Because I love television. How about you?

Month: January 2023

Bachelor recap: Tahzjuan tries to ‘bad bitch’ her way into season

Rapper Latto and Bachelor Zach Shallcross oversee a “bad bitch”-themed group date.
PHOTO CREDIT: All photos but screen grabs Craig Sjodin/ABC

Where does the “bad bitch” leave off and the “lame bitch” begin?

It seems like a valid question after watching Monday’s episode of “The Bachelor.” And it’s directed at the producers more than the women who are vying to win Zach Shallcross’s heart and/or a bump in their Instagram and TikTok followers.

I’ve got bad news for anyone hoping this episode would rise above the ennui that greeted the season premiere: there were three boring dates on Monday interspersed with several trumped up attempts at drama.

By and large the women who had survived the first rose ceremony seemed to be getting along, notwithstanding some of them comparing notes about whether Zach gave them tongue when they kissed him — nurse Katherine said Zach “likes the big tongue energy” and ewwww.

But obviously collegiality can’t be allowed to continue, not on this show. So a little surprise was cooked up to unsettle the women on the first of two group dates.

On the cringe scale the date was probably about a six or seven. Luckily no one had to sing or write poetry or, heaven forbid, smell anyone’s armpits.

The women — Brianna, Brooklyn, Katherine, Mercedes, Bailey, Davia, Cat, Genevie and Kylee — were driven to what looked like an empty strip club where rapper Latto (currently in the news for selling her panties on eBay) told them she was looking for some “bad bitch energy for Zach.”

So what does bad bitch energy mean in the Bachelor world? Uh, dancing around a bit; putting on funny hats and wigs, and gyrating some; making speeches about a time in their life that they were bad bitches, which the Urban Dictionary tells us is a confident, independent woman. Ironic no? Since “The Bachelor” has a knack for turning women into insecure, hot messes (I see you, Brianna).

Tahzjuan Hawkins, Victoria Fuller and Courtney Robertson with Zach and Latto.

The producers brought in some “bad bitch alumni” allegedly to inspire the group date contestants but mainly because they seem to think we’re all jonesing to see past competitors. So “Bachelor in Paradise” heat hater Tahzjuan Hawkins, “Paradise” villain Victoria Fuller and past “Bachelorette” winner (and skinny dipper) Courtney Robertson showed up to, well, not really do much of anything.

That is, until Tahz crashed the group date after-party, supposedly because she had taken such a shine to Zach — the “full package,” she called him — that she wanted to join the season.

And I’m sorry, but what?

Zach told Tahz he would think about it, a BS manoeuvre to freak the other women out while they waited to hear Zach’s decision. Tahz used that time to insult them, saying it was “painful to watch” some of them earlier in the day and they had missed their opportunity to really connect with Zach.

“You guys aren’t all gonna marry Zach,” Tahz said. Well, honey, you aren’t either.

The producers finally allowed Zach to return and cut Tahz loose. He then gave the group date rose to Katherine for, um, being the best kisser maybe?

That didn’t sit well with Brianna — America’s first impression rose winner — who was in her head about the fact she hadn’t yet got a rose from Zach.

We now know the real evil purpose of that “After the Final Rose” stunt, by the way. You thought it was meant to get viewers invested in the new season; turns out it was a tool to freak out the woman who won it.

Brianna cried in front of Zach and told him she considered going home since she didn’t think he cared if she stayed. He reassured her that he saw something in her and sealed it with a smooch — although considering how many women he was giving his “tongue energy” to, yeah, I’d be worried too.

Christina Mandrell got Zach’s first one-on-one of the season.

Next up was Christina’s one-on-one with Zach and what’s that? Your aunt is a famous country singer, but you’ve never seen a helicopter in person? Whatever.

So to what fabulous destination was the helicopter ferrying them? Zach’s childhood home, you say? A belated birthday party for his mother with 20 of his friends and family? Fine, but can we please stop pretending these early meet-the-family dates have any significance?

Zach’s family seemed nice. Any woman with a pulse and an ability to string words into sentences would have done fine in that milieu.

The real point of the date was for Christina to tell Zach about her five-year-old daughter, Blakely May. We were meant to think this would be a dealbreaker for Zach but, like, ABC, you know we’ve already seen Christina in future episodes in the season promo, right?

So Zach blustered a little about how scary it was and how he didn’t know if he was ready to be a dad, but he gave Christina the rose because she was “showing me signs of someone I really want to spend a long time with.” Ringing endorsement, huh?

Finally, the last group of women — Jess, Charity, Gabi, Aly, Ariel, Greer, Kimberly, Anastasia and Victoria J. — got their date and they got ripped off . There was no daytime activity, at least none that we saw: it was straight to the after-party.

Zach said he wanted to get to know all the women as much as he could, although “get to know” seemed to be a euphemism for smooching them all as much as he could — or at least, that’s how it was edited.

The only in-depth conversation seemed to take place with Jess, who challenged Zach to tell her something only she would know. He confessed that he was born with a condition called pyloric stenosis, which Google tells me is a blockage between the stomach and small intestine, and wasn’t expected to live. That was why he was so close to his mom, Zach said, getting emotional, and why “I feel this crazy sense of, like, purpose; I’m here for a reason.” So don’t pretend you’re surprised that Jess got the date rose.

Gabi Elnicki has her first non-maple syrup conversation with Zach.

The other significant conversation involved Gabi, the Vermont woman who made him drink maple syrup on Night 1, to his evident distaste. It was significant because she had not yet talked to Zach, other than their brief out-of-the-limo interaction, and also because she treated the chat like she was a contestant on “This Is Your Life” instead of “The Bachelor,” word vomiting (her term) as much as she could about herself in a short amount of time.

She also told Zach she wanted to give him a nickname, suggesting Zacharius, Zachy Poo or Zachy, which seemed to go down about as well as the maple syrup. She also didn’t get a kiss, so it seemed Gabi would soon be back to visiting farmers markets and cooking with her mom.

