m.), starring Kate Phillips (“Peaky Blinders”) as a Victorian-era female detective. The public broadcaster also has “Us” (April 4, 9 p.m.) about a British man (Tom Hollander, “The Night Manager”) trying to win back his wife (Saskia Reeves, “Belgravia”) during a European vacation.

The United States of Al (April 1, 8:30 p.m., Global)

The latest sitcom from Chuck Lorre’s laugh factory, created by “Big Bang Theory” scribes Maria Ferrari and Dave Goetsch, is about the relationship between a Marine who fought in Afghanistan (Parker Young) and his Afghan interpreter, Awalmir or Al (Adhir Kalyan), whom he helped bring to the U.S. and away from the reach of the Taliban. It undoubtedly means well, but the episode I watched traded in stereotypes about masculinity (Young’s stoic, heavy drinking Riley) and being Muslim. Perhaps it will improve as the series go on, but nothing in the pilot made me so much as chuckle out loud.

Gangs of London (April 4, 10 p.m., AMC)

I’m no prude when it comes to violence — I have eagerly consumed “Peaky Blinders,” for instance, through every bloody twist and turn — but this ultra-violent series about criminal organizations jostling for power in England’s biggest city left me cold. Despite a good cast  — including Joe Cole (“Peaky Blinders”), Colm Meaney (“Star Trek”), Michelle Fairley (“Game of Thrones”), Lucian Msamati (“His Dark Materials”) and Paapa Essiedu (“I Will Destroy You”) — I didn’t feel invested enough in the characters to care who they were brutalizing and why.

Watchable the week of Nov. 9, 2020

SHOW OF THE WEEK: The Crown (Nov. 15, Netflix)

Emma Corrin as Diana, Princess of Wales in “The Crown.” PHOTO CREDIT: Des Willie/Netflix

The fourth season of this classy drama is my favourite since it first knocked my socks off in 2016. It has given me that “I must watch the next episode right now” feeling I didn’t necessarily get from the second and third seasons, although they were still excellent.

For one thing, there’s a wealth of historical events in this instalment (the season begins in 1979, which truly is history no matter how current it might still feel to those of us who lived through it).

There’s the assassination of Lord Mountbatten (Charles Dance), the Falklands War, the Buckingham Palace break-in during which intruder Michael Fagan (sympathetically played by Tom Brooke, of “Preacher” and “Sherlock”) chatted with the Queen in her bedroom, but the season really belongs to two women and how they shaped events.

First, the always wonderful Gillian Anderson plays Margaret Thatcher and shows us the woman behind the politician, who translated her adoration for her up-by-his-bootstraps father into a tough love prescription for Great Britain and austerity policies that still resonate today.

Of course, no one really knows what Queen Elizabeth II (Olivia Colman) thought of Thatcher, but the series depicts the monarch as so disquieted by the unemployment and unrest stirred up by Thatcher’s policies and, particularly, her disdain for the Commonwealth and refusal to support sanctions against Apartheid-era South Africa that she gives her tacit consent to a Sunday Times article saying she finds Thatcher “uncaring, confrontational and socially divisive.”

The article is real; the rest is likely just Peter Morgan exercising his creative licence.

But the woman who, in the show as in life, really draws our attention and our sympathy is Diana, Princess of Wales, played by Emma Corrin (“Pennyworth”), who nails the late princess’s “Shy Di” mannerisms.

The portrayal will do nothing to diminish the cult of “Princess Diana” or make people feel warmer toward Prince Charles (played by Josh O’Connor). The show’s take is of a young woman who really thought she had found her Prince Charming only to run headlong into his devotion to Camilla Parker Bowles (Emerald Fennell).

The series shows Diana’s own dalliances and her battle with bulimia (with appropriate trigger warnings for viewers), but she is more victim than perpetrator, whereas Charles comes off as selfish and insensitive as he singlemindedly pursues his fantasy of a life with married mother of two Camilla no matter the cost; as well as petty as he becomes increasingly jealous of Diana’s growing popularity.

Nor does the Queen present as particularly sympathetic to the struggling Diana, offering stiff upper lip “keep calm and carry on” advice instead of kindness and understanding. Even Princess Margaret (Helena Bonham Carter), who we see weathering her own loneliness and depression, does nothing to help a fellow sufferer.

“The Crown” has always been a family drama underneath the pomp and circumstance. This season, it’s a particularly sad one but no less absorbing for the pain it portrays.

Dash & Lily (Nov. 10, Netflix)

Midori Francis as Lily in “Dash & Lily.” PHOTO CREDIT: Courtesy of Netflix

I’m usually a bit of a grinch when it comes to young adult-oriented entertainment, but “Dash & Lily” managed to worm their way under my skin. Perhaps it’s because the tweeness of the holiday-themed romance series is balanced by dollops of cynicism.

You see, Dash (Austin Abrams, “Euphoria,” “This Is Us”) hates Christmas; he calls it the “most detestable time of the year.” Lily (Midori Francis, “Good Boys”) loves Christmas — or at least she did until she learned her parents and grandfather were going out of town and her brother (Troy Iwata) was preoccupied with his new boyfriend.

Too shy and self-conscious to meet guys the usual way, literature lover Lily leaves a red notebook on a shelf at New York City’s famous Strand bookstore with a series of dares for whoever finds it, which obviously is equally bookish Dash, a child of divorce who’s soured on people in general since his girlfriend left him.