But nice fake-out Bachelor! During the rose ceremony cocktail party, Zach and Gabi talked again. Zach told her she gave him “giddy butterflies in my stomach”; she then gave him peanut butter cups, which they attempted to eat “Lady and the Tramp” style, resulting in a chocolatey peanut butter smooch.

So, with Gabi sorted, it was Brianna’s turn to spiral.

She said she hadn’t slept the night before because of anxiety. But rather than blame Mike Fleiss and his henchpersons for giving her America’s curse of a rose, she focused her unease on Christina, saying Christina made a “mean comment” to her on the first night and “I didn’t realize how much it hurt me until now.”

Brianna, hun, take a breath. Christina’s “mean comment” was actually a compliment. She said, “You look beautiful and I hate you, JK,” which means just kidding. Which producer put this nonsense into your head?

Brianna confronted Christina and said the comment made her feel like “I didn’t know if this was gonna be a safe environment for me, not only to find love but to make friends” and I am really trying to keep my eyes from rolling.

Christina apologized, but Brianna still went to Zach and complained that someone had made her uncomfortable, without naming names. And Zach, who said he doesn’t like drama, didn’t want to know the name, but he also told Brianna she seemed to have “a lot of walls up,” and his conversations with her had felt “very strict and serious” rather than fun. Ouch.

So the moral of the story, ladies: if they offer you a chance to meet the Bachelor on “After the Final Rose,” say no.

Brianna Thorbourne finally gets a rose from Zach instead of America.

Of course, this all meant that Brianna’s was the last name called at the rose ceremony, even though we all knew she was going to get one.

Zach also gave roses to Brooklyn, Genevie, Greer, Aly, Charity, Kaity, Gabi, Ariel, Anastasia, Kylee, Davia, Mercedes and Bailey, so 17 women are still in the hunt.

Alas, Cat went home, so we will be deprived of her wide-eyed facial contortions until “Women Tell All.”

Next week, Zach goes skydiving with someone; there’s a football group date and an overnight date (what, already?) with Kaity at a museum; and the house apparently gangs up on Christina.

You can watch Monday at 8 p.m. on Citytv and you can comment here, visit my Facebook page or follow me on Twitter @realityeo

Watchable on Netflix, Apple, PBS Jan. 30 to Feb. 5, 2023

SHOW OF THE WEEK: Pamela, a love story (Jan. 31, Netflix)

Pamela Anderson in “Pamela, a love story.” PHOTO CREDIT: Netflix © 2023

One thing you’ll notice about this documentary is that it’s mostly Pamela Anderson doing the talking, a contrast with other biographical docs in which a variety of sources weigh in on the person of the hour.

And that is perfectly OK. It’s about time we heard what Pamela thinks about the things that have gone on in her eventful and sometimes painful life.

After a lifetime of being characterized as a pair of boobs and — after the release of the infamous sex tape with ex-husband Tommy Lee — a vagina, she’s earned the chance to have her say.

And talk she does — frankly, matter-of-factly, sometimes punctuated by a still girlish giggle, mostly in interviews from her family home in Ladysmith, B.C. — about her tumultuous upbringing with an alcoholic “bad boy” father and parents who fought constantly, sometimes violently; about being molested by a female babysitter for several years; about being raped at 12 by a 25-year-old man.

The interviews are supplemented by entries from the dozens of journals that Anderson kept throughout her life — read, at her request, by an actor.

As Pamela tells it, she felt ashamed and confused about her body and her sexuality, and posing for Playboy — recruited after her discovery via the Jumbotron at a B.C. Lions football game — allowed her to break free of the cage of that insecurity.

But that act of taking charge was to be weaponized against her.

The doc moves on to subjects that would be familiar from years of tabloid coverage: the many romantic relationships and marriages, “Baywatch,” “Barb Wire” — during the strenuous filming of which she suffered a miscarriage — the sex tape stolen in a safe from her and husband Tommy Lee’s garage and distributed worldwide via the fledgling internet, her activism with PETA and more.

Tommy Lee looms large over the doc, which opens with Pamela somewhat wistfully watching other tapes they made during their marriage (she says she has never watched the sex tape).

“I’ve never loved someone so deeply and by deeply I mean I loved his soul,” says one journal entry.

Despite their divorce after Lee was charged with spousal abuse, one gets the sense that Anderson still loves him or at least loves what the relationship was before it went bad.

“I love being in love and being vulnerable and being giving,” she says at one point.

The other part of her story that looms large in the doc is the sex tape and the unsuccessful battle to keep it off the internet. Anderson describes being deposed in that lawsuit as “complete humiliation” and like being raped again when her Playboy history was used to paint her as a whore who wasn’t deserving of privacy.

“Why do these grown men hate me so much?” was her reaction at the time.

The release of a miniseries about the sex tape, “Pam & Tommy,” brings up the trauma of the events all over again.

Pamela and sons Brandon and Dylan say the tape meant the essential end of her career; she “had to make a career out of the pieces left.” According to Dylan, she has been in debt most of her life.

Mind you, the doc finishes with her making her Broadway debut as Roxie Hart in “Chicago” in April 2022 and suggests she isn’t ready to give up just yet.

Nor is it framed as an attempt to garner sympathy.

“I’m not a victim,” Pamela says. “I put myself in crazy situations and survived them. I’m grateful for all the experience I had and I don’t blame anybody for anything.”

All autobiographical documentaries are, by design, self-serving. This one is likely meant to stoke interest in Anderson’s new memoir, “Love, Pamela.” But again, why shouldn’t one of the most exploited women in the world have her say?

As she herself says, “It’s good to get it out at least once or twice in your one words.”

Netflix also has the docuseries “Gunther’s Millions” (Feb. 1), about a German shepherd who inherited millions when his countess owner willed her entire estate to him in 1992, now worth an estimated $400 million (U.S.) and passed down to his heirs; plus the series “Freeridge” (Feb. 2) about four friends trying to reverse a curse; and Indian drama series “Class” (Feb. 3), about three poor students who attend an exclusive Delhi high school where a murder takes place.

Short Takes

Chuck D of Public Enemy in “Fight the Power: How Hip Hop Changed the World.”
PHOTO CREDIT: Courtesy of BBC Studios

Fight the Power: How Hip Hop Changed the World (Jan. 31, 9 p.m., PBS/YouTube)

If you define music and other art as, in part, a response to oppression then it makes perfect sense that one of the most explosive and influential musical genres of the 20th century was pioneered by Black Americans. This four-part docuseries, created by rap legend Chuck D and Lorrie Boula (“Rebel Music”), explores hip hop from its roots with DJ Kool Herc in the Bronx in 1973 to present day with the help of groundbreakers like Chuck D, Grandmaster Caz, Ice-T, Abiodun Oyewole, Roxanne Shanté, Darryl McDaniels of Run-D.M.C., Melle Mel and many more . Most importantly, it links the music to the social, political and cultural upheaval that gave rise to it: the persistent and systemic racism, the urban blight, the war on drugs, police brutality and so much more while highlighting the joy and pride that are part of the music, and the Black resilience and creativity that flourished amid the struggles. Law professor Jody Armour says in Episode 2 that “Great art broadens your perspective.” Whether or not you consider hip hop great art, this docuseries will expand your perspective on it and on the ways in which Black Americans have been and continue to be subjugated.

Colin O’Brien and Taylor Schilling in “Dear Edward.” PHOTO CREDIT: Apple TV+

Dear Edward (Feb. 3, Apple TV+)

“Dear Edward” does a good job of reminding us that the trauma of a deadly disaster radiates far beyond the event itself. Based on the Ann Napolitano novel of the same name, it’s about Edward (Colin O’Brien), a 12-year-old who’s the sole survivor of a plane crash that kills his parents, his beloved older brother and some 200 other passengers. It’s also about his aunt Lacey (an excellent Taylor Schilling) who struggles to care for Edward amid the grief she feels for the loss of her older sister, and others who are mourning the plane crash victims. The stories that feature most prominently, at least in the four episodes I screened, involve Dee Dee (Connie Britton), a rich housewife who learns that her late husband has left her his debt as well as evidence of a double life, and Adriana (Anna Uzele), who must decide how best to fulfil the legacy of her congresswoman grandmother. Not surprisingly, the road to healing involves connection with other people, whether it’s Edward bonding with the quirky girl next door, Shay (Eva Ariel Binder); Dee Dee helping a young, pregnant woman, Linda (Amy Forsyth), whose boyfriend was a victim; or Adriana opening her home and her heart to Kojo (Idris Debrand), who lost his sister, and his niece Becks (Khloe Bruno). The series was developed by Jason Katims, creator of “Parenthood” and a writer on “Friday Night Lights” (in which Britton starred), so it’s definitely a tearjerker. It sometimes strays into emotional manipulation and predictability, but the quality of the acting helps to balance occasional heavy-handedness.

Odds and Ends

Evie Macdonald and Elena Liu in Season 2 of “First Day.” PHOTO CREDIT: CBC

CBC Gem debuts the second season of Australian miniseries “First Day” (Feb. 1), in which transgender teen Hannah (Evie Macdonald) is back at school and feeling more comfortable but also keen to craft an identity as more than just a trans girl.

CBC and CBC Gem also have a number of premieres tied to Black History Month. Among the most intriguing is “Dear Jackie” (Feb. 5, 8 p.m.), a documentary framed as a letter to Jackie Robinson, the first Black man to play Major League Baseball after a stint in the minor leagues in Montreal, that examines ongoing racial inequality in Montreal and Quebec. There is also the doc “John Lewis: Good Trouble” (Feb. 1, CBC Gem) about civil rights activities John Lewis; Season 2 of variety/sketch comedy show mockumentary “Sherman’s Showcase” (Feb. 1, Gem); another doc, “Toni Morrison: The Pieces I Am” (Feb. 1, Gem), about the legendary Nobel and Pulitzer Prize-winning American author; and “Moonlight” (Feb. 3, Gem), the Oscar winning Barry Jenkins movie about a young gay boy growing up in Miami.

Just in time for your pre-Oscars movie binge, “Black Panther: Wakanda Forever” is streaming on Disney+ on Feb. 1. The film has five Oscar nominations, including Best Actress for Angela Bassett. Disney+ also has the second season of animated comedy “The Proud Family: Louder and Prouder” (Feb. 1).

I don’t watch horror movies, but I hear the Canadian-made experimental film “Skinamarink” is a viral and box office hit. It’s on Shudder on Feb. 2.

Finally, if awards shows are your thing, Citytv has “The 65th Annual Grammy Awards” Feb. 5 at 8 p.m.

NOTE: The listings here are in Eastern Standard Time and I’ve verified the times where possible, but it’s always best to check listings for your own area. The selection of programs reviewed reflects what I’m given access to by networks and streamers, whether reviews are embargoed, how many shows I have time to watch and my own personal taste. The Odds and Ends section includes shows that I have not watched.

The Bachelor recap: Night 1 tally, 4 nurses, 1 gravely wounded ego

Zach Shallcross greets the women on Night 1 of Season 27 of “The Bachelor.”
PHOTO CREDIT: All photos except screen grabs Craig Sjodin/ABC

The good news is that when the inevitable injury comes during a rough group date this “Bachelor” season there very well might be a nurse around to help with the first aid.