And so it goes, with Dash and Lily falling for each other sight unseen as they trade the notebook back and forth, while certain realities — including the reappearance of people from their pasts — threaten to derail their romantic fantasies of each other.

Of the two, Lily is the more fully drawn. Her insecurities, spawned by the meanness of other kids in middle school, leaven her sweetness and give her some depth.

Another thing to love about the show (based on the David Levithan and Rachel Cohn book series) are its glimpses of New York all decked out for the season. Seeing places I’m unlikely to revisit in person for some time to come, like the Union Square Holiday Market, the Rink at Rockefeller Center or Fifth Avenue store windows, warmed my heart.

Fight to the Finish (Nov. 11, 9 p.m., History)

Soldiers in Ortona, Italy, during World War II. PHOTO CREDIT: 52 Media

Lest we forget is the Remembrance Day motto, something that becomes ever more a threat for the two World Wars as we move further away in time and people with direct connections to them die off.

In Barry Stevens’ documentary — which arrives 75 years after the end of World War II — more than 50 veterans from all over Canada, as well as one Holocaust survivor, tell frank and heartbreaking stories of what it was like. 

Supplemented by archival footage and photographs, the men’s (and women’s) memories are still vivid, encompassing not just sights but sounds and smells, from the Battle of Hong Kong and imprisonment in Japanese PoW camps, through the Blitz, the Battle of the Atlantic, Dieppe, the Canadian campaign in Sicily, D-Day, the Battle of the Scheldt and the final battles in Germany, including the discovery of the Bergen-Belsen concentration camp. There are pleasant memories too, of the liberation of France and the Netherlands, Victory in Europe Day and the return to Canada.

It’s emotional and haunting territory, but — having had a grandfather who fought in the First World War and another who fought in the Second — I believe it deserves to be remembered.

B.C. vet Bernard Finestone calls war “the failure of humanity, but when situations like Hitler present themselves 600,000 Canadians like me have to do something about it.” 

And for a look at how Hitler became the threat he did, PBS has “Rise of the Nazis” Nov. 10 at 9 p.m.

Temple (Nov. 15, 9 p.m., Showcase)

Mark Strong as Dr. Daniel Milton in “Temple.” PHOTO CREDIT: Corus Entertainment

The idea of a doctor starting an “underground” medical clinic doesn’t necessarily sound like the most promising — or believable — idea for a drama, but a strong cast and non-linear storytelling help sell “Temple.”

Mark Strong plays Daniel Milton, a respected surgeon who’s been driven to desperate measures by a tragedy in his personal life. He teams up with Lee (Daniel Mays), a maintenance worker with an obsession with the end of civilization and access to an expanse of rooms and tunnels deep under the Temple subway station in London, England.

There’s a necessary suspension of disbelief in the idea of a secret clinic operating below one of the world’s busiest and, one presumes, most electronically monitored cities, but Strong and Mays manage to sell it. 

Daniel, already used to playing god in a sense, has a powerful emotional incentive for pursuing off-the-grid medical research while Lee, who’s what’s known as a prepper, seems fairly rational when you consider what the world is currently going through. (To be fair, the series, based on a Norwegian original, debuted in Britain long before the COVID-19 pandemic.)

The question is how long the clinic can stay off the radar, particularly since one of the patients, Jamie (Tobi King Bakare), is being hunted for a robbery that led to the grievous injury of a police officer.

Other cast members include Carice van Houten (Melisandre in “Game of Thrones”) and Catherine McCormack.

Odds and Ends

Myha’la Herrold and Marisa Abela in “Industry.” PHOTO CREDIT: HBO/Bell Media

Unbridled capitalism isn’t the most popular subject these days, but “Industry” (Nov. 9, 10 p.m., HBO/Crave) at least attempts to freshen things up by showing the goings-on inside a London investment bank from the point of view of the newbies who are fighting for permanent jobs there. The most interesting of these are the two women in the bunch, smart outsider Harper (Myha’la Herrold) and rich girl Yasmin (Marisa Abela).

“A Teacher” (Nov. 10, 10 p.m., FX) depicts what happens when a young female educator (Kate Mara, “Pose,” “House of Cards”) crosses boundaries with a high school senior (Nick Robinson, “Love, Victor”).

CBC’s “The Nature of Things” (Nov. 13, 9 p.m.) has an episode that will surely resonate with parents during this pandemic: “Kids vs. Screens,” hosted by biologist Dan Riskin, which explores the potential harms being caused by children’s attachment to their smartphones, tablets and video games, and what parents can do about it.

Apple TV Plus has the Werner Herzog and Clive Oppenheimer doc “Fireball: Visitors From Darker Worlds” (Nov. 13) about meteors that fell to Earth and their impact on science, history and mythology. It’s also got the animated series “Doug Unplugs” and “Becoming You,” a documentary series narrated by Olivia Colman about child development around the world, releasing on Nov. 13.

Acorn TV has “The South Westerlies” (Nov. 9), an Irish dramedy about an environmental consultant (Orla Brady, “Into the Badlands,” “Fringe”) going undercover in a small town to deal with objections to a wind farm.

OUTtv has the premiere of “MixedUp” (Nov. 11, 9 p.m.), an exploration of what it means to be BIPOC and LGBTQ+ by director, actor, singer, dancer and visual artist Howard J. Davis, a.k.a. HAUI.

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