It seems to me we have never seen so many nurses in one cast before. Zach Shallcross kept all four of them around — neonatal nurse Genevie, ER nurse Kaity, registered nurse Katherine and postpartum nurse Kylee — when he handed out his 19 roses on Night 1 of Season 27 (holy hell, we’ve been watching this damn show for 27 seasons?).

Luckily, there were no injuries among the 30 hopefuls during that first all-night cocktail party — unless you count Madison’s wounded pride.

Good lord, but the “business owner” from Fargo, North Dakota, could not stop throwing herself at Zach or taking polite indifference for an answer.

First she dove onto Zach’s lap when she and some of the other women invited themselves onto Christina’s party bus (more on her later). Then Madison spent her one-on-one time wrapping an uncomfortable looking Zach in a scarf, toque and blanket because it’s cold in North Dakota (but not so much in Agoura Hills, Calif., in the fall when the show was filmed).

Since she didn’t get the kiss she was so longing for, Madison interrupted another woman’s time to double dip, making Zach do the Griddy with her — which looked as horrific as it sounds — and finally just grabbing his cheek and forcing a kiss, which went about as well as you would expect.

“The kiss felt wrong,” said Zach. No shit.

The underwhelming “peck” sent Madison into a crying jag. And there was more crying when she didn’t get the first impression rose — it went to Greer, a medical sales rep from Houston who lives in New York.

But Madison was not done humiliating herself. When host Jesse Palmer announced that the cocktail party was over, Madison interrupted his pre-rose ceremony chat with Zach to gauge Zach’s intentions AS IF THEY WEREN’T ALREADY STARING HER IN THE FACE.

Madison after stealing Zach away from Jesse Palmer, but nope, not forcing things.

” I don’t want to force things and I want things to come natural,” she told Zach, which was the opposite of what she’d been doing all night.

Zach let her down as gently as he could. “I’m sorry, I don’t see a future with us, but I still think you’re awesome,” he said as Madison’s smile froze on her face. After a hug, she went sobbing into the sunrise.

Perhaps the most interesting part of the debacle was the subtle shade Zach tossed at Rachel Recchia when, in his voice-over, he said he didn’t get the “honesty and clarity” he was extending to Madison in his “Bachelorette” experience.

So who did Zach vibe with?

Well, Greer, obviously.

Leaving aside the fact she talked about herself in the third person in her intro package — “Greer is bold, Greer doesn’t take shit, Greer is kind” — she bonded with Zach over their parents’ long marriages and their shared love of Houston, where Greer said she wants to end up.

She seems nice enough, although I do not for one second believe she brought Zach a cup of coffee, still hot, all the way from New York.

Greer Blitzer hands Zach a coffee she allegedly brought from New York, a six-hour-plus flight away.

The coffee might not have been hot, but Greer’s kisses obviously were. Zach went in for two extended smooching sessions with her, to the discomfort of the other women, who insisted on watching.

He also puckered up for Bailey, a Nashville executive recruiter whose name he forgot when he met her on “After the Final Rose,” kissing her right out of the limo.

Speaking of limo entrances, none of them were exactly boffo, unless you count pig farmer Mercedes (ABC says she’s actually a non-profit case manager) showing up with an adorable porker named Henry, or content creator Christina, who is definitely trouble, being ferried in on a party bus.

Brianna, the Jersey City entrepreneur who won “America’s first impression rose” in a silly “ATFR” stunt, played the part by showing up in a red dress with roses on it, although she insisted to Zach she was there for his heart, not for the rose. I didn’t exactly feel sparks flying, so we’ll see.

There were definitely sparks with Kaity who, like Zach, lives in Austin. Sure she made an “everything’s bigger in Texas” dick joke, but then she told Zach she felt like “the luckiest girl in the world” sitting next to him, so of course he leaned in for a kiss.

Christina Mandrell accepts a rose from Zach.

At least single mom Christina, whose claim to fame besides her Instagram and TikTok videos is being the niece of country singer Barbara Mandrell, took Zach away from prying eyes for their smooch on the party bus. Unfortunately, that kiss was the only thing they agreed on in a flash-card compatibility questionnaire but, in Zach’s defence, dinosaurs vs. dragons, that’s a really hard call!

We already know Christina will raise some hackles later this season and has copped to being the woman in the promo clip sobbing facedown on some stairs.

Zach also laid some smooches on my favourite contestant so far, Charity, a child and family therapist from Columbus, Georgia, who seems to have a great attitude. There’s already a campaign to make her Bachelorette if she doesn’t get with Zach and I’m there for it.

I would not have picked out e-commerce co-ordinator Jess from Florida as an early kiss recipient. She was really, really nervous and a little awkward although, come to think of it, I guess that was kind of endearing to Zach.

Zach with neonatal nurse Genevie Mayo: not even engaged yet and already playing daddy.

Zach didn’t kiss nurse Genevie, but at least he seemed to get a laugh out of the fake baby she brought for him to diaper.

But was he really having “a blast” with New York dancer Cat, who engaged him in a contest to see who could stuff the most meatballs into their mouth? (Where is Meatball when you need him?) Well, Zach did say that he himself is “fucking weird” and would welcome weirdness in a woman, and with Cat he seems to have got his wish.

And that’s kind of it really. It was a pretty low-key first night. The women seemed mostly supportive of each other. Even Madison’s shenanigans didn’t elicit more than a “what the fuck?” comment from Brooklyn, the rodeo racer from Oklahoma.

But you know, the season is young and there are lots of tears to come, both his and hers.

I was one of the people who was unenthused about Zach as Bachelor, but I’m reserving judgment for now. We’ll see how the season goes.

At least Zach went off script a little. When Jesse asked him if he thought he might have met his wife, Zach hesitated and replied, “My gut instinct is actually telling me that I might have,” so not a yes then.

Let’s be real, he’s likely met his fiancee, best case scenario. Although if Zach really has met his wife, maybe Sean Lowe can take a break from being trotted out as the only successful Bachelor star to date and will never again have to teach another man how to rub his own bare pecs.

The next episode airs Monday at 8 p.m. on Citytv and you can comment here, visit my Facebook page or follow me on Twitter @realityeo

Watchable on Apple, Citytv+, CBC Gem Jan. 23 to 29, 2023

SHOW OF THE WEEK: Shrinking (Jan. 27, Apple TV+)

Jason Segel and Harrison Ford in “Shrinking.” PHOTO CREDIT: Apple TV+)

Two words: Harrison Ford.

If you have heard about “Shrinking,” it’s a good bet it’s been in relation to this being a rare TV role for the “Star Wars” and “Indiana Jones” star.

And Ford is very good in this comedy (I can’t speak to his other TV role, in “1923,” not having jumped on the “Yellowstone” bandwagon). The 80-year-old brings easy humour and curmudgeonly gravitas to the role of a 70-something senior therapist in a Pasadena, California, practice.

But he doesn’t do it alone: a large part of the appeal of “Shrinking” is the interplay between Ford’s character, Paul, and fellow therapists Jimmy (Jason Segel, who created the show along with Brett Goldstein and Bill Lawrence of “Ted Lasso”) and Gabby (Jessica Williams, “2 Dope Queens”).

Although I do admit: Ford is a real scene stealer and, in effect, the star of the show.

Segel’s Jimmy is the main character. He is floundering when we first meet him, struggling to deal with the death of his wife and letting his turmoil bleed into his sessions with his patients, whom he starts treating in unorthodox ways.

Jimmy takes a particular interest in Sean (Luke Tennie, “Deadly Class”), a young Afghanistan war vet whose PTSD manifests in violence. But Jimmy has also been avoiding interacting with his teenage daughter, Alice (Lukita Maxwell, “Generation”), and his best friend, Brian (Michael Urie, “Ugly Betty”), and those chickens are coming home to roost.

(Christa Miller and Ted McGinley round out the main cast as Jimmy’s nosy next door neighbour Liz and her husband Derek.)

Paul and Gabby have personal issues of their own: a health challenge, a fresh divorce, an estranged daughter. It’s a case of therapist heal thyself, but that, as you would expect, is easier said than done.

Mistakes are made, arguments had, feelings hurt, but the characters have each others’ backs. And that’s the point of the show, it appears.

As Paul tells Brian and his fiancé Charlie (Devin Kawaoka) — while he’s high on marijuana gummies at their disaster of an engagement party, mind you — “vulnerable people will always find a way to stay connected.”

It would be unfair to compare this show to “Ted Lasso,” but they do share a seeming belief in the innate goodness of people, even when they’re screwing things up.

What they don’t share is an overarching sense of purpose — in the case of “Lasso,” the fate of the soccer team — connecting the characters and the plots. Tangents appear in “Shrinking” without any discernible reason; for instance, a minor plot about Alice’s dalliance with one of Liz’s sons that seems to be there only to give Segel a chance to show off his pliable facial expressions.

Like “Lasso,” there’s also plenty of quippy dialogue, which stops just short of being cloying because of the likeability of the cast.

Everybody has their own stuff to get through, “Shrinking” tells us: it goes better when you let other people share the burden. Not a groundbreaking revelation but one that’s enjoyable enough to watch play out.

Odds and Ends

Natasha Lyonne as Charlie Cale in “Poker Face.” PHOTO CREDIT: Phillip Caruso/Peacock

Another debut that’s bound to get buzz this week is that of “Poker Face,” the Peacock series created, written and directed by Rian Johnson, the Oscar-nominated director of “Knives Out,” “Glass Onion,” “The Last Jedi” and “Looper.” It debuts on Citytv+ on Jan. 26. It stars Natasha Lyonne of “Russian Doll” and “Orange Is the New Black” as Charlie, a woman who’s a human lie detector of sorts and who solves a new crime in every episode. I’ve only seen the pilot, not enough to accurately judge, and reviews are embargoed till Tuesday in any event. And, of course, Citytv has the latest instalment of “The Bachelor” (Jan. 23, 8 p.m.), in which Zach Shallcross, one of Rachel Recchia’s “Bachelorette” rejects, is the one ostensibly looking for love.

CBC has the documentary “Unloved: Huronia’s Forgotten Children” (Jan. 29, 8 p.m., CBC and CBC Gem), in which filmmaker Barri Cohen goes looking for the truth about her half-brothers and uncovers the hell hole that was the Huronia Regional Centre. It’s where thousands of children deemed unfit for society, whether because of intellectual disabilities or other perceived flaws, were institutionalized for more than a century and, according to survivors, endured physical, sexual and emotional abuse. CBC Gem also has “How to Lose Everything: The Series” (Jan. 27), animated short films that explore personal stories of loss, and are written and animated by pairs of Indigenous artists.

With the name Elon Musk seemingly popping up everywhere these days, the docuseries “The Elon Musk Show” (Jan. 23, Paramount+) claims to get to the heart of who he really is by interviewing the people who know him best. Paramount+ also has “Teen Wolf: The Movie” (Jan. 26), a sequel to the werewolf series that reunites the original stars; and “Wolf Pack” (Jan. 26) — do you sense a theme here? — another teenage werewolf story based on the books by Canadian author Edo van Belkom.

The Netflix offerings include the documentary “Black Sunshine Baby” (Jan. 23), about Aisha Chaudhary, the Indian author and motivational speaker who died of pulmonary fibrosis in 2015; new series “Lockwood & Co.” (Jan. 27), about a trio of teenage ghost hunters in London; and “You People” (Jan. 27), a comedy romance film directed by Kenya Barris (“Black-ish”), and written by Barris and star Jonah Hill.

For fans of the series “Willow,” Disney+ has the making-of documentary “Willow: Behind the Magic” (Jan. 25). There’s also the new series “Extraordinary” (Jan. 25), about a young woman who seems to be the only person over 18 who hasn’t developed a superpower; and “Darby and the Dead” (Jan. 27), about a teen who’s able to see ghosts after a near-death experience.

If you’re a fan of Jennifer Lopez rom-coms, Prime Video has “Shotgun Wedding” (Jan. 27), in which she and Josh Duhamel play a couple whose destination wedding is hijacked by criminals. Jennifer Coolidge of “The White Lotus” is one of the co-stars. Prime also has docuseries “Good Rivals” (Jan. 27) about the rivalry between the U.S. and Mexican national soccer teams.

Speaking of sports, Crave’s main offering this week is “Grind Now, Shine Later: The Chris Boucher Story” (Jan. 25) about the former Golden State Warrior who’s now a Toronto Raptor.

Last but not least, AMC+ has yet another David Attenborough-narrated nature docuseries — the man is 96, does he ever rest? — “Frozen Planet II” (Jan. 28), a sequel to “Frozen Planet” in which the cameras return to the Arctic and Antarctic as well as the world’s other coldest regions.

NOTE: The listings here are in Eastern Standard Time and I’ve verified the times where possible, but it’s always best to check listings for your own area. The selection of programs reviewed reflects what I’m given access to by networks and streamers, whether reviews are embargoed, how many shows I have time to watch and my own personal taste. The Odds and Ends section includes shows that I have not watched.

Watchable Jan. 2 to 22, 2023

Yes, you read that right, this is a 20-day Watchable list since I will be in California from Jan. 5 to 15, partly to attend the Television Critics Association press tour, and won’t be screening anything until I get back. Herewith, some short takes on some shows I checked out during the past week.

Faith Rodgers, one of the victims of singer R. Kelly. PHOTO CREDIT: Lifetime

Surviving R. Kelly: The Final Chapter (Jan. 2, 9 p.m., Lifetime)

The 2019 docuseries “Surviving R. Kelly” and its 2020 followup, “The Reckoning,” are arguably big reasons why the R&B singer is in jail right now, having been convicted in 2021 of racketeering and sex trafficking, and in 2022 of child pornography. This final three-episode instalment of the docuseries follows Kelly’s federal trial, and includes fresh interviews with the sexual assault survivors and their families. This is not an easy watch. What these women (and some men) endured was horrific and has forever changed their lives and the lives of their families.

From left, Jessalyn Wanlim, Dani Kind, Enuka Okuma, Sadie Munroe, Sarah McVie and Catherine Reitman in “Workin’ Moms.” PHOTO CREDIT: Jackie Brown/Wolf + Rabbit Entertainment

Workin’ Moms (Jan. 3, 9 p.m., CBC)

It’s the end of the road for Catherine Reitman’s comedy about a group of Toronto mothers who connected in a Mommy and Me class and then, over seven seasons, took us on a funny, relatable ride as they navigated parenthood, careers, friendship and romance. I watched the first two episodes of Season 7 in preparation for interviewing Reitman and cast members Dani Kind, Enuka Okuma, Sarah McVie and Jessalyn Wanlim (you can read the story here) and can attest that the final season sticks to what made the show a global success. I’m not allowed to tell you how last season’s cliffhanger turned out after Anne (Kind) was hit by a car, but I’m sure you can figure it out on your own. This ain’t “Game of Thrones.”

CBC also has new seasons of charming coming-of-age comedy “Son of a Critch” (Jan. 3, 8:30 p.m.); Jonny Harris’s “Still Standing” (Jan. 4, 8 p.m.); Andrew Phung’s family comedy “Run the Burbs” (Jan. 4, 8:30 p.m.); and detective dramedy “Pretty Hard Cases” (Jan. 4, 9 p.m.), with dream team Meredith MacNeill and Adrienne C. Moore.

Iain Glen and Emily Hampshire in “The Rig.” PHOTO CREDIT: Amazon Studios

The Rig (Jan. 6, Prime Video)

Setting a thriller on an oil rig in the North Sea already guarantees a certain amount of drama. “The Rig” adds a restive crew trapped there by a mysterious fog and a communications breakdown; a series of increasingly bizarre injuries to crew members; and the suggestion there’s an ancient, hostile force at work. The main attraction is the terrific cast, a who’s who of Scottish and British actors alongside Emily Hampshire of “Schitt’s Creek” (you can read my interview with her here), who plays a petrochemical geologist and one of the few women aboard the rig. She gets to play off “Line of Duty” actors Martin Compston, Mark Bonnar, Rochenda Sandall and Richard Pepple, and “Game of Thrones” alum Iain Glen, Mark Addy, Owen Teale and Emun Elliott, plus one truly mammoth co-star: the model of an oil rig built in a Scottish studio.

Prime Video also has the second and final season of “Hunters” (Jan. 13), the Nazi-hunting drama that made a splash in 2020 by giving Al Pacino a rare recurring TV role. Even though his character Meyer Offerman — SPOILER ALERT! — died in Season 1, Pacino is back in flashback. I watched the first new episode, but reviews are embargoed so that’s all I’ll say.

Harry Hamlin and Alexandra Daddario in “Mayfair Witches.” PHOTO CREDIT: Alfonso Bresciani/AMC

Anne Rice’s Mayfair Witches (Jan. 8, 9 p.m., AMC/AMC+)

Reviews of this series are embargoed until Tuesday, but I’m including it anyway since it’s fair to say yet another TV series based on a beloved trilogy of Anne Rice novels is something of an event. This one stars Alexandra Daddario (“White Lotus”) as Rowan, a neurosurgeon who discovers she has troubling and dangerous powers, and is likely part of a family of witches. Harry Hamlin also stars as Cortland; Cameron Inman (and later Annabeth Gish) as Deirdre; Jack Huston as Lasher and Tongayi Chirisa as Ciprien. It remains to be seen if this will be as big a hit as “Anne Rice’s Interview With the Vampire” was for AMC.

Andrea Constand in “The Case Against Cosby.” PHOTO CREDIT: CBC

The Case Against Cosby (Jan. 8, 8 p.m., CBC/CBC Gem)

I apologize for recommending two documentaries about sex offenders in one week, but there is definite merit in this film that tells the story of Andrea Constand, the Canadian woman who succeeded in having Bill Cosby convicted of sexual assault. Yes, the conviction was overturned because of an unofficial deal that a district attorney made with Cosby in 2005 that he wouldn’t be prosecuted criminally after admitting in a civil trial that he used Quaaludes to have sex with women, but that’s not the same thing as being found innocent. This doc, directed by Karen Wookey (“Intervention Canada”), also features interviews with other survivors who took part in a trauma retreat with Constand; with her parents and sister; with police, lawyers and journalists involved in the case against Cosby; and with experts in what’s called “counterintuitive victim behaviour,” i.e. the way women behave after they’ve been sexually assaulted by someone they know as opposed to the way we’ve been led to believe they’re supposed to behave.

CBC and CBC Gem also have the docuseries “Stuff the British Stole” (Jan. 6, 8:30 p.m.), based on the podcast about, well, stuff the British have stolen over the centuries from other lands and cultures; the documentary “Last of the Right Whales” (Jan. 6, 9 p.m.) on “The Nature of Things”; and the documentary “Doug and the Slugs and Me” (Jan. 15, 8 p.m.), which is mainly about unlikely 1980s pop star Doug Bennett, directed by his family’s former next-door neighbour, Teresa Alfeld.

In addition, CBC Gem has the Ken Burns docuseries “The U.S. and the Holocaust” (Jan. 13), about America’s failure to rescue more than a fraction of the Jewish refugees trying to escape murder by the Nazis; and the Northern Ireland-set drama “Death and Nightingales” (Jan. 6), which has an intriguing cast in Ann Skelly, Matthew Rhys and Jamie Dornan but is very slow.

From left, Nicholas Ralph, Samuel West, Rachel Shenton, Anna Madeley and Callum Woodhouse in
“All Creatures Great and Small” Season 3. PHOTO CREDIT: Courtesy of Playground Entertainment

All Creatures Great and Small (Jan. 8, 9 p.m., PBS/PBS Masterpiece Prime Video Channel)

This is one of those shows I watch not just out of professional duty but because I really enjoy it. Based on the first two episodes, Season 3 looks to be as delightful as the first two seasons. It opens in 1939 with Yorkshire veterinarian James Herriot (Nicholas Ralph) about to marry farmer’s daughter Helen Alderson (Rachel Shenton). Naturally, there are complications — a boisterous bachelor’s party and a herd of cows at risk for disease among them — but the episode title, “Second Time Lucky,” gives a hint of how it turns out. All of the excellent lead cast are back, including Samuel West as irascible head vet Siegfried Farnon, Callum Woodhouse as his somewhat feckless brother Tristan and Anna Madeley as long-suffering housekeeper Mrs. Hall.

PBS also has Season 27 of the U.S. version of “Antiques Roadshow” (Jan. 2, 8 p.m.); and Season 3 of period mystery series “Miss Scarlet and the Duke” (Jan. 8, 8 p.m.); PBS also says it will rebroadcast “The U.S. and the Holocaust” beginning Jan. 6 at 9 p.m., although it’s on the WNED schedule Jan. 9 at 9 p.m.

And because I can’t really resist anything to do with Scotland, the birthplace of two of my grandparents, I screened “Wildheart” (Jan. 18, 8 p.m.), a restorative episode of “Nature” about a Scots pine in what’s left of the Caledonian Forest in the highlands that’s almost 500 years old. Did it really grow from a pine cone tossed aside by Mary, Queen of Scots as a child? I don’t see how one could prove that, but it makes for a whimsical start to telling the life story of this tree and the creatures that have surrounded it for centuries.

From left, Chandni, Roop, Kuki, Chandan and Sarab Singh, the stars of “Bollywed.”

Bollywed (Jan. 12, 8 p.m., CBC/CBC Gem)

If you have ever taken a streetcar along Gerrard Street East in Toronto you have no doubt spotted Chandan Fashion out the window with its distinctive blue and magenta exterior. This docuseries takes viewers inside the shop and the Singh family, who have run the business in Little India for 37 years. As it gained inventory and customers, the shop grew to three storeys, but the first episode makes clear that those floors, as well as the basement, are bursting at the seams as father Kuki brings in more and more merchandise, and kids Chandan and Chandni encourage him to open another location. I suspect that clash of old school business practices vs. modernization will drive the action throughout the series. There’s also a touch of “Say Yes to the Dress” as Chandan helps brides choose their wedding ensembles in the third-floor bridal showroom.

Pedro Pascal and Bella Ramsey in “The Last of Us.” PHOTO CREDIT: Courtesy of HBO

The Last of Us (Jan. 15, 9 p.m., HBO/Crave)

Reviews of this postapocalyptic drama are embargoed until next week. I don’t think I’m even allowed to tell you whether I like it, so you’ll have to draw your own conclusions from the fact I have singled it out here. It’s based on a video game of the same name about the aftermath of a fungal infection that has wiped out huge swaths of humanity, leaving survivors penned into militaristic quarantine zones. I can at least tell you what I think of the cast, led by Pedro Pascal, a standout in shows like “Narcos,” “Game of Thrones” and “The Mandalorian,” and Bella Ramsey, the enormously talented young actor also seen in “Game of Thrones” and “Catherine Called Birdy.” They play Joel, a hardened survivor, and Ellie, the 14-year-old he is tasked with escorting across the country to a revolutionary group that’s trying to find a cure for the infection. Other cast members include Anna Torv, Merle Dandridge, Gabriel Luna, Nick Offerman, Murray Bartlett, Melanie Lynskey and Toronto’s Lamar Johnson.

Crave also has Viking revenge movie “The Northman” (Jan. 6), featuring a super ripped Alexander Skarsgard, which Toronto Star reviewer Peter Howell gave 3.5 out of 4 stars; British crime drama “Without Sin” (Jan. 6); competition series “The Climb” (Jan. 12), in which contestants climb foreboding looking peaks overseen by series creator Jason Momoa; animated Scooby-Doo spinoff “Velma” (Jan. 12), created by and starring Mindy Kaling; and Season 2 of “Your Honor” (Jan. 13), in which Bryan Cranston and Michael Stuhlbarg return as the judge and the mob boss whose lives were upended by a hit-and-run in Season 1.

“Shadowland,” based on an Atlantic magazine investigation of conspiracy theories, debuts Jan. 21. PHOTO CREDIT: Courtesy of History

Shadowland (Jan. 21, 9 p.m., History/STACKTV)

If there’s one thing we all became familiar with over the two years (now into its third) of the COVID-19 pandemic it’s conspiracy theories. This docuseries, based on a series of articles in the Atlantic magazine, takes a deep dive into the subject by having documentary teams interview the holders of these theories about their beliefs. The subjects include a woman in Pennsylvania who has bought so completely into the belief that the world is being controlled by a “deep state” cabal of elites that she risks going to jail for her part in the Jan. 6 riot rather than subject herself to the authority of the court. Other subjects include a Montreal woman, former journalist and rabid anti-vaxxer who has moved to San Francisco with her boyfriend, the so-called “Google whistleblower.” The series is directed by Joe Berlinger, an Emmy-winning and Oscar-nominated documentarian.

And while we’re on the subject of conspiracy theories, they are also the subject of the first episode of “Truth & Lies,” a docuseries debuting on TVO Jan. 17 at 9 p.m. The series from Emmy nominee Lewis Cohen takes a more historical approach. In the opener, for instance, it draws a line between the “blood libel” conspiracy theory of the 12th century that claimed Jews harvested the blood of Christian children, to the modern claim that Democrats are child pornographers using children for their blood. Other episodes look at war propaganda, scandals, money, religion and influencers.

Also, back to the Corus Entertainment slate, Showcase has “Irreverent” (Jan. 8, 9 p.m.), about a criminal mediator who has to flee Chicago for Australia and pose as a minister; and the latest David E. Kelley series, “The Calling” (Jan. 16, 9 p.m.), about a particularly dedicated NYPD detective. And W Network has the Hallmark series “The Way Home” (Jan. 22, 8 p.m.), which stars Andie MacDowell, Chyler Leigh and Sadie Laflamme-Snow as three generations of an estranged family and is set, at least in part, in a Canadian farm town.

Odds and Ends

Joanne Woodward and Paul Newman in 1975 in a scene from “The Last Movie Stars.”
PHOTO CREDIT: Warner Brothers

I very much wanted to review “The Last Movie Stars,” the docuseries about actors and spouses Paul Newman and Joanne Woodward, directed by movie star Ethan Hawke, that got rapturous reviews when it debuted in the U.S. It finally makes its Canadian premiere Jan. 12 on Hollywood Suite, but screeners won’t be available until after I’ve left for California.

Speaking of stars, Matthew Macfadyen and Keeley Hawes are certainly that, particularly if you’ve watched “Succession” or any number of British series that they’ve been in. The real-life couple plays British politician John Stonehouse and his wife Barbara in “Stonehouse” (Jan. 17, BritBox). The MP was at the centre of a scandal in the U.K. after faking his own death in 1974. Reviews, unfortunately, are embargoed until next week.

Let’s get to Netflix. I liked the first season of the soapy but charming “Ginny & Georgia,” but there was an embargo on Season 2 episodes, which debut Jan. 5. More (not all) Netflix premieres: documentary “Madoff: The Monster of Wall Street” (Jan. 4); doc “Mumbai Mafia: Police vs. the Underworld” (Jan. 6); Season 2 of “Vikings: Valhalla” (Jan. 12); tennis documentary “Break Point” (Jan. 13); “That ’70s Show” spinoff “That ’90s Show” (Jan. 19); so-called reality series “Bling Empire: New York” (Jan. 20).

Your Disney+ pick is “If These Walls Could Sing” (Jan. 6), the story of Abbey Road Studios as told by Mary McCartney, daughter of Beatle Paul McCartney. Also, buzzy movie “The Menu” has its streaming debut Jan. 4.

Apple TV+ has docuseries “Super League: The War for Football” (Jan. 13) and by football they mean soccer. It also has the fourth and final season of “Servant” (Jan. 13).

David Attenborough is back with yet another nature documentary, “Dynasties II” (Jan. 8, 9 p.m., BBC Earth), which follows families of elephants, macaques, cheetahs, pumas, meerkats and hyenas.

I don’t usually write up Paramount+ series since they don’t often send me releases, but that seems to be changing. On Jan. 19, the streamer has the Canadian debut of “The Chemistry of Death,” based on two Simon Beckett novels, starring Harry Treadaway (“Penny Dreadful”) as former forensic anthropologist David Hunter.

And finally, the tarnished “Golden Globe Awards” are back and will air Jan. 10 at 8 p.m. on Citytv.

NOTE: The listings here are in Eastern Standard Time and I’ve verified the times where possible, but it’s always best to check listings for your own area. The selection of programs reviewed reflects what I’m given access to by networks and streamers, whether reviews are embargoed, how many shows I have time to watch and my own personal taste. The Odds and Ends section includes shows that I have not watched.

CORRECTION, JAN. 22, 2023: Edited because I accidentally misspelled Murray Bartlett’s last name in the “Last of Us” entry.

© 2024 Realityeo.com

Theme by Anders NorenUp ↑